Asian Antiques by Silk Road
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All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1950 item #933778 (stock #11-05)
Silk Road Gallery
$835.00
A royal Buddha, with right thumb and forefinger forming a circle, the vitarka mudra, sits in lotus position on a high double lotus throne. The vitarka gesture, sign of the Buddhist wheel of law, signifies intellectual discussion of philosophy and doctrine. This is one of several variations of the mudra, also conveyed with the circle sign given by the hand raised with palm outward, or the hand palm up resting in the lap. This figure, carved of dense Burmese teak wood, is attired in the distinc...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #891192 (stock #64-44)
Silk Road Gallery
$1,200.00
This late 19th century offering vessel from the Burmese city of Pagan is an exceptionally fine example of the hsun-ok containers used to carry food offerings to Buddhist monasteries and temples. It is made of wood covered with many coats of lacquer, black first and then top layers of rich deep red. As the red lacquer wears away in areas exposing the black, a handsome negoro effect is created. A similar wooden hsun-ok is pictured in “Burmese Crafts Past and Present,” by Sylvia Fraser-Lu, Oxfo...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1837 VR item #1250809 (stock #06-84)
Silk Road Gallery
$320.00
pair
These teak hangers are from Solo on the Indonesian island of Java and date to the early 19th century. Painted carvings of Hanuman, the heroic white monkey from the Southeast Asian epic, “The Ramayana,” sit atop long curved tails that form textile hangers. Fabrics can be draped so the Hanuman figures face front or to the sides. The hangers have holes at the top end so they can be either suspended or affixed directly to a wall. (See a similar set of hangers with different carved figures by ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1920 item #854196 (stock #10-68)
Silk Road Gallery
$390.00
This large lacquered early 20th century bowl from the Shan people, who live primarily in eastern parts of Burma and across the border in western and northern areas of Thailand, is called a “kwet” and was used to serve huge quantities of rice. It is made of split bamboo basketry supported by six sturdy ribs that curve down to end in six low feet. The basic bamboo construction is coated inside and out with layers of black lacquer overlaid with layers of red lacquer. The basketry shows through ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #757166 (stock #08-03)
Silk Road Gallery
$375.00
A modest little folk Buddha with right hand in earth touching mudra sits on a red and black double lotus throne. Made of lacquered teak wood, the carving is from the Shan minority in Burma. The gilded Buddha has the downcast eyes, prominent brow, small chin and large finial generally seen on Shan figures. It most likely was displayed in a village daimyo, a covered outdoor pavilion with a stepped altar holding a number of Buddha figures of various sizes, a local gathering place for daily devotion...
All Items : Antiques : Regional Art : Asian : Central Asian : Textiles : Pre 1910 item #168408 (stock #15-40)
Silk Road Gallery
$900.00
Susani (sometimes spelled "suzani") is the word for "needle" in Farsi, and the large embroidered dowry textiles of Turkic groups are so named because of the many hundreds of hours of needlework required to produce them. This one is from Uzbekistan, where Uzbeks and Tadzhiks share similar textile traditions with the Turkmen and other neighboring peoples in Central Asia. Susani designs and colors vary quite a bit from one locale to another, and the city of origin often is apparent at a glance to s...
All Items : Antiques : Regional Art : Asian : Central Asian : Textiles : Pre 1920 item #152889 (stock #14-79)
Silk Road Gallery
$395.00
The kilim bags of the Central Asian Turkmen nomads were woven of camel or goat hair, sometimes combined with wool, on transportable looms. This tightly woven camel hair bag perhaps was made while the weaver was traveling by camel to a new location. Called jaloors or juvals, these rectangular kilim sacks were used to transport and store household effects and goods for trade. This one has three wide bands with geometric designs on a rich red background. The back is natural camel color. It is bound...
