Asian Antiques by Silk Road
All Items : Antiques : Regional Art : Asian : Indian Subcontinent : India : Pre 1900 item #935760 (stock #61-32)
Silk Road Gallery
SOLD
This exotic 19th century sterling silver ceremonial necklace from the opulent past of Rajasthan was once part of the collection of a high ranking Rajput family, most likely worn by a senior member of the clan on festival days. It is 92 percent sterling with a weight of 255 grams. Central to the imagery is a large disc formed by a crouching lion with an unusual extended hinged tongue that wags from side to side as the necklace wearer moves. Spreading to the left and right below the disc are ante...
All Items : Antiques : Regional Art : Asian : Chinese : Stoneware : Pre 1900 item #895012 (stock #60-42)
Silk Road Gallery
SOLD
This late 19th century Chinese utility jar has a glaze of such inviting color that it elevates the piece to folk art status. The primarily turquoise glaze has areas of deep blue and purple, and then stops short of the base showing a glimpse of brown. From Jiangsu, known as China’s ceramics province, this heavy piece has no chips or cracks but does have two firing flaws on one side (see photo enlargement #4). Dimensions: height 9 “ (23 cm), diameter 10” (25.4 cm).
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1800 item #291897 (stock #02-34)
Silk Road Gallery
$600.00
Inscriptions cover the left and back sides of the throne under this 18th century seated Burmese Shan Buddha. Made of lacquered wood coated with gilt, the figure is graceful and well proportioned, with a finely carved face. Long, tilted eyes under high eyebrows that sweep upward toward the hairline are the most arresting features of the peaceful face, which is smoothly capped in dark lacquer and topped with an exceptionally tall finial. Hands and robe details are simple and realistic; the feet, d...
All Items : Antiques : Regional Art : Asian : Japanese : Textiles : Pre 1910 item #774625 (stock #38-14)
Silk Road Gallery
$250.00
Cherry-red blossoms cover this woven silk summer obi from late Meiji era Japan. Silver leaves and centers on the flowers give depth to the tapestry-like weave. Hitoe (meaning single layer) obi were unlined, lighter and brighter than more formal obi styles. On this one, the fabric is folded back over about one-third of the length of the obi so the reverse side of the weave did not show when the obi was tied. Old obi make handsome bed throws, table runners and other decorative accent pieces. This ...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1960 item #820664 (stock #10-58)
Silk Road Gallery
SOLD
Long, low Burmese hermit figures with their distinctive hats and monk robes represent heroes from ancient Buddhist legends and folk stories. According to legend, the hermits spend most of their lives in self deprivation striving to perfect themselves morally, and if they achieve that perfection are reborn as zaw-gyi (zagwi), supernatural beings who fly through water, land and air doing good deeds. Some stories say zaw-gyi live forever, others say they live a mere 80,000 years. They are venerated...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #891192 (stock #64-44)
Silk Road Gallery
$1,200.00
This late 19th century offering vessel from the Burmese city of Pagan is an exceptionally fine example of the hsun-ok containers used to carry food offerings to Buddhist monasteries and temples. It is made of wood covered with many coats of lacquer, black first and then top layers of rich deep red. As the red lacquer wears away in areas exposing the black, a handsome negoro effect is created. A similar wooden hsun-ok is pictured in “Burmese Crafts Past and Present,” by Sylvia Fraser-Lu, Oxfo...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1492 item #718754 (stock #40-85)
Silk Road Gallery
$1,100.00
A 600-year-old bronze Buddha from the old Shan capital of Pinya in northern Burma sits in padmasana position with right hand in bhumisparsa, or earth touching, mudra. The Shan, who migrated down into north Burma from Yunnan, China, established their first capital at Pinya in 1298 during Burma's early Ava Period (1287-1752). In 1364, a Shan capital was established in Ava, where the Shan stayed until 1555. This small Pinya Buddha, most likely unearthed from a stupa, is a very early example of the ...
All Items : Antiques : Regional Art : Asian : Japanese : Folk Art : Pre 1900 item #912459 (stock #07-53)
Silk Road Gallery
$390.00
Sake dispensed from this large ceramic cask served late 19th century patrons in Saga Prefecture on Japan’s south island of Kyushu. The turquoise logo of a path between two wooded hills shows the cask held Seiryu Sake. The other side of the cask proclaims the name of the sake shop, Murata Saketen, and its address. The Kanji, in vivid underglaze cobalt with the splash of turquoise, and the design, rice stalks in relief extending up two sides of the container, make this an unusual and especially...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1920 item #922753 (stock #63-29)
Silk Road Gallery
SOLD
Delicately incised yun designs on a three-piece lacquer betel box from the Burmese city of Pagan depict scenes of five elegantly dressed courtiers, each portrayed within a distinctive and elaborate portal. The name of the artisan, Ko Sein Maung, is incised in one ribbon-like cartouche, and his locale, Pagan Dikesu, in another. The wish, chantha basage (may you be rich), appears in a third cartouche. The container has three parts—a deep lid, a high base and a fitted tray. It is designed to reta...
