Asian Antiques by Silk Road
Sort By:
All Items : Vintage Arts : Regional Art : Asian : Indian Subcontinent : India : Pre 1940 item #771251 (stock #61-24)
Silk Road Gallery
$350.00
Eighteen maharajah turban plumes encircle this sterling silver bracelet from 1930s India. The maharajah rulers of Rajasthan adopted the plume-shaped turban ornaments they called "sarpech" from the Mughals. Made of feathers and jewels, worn pointing skyward from their turbans, the plumes became symbolic of the colorful princely rulers. An inventive jewelry maker from India's Jain minority used the distinctive sarpech shape as the design motif for this bracelet. In India, where they are a minority...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #929783 (stock #63-14)
Silk Road Gallery
SOLD
An especially handsome lacquer bowl, called a “kwet,” is from the Shan people, a southeast Asian tribal group living primarily in northeast Burma. Similar Shan bowls, though not identical to this one, are pictured in a book from the British Museum Press entitled “Visions from the Golden Land: Burma and the Art of Lacquer” by Isaacs and Blurton, on pages 183 and 184, where they are labeled with the spelling “khwet.” This bowl has an inscription on the bottom that is difficult to deci...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #891192 (stock #64-44)
Silk Road Gallery
$1,200.00
This late 19th century offering vessel from the Burmese city of Pagan is an exceptionally fine example of the hsun-ok containers used to carry food offerings to Buddhist monasteries and temples. It is made of wood covered with many coats of lacquer, black first and then top layers of rich deep red. As the red lacquer wears away in areas exposing the black, a handsome negoro effect is created. A similar wooden hsun-ok is pictured in “Burmese Crafts Past and Present,” by Sylvia Fraser-Lu, Oxfo...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #949034 (stock #57-73)
Silk Road Gallery
$850.00
This cast metal Buddha from Cambodia stands on a low pedestal with right hand raised in abhaya mudra, a gesture of blessing and protection. The facial features—full lips, short nose and heavy-lidded eyes, as well as the rounded head of tight curls with a wide usnisa (top knot) and no finial—are classic Khmer. Decorative detailing on the body-hugging robe is emphasized by the silver tone of the heavy metal alloy. This early 20th century Buddha is in good condition, with some surface pitting c...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #167528 (stock #16-38)
Silk Road Gallery
$160.00
This primitive carved wood mask is from the Batak people who live around mystical Lake Toba in the northern reaches of the island of Sumatra. The small collection of Batak protector masks pictured in this catalogue (see them all under our category "Tribal") shows the fascinating range of expressions artisans were able to achieve in these relatively simple carvings. The impression conveyed by this particular mask is that of a keen observer somewhat stunned and perplexed by what he sees--a Batak v...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1950 item #933778 (stock #11-05)
Silk Road Gallery
$835.00
A royal Buddha, with right thumb and forefinger forming a circle, the vitarka mudra, sits in lotus position on a high double lotus throne. The vitarka gesture, sign of the Buddhist wheel of law, signifies intellectual discussion of philosophy and doctrine. This is one of several variations of the mudra, also conveyed with the circle sign given by the hand raised with palm outward, or the hand palm up resting in the lap. This figure, carved of dense Burmese teak wood, is attired in the distinc...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #757166 (stock #08-03)
Silk Road Gallery
$375.00
A modest little folk Buddha with right hand in earth touching mudra sits on a red and black double lotus throne. Made of lacquered teak wood, the carving is from the Shan minority in Burma. The gilded Buddha has the downcast eyes, prominent brow, small chin and large finial generally seen on Shan figures. It most likely was displayed in a village daimyo, a covered outdoor pavilion with a stepped altar holding a number of Buddha figures of various sizes, a local gathering place for daily devotion...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #154386 (stock #08-07)
Silk Road Gallery
$500.00
In Burma's remote villages, Buddha images displayed in temples and homes sometimes were the work of local artisans. The figures, created with great reverence, are humble and often quite appealing. This charming 18th century folk Buddha is from the Shan people, one of the numerous ethnic groups that make up Burma's devoutly Buddhist population. The image, carved from teak wood, was coated with several layers of black lacquer and then gilded, typical for Burmese carved wood figures. As a final ste...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Paintings : Pre 1960 item #1128953 (stock #10-73)
Silk Road Gallery
$200.00
This Yao painting of tribal ancestor spirits originally was part of a set of 27 scrolls that comprised a full Yao (Mien) Bible. (See photos and descriptions of a complete set archived on our website www.silkroad1.com by entering 57-33 in the search box.) This painting is one of two “orphan” bible pages we found that most likely were replaced in a bible with similar new paintings, which is sometimes done to refresh the set. Bible paintings that are replaced are “decommissioned” by a Ya...
