Asian Antiques by Silk Road
All Items : Antiques : Regional Art : Asian : Japanese : Textiles : Pre 1900 item #1068929 (stock #18-22)
Silk Road Gallery
$320.00
This late Meiji era Japanese silk obi with pattern on both sides of its full 116 inch length is classified as a “han haba” obi because it is half the width of the standard kimono belt and, with its softer texture and informal pattern, is meant to be worn at home or with yukata in the summer. The unusual color combination of lilac, gold, yellow and white on a dark turquoise background adds interest to the casual design...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #650510 (stock #62-20)
Silk Road Gallery
$1,100.00
Nicely grained beechwood gives this pair of late 19th century Chinese panels a smooth, satin-like finish. The fretwork design is elegantly simple but required numerous carefully cut and carved pieces of wood fitted together to create the look of an interlocking wood chain. The panels were used in a horizontal orientation and most likely were part of a large day bed. The metal hangers are new and recently added. These panels are ideally sized for use as headboards over twin beds...
All Items : Antiques : Regional Art : Asian : Central Asian : Jewelry : Pre 1920 item #306736 (stock #15-14)
Silk Road Gallery
$195.00
Most likely used on a belt or collar, this large, lacy starburst has five circular silver designs centered with a pink stone. The back side of the starburst is centered with a sturdy loop through which fabric or leather may have been pulled as part of a ceremonial costume. For typical week-long wedding celebrations and other festivities in Uzbekistan, Uzbek women still wear intricate tribal jewelry such as this piece...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #896352 (stock #63-23)
Silk Road Gallery
$695.00
An offering stand, or “kalat,” used by the Intha people who live in the villages around Inle Lake in one of the Shan states in northeastern Burma, is from the late 19th century. A similar though more recent piece in the British Museum is pictured in “Visions from the Golden Land: Burma and the Art of Lacquer,” by Isaacs and Blurton, British Museum Press, p. 163...
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1900 item #145210 (stock #38-57)
Silk Road Gallery
$390.00
The wide wing span of a bird forms the top of this mid-19th century Qing Dynasty inkstone. The dark purple-grey stone is unusually shallow for an inkstone, which contributes to the sleek look of the bird motif. Scholars selected inkstones with great care and had them carved with symbols they hoped would encourage and inspire their higher sentiments as they created poetry, calligraphy and paintings...
All Items : Antiques : Regional Art : Asian : Chinese : Pottery : Pre 1900 item #900790 (stock #37-38)
Silk Road Gallery
$595.00
This large jar from China’s late Qing Dynasty has a heavy cream-colored glaze as background for a design of peonies outlined in chocolate brown. Peony petals are touched with subtle blue/brown shading...
All Items : Antiques : Regional Art : Asian : Chinese : Stoneware : Pre 1837 VR item #784126 (stock #33-54)
Silk Road Gallery
$375.00
An 18th century Chinese oil pitcher has a thick glaze decorated with blue calligraphy done in the loose, free "wet brush" manner. Collected for its spontaneity of design, Swatow ware with this type of calligraphy was made in South China and exported from the port of Swatow to countries throughout Southeast Asia. The cursive characters were applied with a very wet brush, depositing heavier, darker color at the ends of the strokes...
All Items : Antiques : Regional Art : Asian : Central Asian : Textiles : Pre 1920 item #152889 (stock #14-79)
Silk Road Gallery
$395.00
The kilim bags of the Central Asian Turkmen nomads were woven of camel or goat hair, sometimes combined with wool, on transportable looms. This tightly woven camel hair bag perhaps was made while the weaver was traveling by camel to a new location. Called jaloors or juvals, these rectangular kilim sacks were used to transport and store household effects and goods for trade. This one has three wide bands with geometric designs on a rich red background. The back is natural camel color...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #142931 (stock #39-02)
Silk Road Gallery
$2,900.00
Nearly four feet in height, this 19th century Burmese Mandalay Buddha holds the right hand in the varada gesture to signify fulfillment of all wishes, boon granting and charity. A small fruit offering also is held in the right hand. This graceful classic figure is carved from dense Burmese teak and stands on a lotus throne. An undercoating of dark red lacquer that shows through worn areas in the gilding gives the piece an attractive patina...