All Items : Antiques : Regional Art : Asian : Chinese : Sculpture : Pre 1837 VR item #1076254 (stock #12-49)
Silk Road Gallery
$1,500.00
This late 18th/early 19th century Chinese wood Buddha, nearly three feet tall, is carved in the Udayana image, an iconic pose used to portray the Shakyamuni Buddha. The figure, standing on a double lotus throne, gazes imperturbably out at the world with right hand extended in varada mudra, the Buddhist gesture of charity and blessings. Covering the entire wood surface are strong remains of original paint—russet , indigo and soft green define robes and throne; face, arms, hands and feet are ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1800 item #284166 (stock #08-04)
Silk Road Gallery
$450.00
Seated on a faded red lacquer throne, this little Buddha is a humble, quiet figure. With shallow carving that suggests rather than sharply defines the facial features, the smooth oval face takes on an enigmatic, ethereal look. The small body is compactly folded to fit precisely on the narrow throne, giving the impression that the figure is conserving space. Fingers on the right hand, in earth touching mudra, are exceptionally long. Three lines of script etched into the lacquer around the base of...
All Items : Antiques : Regional Art : Asian : Central Asian : Textiles : Pre 1910 item #168408 (stock #15-40)
Silk Road Gallery
$900.00
Susani (sometimes spelled "suzani") is the word for "needle" in Farsi, and the large embroidered dowry textiles of Turkic groups are so named because of the many hundreds of hours of needlework required to produce them. This one is from Uzbekistan, where Uzbeks and Tadzhiks share similar textile traditions with the Turkmen and other neighboring peoples in Central Asia. Susani designs and colors vary quite a bit from one locale to another, and the city of origin often is apparent at a glance to s...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #880614 (stock #11-06)
Silk Road Gallery
SOLD
This large dramatic sculpture of a royal Buddha in classic Arakan style is two feet tall and crowned with curled open-work flanges flanking five intricately rendered leaf-covered spires. The practice of outfitting Buddha images in such regal style is said to have started in the Arakan Kingdom that flourished from 1287 to 1752 AD, when it became part of Burma. According to legend, an Arakan king named Jambupati (or Jambuphati) was causing suffering due to his excessive arrogance and pride. In ord...
All Items : Antiques : Regional Art : Asian : Chinese : Pottery : Pre 1900 item #934316 (stock #32-73)
Silk Road Gallery
$395.00
A mid-19th century Chinese pottery utility jar gets its spontaneity and vitality from thick earthy glazes applied in random drips and dabs of green, cream and brown over a Shiwan clay body. The area around Shiwan in the southern province of Guangdong produced a tremendous range of ceramics over many hundreds of years, from folk figurines to roof tiles to fine works by master potters. Shiwan utility jars such as this one were molded into standard shapes and produced in quantity. The glaze is w...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #261283 (stock #57-66)
Silk Road Gallery
$175.00
The lid of this 19th century Burmese lacquer traveler's box is incised with a charming scene of two figures, separated by a tree, each of them with one hand raised in a farewell wave. Made by layering many coats of lacquer over a base constructed of fine strips of coiled bamboo, Burmese lacquerware is light and durable. The design on this box is hand drawn using a method called yun-incising. Lines were incised through the top coats of black lacquer to reveal the persimmon-colored lacquer underne...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1970 item #698608 (stock #30-99)
Silk Road Gallery
$395.00
This triptych tableau featuring the Buddhist earth goddess, Wathundaye, is carved of teak and fitted with wood hinges to form a folding altar. The mid-20th century piece is from the countryside in Burma, where Wathundaye is a revered Buddhist icon. She is shown in the act of wringing water from her long hair, depicting a Jataka story that credits her with using the water to drown the evil Mara and his armies who were attempting to disrupt Buddha's path to enlightenment as he meditated under the ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1920 item #687835 (stock #64-37)
Silk Road Gallery
$1,200.00
Sale Pending
Finely modeled scenes from the "Jataka," stories of important events in the life of the Buddha, cover the lid and three sides of this "sadaik," or manuscript chest, from a Burmese monastery. (See similar chests in an article in "Arts of Asia" magazine, May-June 2013 issue, page 82, by Sylvia Fraser-Lu, with detailed information on Jataka stories depicted on manuscript chests.) The lid on this chest shows two scenes especially revered in Burma: The first is a compelling representation of the Budd...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #896352 (stock #63-23)
Silk Road Gallery
$695.00
An offering stand, or “kalat,” used by the Intha people who live in the villages around Inle Lake in one of the Shan states in northeastern Burma, is from the late 19th century. A similar though more recent piece in the British Museum is pictured in “Visions from the Golden Land: Burma and the Art of Lacquer,” by Isaacs and Blurton, British Museum Press, p. 163. Kalat stands such as this were used by families in much the same manner as the tall, spired hsun-ok to carry offerings of food ...