All Items : Vintage Arts : Regional Art : Asian : Central Asian : Pre 1980 item #940023 (stock #23-98)
Silk Road Gallery
SOLD
This two-headed terracotta dragon is a replica of dragons that topped walls surrounding the ancient Central Asian city of Samarkand, Uzbekistan. The Samarkand wall and its dragons, though long gone, seem to occupy a place in the collective memories of the polyglot population of present-day Uzbekistan. This piece was made by a Tajik artisan who lives near Samarkand, and is a small representation of the long, rich and often perplexing history of Central Asia. Neither the artisan nor anyone else w...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #167518 (stock #16-44)
Silk Road Gallery
$160.00
This primitive carved wood mask is from the Batak people who live around mystical Lake Toba in the northern reaches of the island of Sumatra. The small collection of Batak protector masks pictured in this catalogue (see them all under our category "Tribal") shows the fascinating range of facial expressions artisans were able to achieve in these relatively simply carved masks. This particular mask is unusual because the face appears to be smiling; its world class bloodshot eyes, however, are simi...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #882005 (stock #63-13)
Silk Road Gallery
SOLD
This very large lacquer tray from the Shan minority people in northeast Burma has four different patterns of basketry weaving showing through the rich persimmon-colored lacquer. Called byat, such handmade trays, used for serving food, were time-consuming to produce. Following the weaving process, each of the many successive applications of lacquer required several days of drying, then burnishing before the next coat of lacquer was applied. Tin trays were replacing these handmade ones a number o...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #903490 (stock #57-38)
Silk Road Gallery
$975.00
A Mon Buddha from 18th century Burma has the distinctive facial features and very high finial that identify Mon images from the Ava period. The waisted throne is edged with geometric decorations typical of Mon images of the era. We purchased this figure about 20 years ago in Burma from a dealer whose collection included mostly 19th century Shan images. This one is clearly from an earlier period and, although there is some overlap between the Shan and Mon sub-states in the characteristics of the...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1950 item #909778 (stock #11-02)
Silk Road Gallery
$875.00
This crowned Shan Buddha sits in bhadrasana, or Western position, on a tall stepped throne of unusual design. The carved teak wood figure has the winged side flanges and spired crown centered with high finial that identify royal Buddha figures from Burma. Shan artisans often added Arakanese accoutrements such as long ear pieces and ornate epaulets and chest ornaments to jambhupati (crowned) Buddha but this one has none of those; instead, the artisan provided a striking throne that nicely balanc...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #806740 (stock #64-02)
Silk Road Gallery
$195.00
This most unusual rice ladle from the Shan minority people of Southeast Asia has carvings of a peacock, an elephant, a donkey, a fish and a mystery animal all lined up along its handle. Carving on the double handle, simulating rope, is skillfully done; carving on the animals is more primitive. The bowl is made from a sturdy gourd coated with lacquer. This ladle originated in one of the many small Shan villages concentrated in northeast Burma and was used to scoop rice into the alms bowls of monk...
All Items : Antiques : Regional Art : Asian : Central Asian : Jewelry : Pre 1920 item #362722 (stock #61-15)
Silk Road Gallery
$295.00
The triangle, an ancient symbol of female fertility, is the shape frequently chosen for Turkomen (Turkmen) amulets. This one, made of silver, is inlaid with 19 turquoise stones and centered with another triangle of onyx. The blue of the turquoise was incorporated as protection against the evil eye, and the triangles as effective means of averting danger, thereby making this early 20th century pendant a powerful amulet. The condition of this piece of jewelry suggests that its protective propertie...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #167531 (stock #16-39)
Silk Road Gallery
$160.00
This primitive carved wood mask is from the Batak people who live around mystical Lake Toba in the northern reaches of the island of Sumatra in Indonesia. The small collection of Batak protector masks pictured in this catalogue (see them all under our category "Tribal") shows the fascinating range of facial expressions artisans were able to achieve in these relatively simple carvings. This particular mask has a bird theme, with rather predatory owl-like eyes and a red and green bird head that ha...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Wood : Pre 1980 item #818403 (stock #12-28)
Silk Road Gallery
$195.00
A small metal balance scale is enclosed within this wood container carved in the shape of the Burmese crane, known as a “karaweik,” that holds a fish in its bill. Although commonly called “opium” scales, such rudimentary instruments, and the so-called “opium” weights used with them, were basic merchant tools used in daily bazaars to measure just about anything that fit into the small trays. Mythical animals and birds were favorite design elements for items associated with the scales....
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Paintings : Pre 1960 item #1128953 (stock #10-73)
Silk Road Gallery
$200.00
This Yao painting of tribal ancestor spirits originally was part of a set of 27 scrolls that comprised a full Yao (Mien) Bible. (See photos and descriptions of a complete set archived on our website www.silkroad1.com by entering 57-33 in the search box.) This painting is one of two “orphan” bible pages we found that most likely were replaced in a bible with similar new paintings, which is sometimes done to refresh the set. Bible paintings that are replaced are “decommissioned” by a Ya...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #896352 (stock #63-23)
Silk Road Gallery
$695.00
An offering stand, or “kalat,” used by the Intha people who live in the villages around Inle Lake in one of the Shan states in northeastern Burma, is from the late 19th century. A similar though more recent piece in the British Museum is pictured in “Visions from the Golden Land: Burma and the Art of Lacquer,” by Isaacs and Blurton, British Museum Press, p. 163. Kalat stands such as this were used by families in much the same manner as the tall, spired hsun-ok to carry offerings of food ...