All Items : Antiques : Regional Art : Asian : Chinese : Textiles : Pre 1900 item #890110 (stock #52-16)
Silk Road Gallery
$450.00
An embroidered silk cloud collar made for a child in late 19th century China has seven silk lappets, each embroidered with a lamb. In both city and provincial households, embroidery, an ancient Chinese art form, used symbolic animals, birds and flowers in free designs to express hopes for the future of family members. The lambs on this charming Shaanxi Province collar symbolized filial piety, an important Confucian trait that was encouraged on this piece seven times over...
All Items : Antiques : Regional Art : Asian : Japanese : Furniture : Pre 1910 item #168849 (stock #08-45)
Silk Road Gallery
$650.00
Sliding reed doors such as these late Meiji Period fusuma were used in Japan during the hot summer months to replace shoji screens and solid doors. The reeds allowed cooling breezes to circulate yet afforded privacy. On these doors, the reeds are carefully arranged so the darker areas form a wave pattern. They are held in place by horizontal strips of bamboo on one side and kiri wood on the other...
All Items : Antiques : Regional Art : Asian : Chinese : Pottery : Pre 1920 item #688172 (stock #60-39)
Silk Road Gallery
SOLD
Glazed a soft grey/green, this rustic pottery Chinese oil lamp has charm and appeal that outlive its humble origin. It provided a simple light source. We have not seen one of these in use and originally thought the oil and wick were put into the shallow bowl on top. A visitor to this web site tells us that was not the case. The oil and wick, he said, were put into a small saucer that was set on top of the shallow bowl. This piece makes no pretense beyond its original utilitarian intent--the po...
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1900 item #147960 (stock #53-44)
Silk Road Gallery
$800.00
Framed
Two scholars and a sleeping servant boy are painted on loose-weave silk in this mid 19th century Korean work. In strong light, the large unpainted silk area above the subjects takes on a rich gold sheen. A scholar's rock in an unusual shape rests on a container of pebbles in the foreground. The position of the scholars to one side contemplating objects not shown in the painting, plus the absence of an artist's seal suggests this was part of a larger piece, but the silk mat appears to be about th...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #719473 (stock #10-08)
Silk Road Gallery
$350.00
A 19th century Chinese panel carved in deep relief is centered with an official riding a chilin, a mythical beast that was an ancient Chinese symbol of high rank. Part unicorn, part dragon, part lion, the chilin is artfully carved with regal head, a flowing three-pronged tail and scales. Attendants holding a fan and a tray of food stand by on either side of the rider. The scene is bordered with graceful carvings of auspicious flowers--lotus, emblem of fruitfulness, on one end; peonies, omen of g...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1920 item #919136 (stock #63-64)
Silk Road Gallery
$595.00
Two kneeling nats, possibly representing the Taungbyon brothers, among the most revered deities in the Burmese spirit world of nats, are carved with identical positions and thrones but faces that are quite different from one another. Widespread belief among the Burmese of nats, the spirits of certain departed humans, and also of nat spirits of trees, rivers, rocks and more, predates the introduction of Buddhism in Burma. Thirty-seven nats, both protectors and rogues, each with its own complex s...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #154386 (stock #08-07)
Silk Road Gallery
$500.00
In Burma's remote villages, Buddha images displayed in temples and homes sometimes were the work of local artisans. The figures, created with great reverence, are humble and often quite appealing. This charming 18th century folk Buddha is from the Shan people, one of the numerous ethnic groups that make up Burma's devoutly Buddhist population. The image, carved from teak wood, was coated with several layers of black lacquer and then gilded, typical for Burmese carved wood figures. As a final ste...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #926234 (stock #33-92)
Silk Road Gallery
SOLD
This is a late 19th century Chinese altar table that has been altered for use as a table behind a low sofa. Altar tables typically have the shallow depth needed for a table placed behind a sofa but often are too high for that use. That is most likely why this one, somewhere along the way, had its legs shortened by a few inches. While its antique value was adversely affected by the alteration, its usability, at least from a Western point of view, may have been enhanced. The wood, elm in a rich m...
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1900 item #874456 (stock #53-45)
Silk Road Gallery
$1,200.00
This large framed Korean brush painting, signed and sealed by Korean artist Jae Min, is 58 inches in height. The late 19th century painting of a stand of bamboo shows the finely constrained lines and subtlety of the brush in the hands of a master. Ink and slight color on paper, it is matted with plain black silk and set within a traditional wood rounded corner Korean frame. A thin gold holding line separates the painting and mat. Touches of color appear in the red artist's seal on the lower rig...