All Items : Antiques : Regional Art : Asian : Indian Subcontinent : India : Pre 1900 item #935760 (stock #61-32)
Silk Road Gallery
SOLD
This exotic 19th century sterling silver ceremonial necklace from the opulent past of Rajasthan was once part of the collection of a high ranking Rajput family, most likely worn by a senior member of the clan on festival days. It is 92 percent sterling with a weight of 255 grams. Central to the imagery is a large disc formed by a crouching lion with an unusual extended hinged tongue that wags from side to side as the necklace wearer moves. Spreading to the left and right below the disc are ante...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1837 VR item #1250809 (stock #06-84)
Silk Road Gallery
$320.00
pair
These teak hangers are from Solo on the Indonesian island of Java and date to the early 19th century. Painted carvings of Hanuman, the heroic white monkey from the Southeast Asian epic, “The Ramayana,” sit atop long curved tails that form textile hangers. Fabrics can be draped so the Hanuman figures face front or to the sides. The hangers have holes at the top end so they can be either suspended or affixed directly to a wall. (See a similar set of hangers with different carved figures by ...
All Items : Antiques : Regional Art : Asian : Indian Subcontinent : Sri Lanka : Pre 1837 VR item #795716 (stock #35-91)
Silk Road Gallery
$150.00
From the old capital of Kandy in the hill country of Ceylon, now Sri Lanka, this primitive bone carving represents a Singhalese king. Carving on the face and upper body of the figure is quite primitive and contrasts with finer detailing in the swirling patterns on the long skirt, which ends in carved, comb-like teeth. The surface of the large, heavy bone is darkened with age except for one area on the right near the hand, which is white and worn smooth. This suggests it was used as an implemen...
All Items : Antiques : Regional Art : Asian : Central Asian : Textiles : Pre 1920 item #152889 (stock #14-79)
Silk Road Gallery
$395.00
The kilim bags of the Central Asian Turkmen nomads were woven of camel or goat hair, sometimes combined with wool, on transportable looms. This tightly woven camel hair bag perhaps was made while the weaver was traveling by camel to a new location. Called jaloors or juvals, these rectangular kilim sacks were used to transport and store household effects and goods for trade. This one has three wide bands with geometric designs on a rich red background. The back is natural camel color. It is bound...
All Items : Popular Collectibles : Cultural : Pre 2000 item #720726 (stock #25-15)
Silk Road Gallery
$295.00
These three handsome wool pillow covers were woven by hand in the remote area of Chirokchi in the Kashkadarya Region of Uzbekistan, Central Asia. Made for the local market, the covers follow a design handed down for generations. They are as thick and tightly woven as flat-weave rugs, and most likely will last for generations. There was hope among the women home weavers of Chirokchi back in the mid 1990s that their weaving could be developed into export items but, as far as we know, their dream h...
All Items : Vintage Arts : Regional Art : Asian : Central Asian : Pre 1980 item #940023 (stock #23-98)
Silk Road Gallery
SOLD
This two-headed terracotta dragon is a replica of dragons that topped walls surrounding the ancient Central Asian city of Samarkand, Uzbekistan. The Samarkand wall and its dragons, though long gone, seem to occupy a place in the collective memories of the polyglot population of present-day Uzbekistan. This piece was made by a Tajik artisan who lives near Samarkand, and is a small representation of the long, rich and often perplexing history of Central Asia. Neither the artisan nor anyone else w...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #394992 (stock #55-14)
Silk Road Gallery
$695.00
The low, rich sound of this Burmese temple gong is pleasant and gentle, yet impossible to ignore. We found the hand hammered bronze gong while traveling in Burma many years ago. We later had the stand, constructed of aged, reclaimed elm wood, custom made in China using traditional joinery methods. Thick, heavy bronze, blackened in the Burmese style, is responsible for the haunting sound of the gong. The striker, also made in Burma, has a hand sewn fabric cover. Dimensions of gong only: diameter ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1800 item #284166 (stock #08-04)
Silk Road Gallery
$450.00
Seated on a faded red lacquer throne, this little Buddha is a humble, quiet figure. With shallow carving that suggests rather than sharply defines the facial features, the smooth oval face takes on an enigmatic, ethereal look. The small body is compactly folded to fit precisely on the narrow throne, giving the impression that the figure is conserving space. Fingers on the right hand, in earth touching mudra, are exceptionally long. Three lines of script etched into the lacquer around the base of...
All Items : Antiques : Regional Art : Asian : Central Asian : Jewelry : Pre 1920 item #707253 (stock #61-13)
Silk Road Gallery
$295.00
From Turkmenistan, Central Asia, this silver amulet of the Teke Turkomen people is formed to represent three stylized sets of rams' horns in ascending sizes. A large, flat carnelian centers the largest horn, the other two have small black stones, possibly agate. Although the ornament now hangs from a leather cord as a pendant necklace, it originally was sewn to clothing to ward off evil. The Teke are among a number of Central Asian nomadic Turkic tribes known for silver jewelry designed with sym...