Asian Antiques by Silk Road
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All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #167528 (stock #16-38)
Silk Road Gallery
$160.00
This primitive carved wood mask is from the Batak people who live around mystical Lake Toba in the northern reaches of the island of Sumatra. The small collection of Batak protector masks pictured in this catalogue (see them all under our category "Tribal") shows the fascinating range of expressions artisans were able to achieve in these relatively simple carvings. The impression conveyed by this particular mask is that of a keen observer somewhat stunned and perplexed by what he sees--a Batak v...
All Items : Vintage Arts : Regional Art : Asian : Central Asian : Pre 1980 item #940023 (stock #23-98)
Silk Road Gallery
SOLD
This two-headed terracotta dragon is a replica of dragons that topped walls surrounding the ancient Central Asian city of Samarkand, Uzbekistan. The Samarkand wall and its dragons, though long gone, seem to occupy a place in the collective memories of the polyglot population of present-day Uzbekistan. This piece was made by a Tajik artisan who lives near Samarkand, and is a small representation of the long, rich and often perplexing history of Central Asia. Neither the artisan nor anyone else w...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #167531 (stock #16-39)
Silk Road Gallery
$160.00
This primitive carved wood mask is from the Batak people who live around mystical Lake Toba in the northern reaches of the island of Sumatra in Indonesia. The small collection of Batak protector masks pictured in this catalogue (see them all under our category "Tribal") shows the fascinating range of facial expressions artisans were able to achieve in these relatively simple carvings. This particular mask has a bird theme, with rather predatory owl-like eyes and a red and green bird head that ha...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #806740 (stock #64-02)
Silk Road Gallery
$195.00
This most unusual rice ladle from the Shan minority people of Southeast Asia has carvings of a peacock, an elephant, a donkey, a fish and a mystery animal all lined up along its handle. Carving on the double handle, simulating rope, is skillfully done; carving on the animals is more primitive. The bowl is made from a sturdy gourd coated with lacquer. This ladle originated in one of the many small Shan villages concentrated in northeast Burma and was used to scoop rice into the alms bowls of monk...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Paintings : Pre 1960 item #1223013 (stock #10-72)
Silk Road Gallery
$100.00
Originally part of a set of 27 scrolls, this painting is from the Yao (Mein) tribal people living in the Golden Triangle area where Thailand, Burma and Laos meet. The Yao, one of the six so-called hill tribes residing in the Golden Triangle, follow Taoism as it was practiced in China in the 13th and 14th centuries. This painting on mulberry paper was one of several face masks representing ancestral spirits that were part of the complete set of large scrolls. It was worn by a tribal elder during...
All Items : Antiques : Regional Art : Asian : Indian Subcontinent : India : Pre 1900 item #935760 (stock #61-32)
Silk Road Gallery
SOLD
This exotic 19th century sterling silver ceremonial necklace from the opulent past of Rajasthan was once part of the collection of a high ranking Rajput family, most likely worn by a senior member of the clan on festival days. It is 92 percent sterling with a weight of 255 grams. Central to the imagery is a large disc formed by a crouching lion with an unusual extended hinged tongue that wags from side to side as the necklace wearer moves. Spreading to the left and right below the disc are ante...
All Items : Antiques : Regional Art : Asian : Central Asian : Jewelry : Pre 1920 item #362722 (stock #61-15)
Silk Road Gallery
$295.00
The triangle, an ancient symbol of female fertility, is the shape frequently chosen for Turkomen (Turkmen) amulets. This one, made of silver, is inlaid with 19 turquoise stones and centered with another triangle of onyx. The blue of the turquoise was incorporated as protection against the evil eye, and the triangles as effective means of averting danger, thereby making this early 20th century pendant a powerful amulet. The condition of this piece of jewelry suggests that its protective propertie...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #757166 (stock #08-03)
Silk Road Gallery
$375.00
A modest little folk Buddha with right hand in earth touching mudra sits on a red and black double lotus throne. Made of lacquered teak wood, the carving is from the Shan minority in Burma. The gilded Buddha has the downcast eyes, prominent brow, small chin and large finial generally seen on Shan figures. It most likely was displayed in a village daimyo, a covered outdoor pavilion with a stepped altar holding a number of Buddha figures of various sizes, a local gathering place for daily devotion...
All Items : Antiques : Regional Art : Asian : Central Asian : Jewelry : Pre 1920 item #707253 (stock #61-13)
Silk Road Gallery
$295.00
From Turkmenistan, Central Asia, this silver amulet of the Teke Turkomen people is formed to represent three stylized sets of rams' horns in ascending sizes. A large, flat carnelian centers the largest horn, the other two have small black stones, possibly agate. Although the ornament now hangs from a leather cord as a pendant necklace, it originally was sewn to clothing to ward off evil. The Teke are among a number of Central Asian nomadic Turkic tribes known for silver jewelry designed with sym...
All Items : Antiques : Regional Art : Asian : Indian Subcontinent : Sri Lanka : Pre 1837 VR item #795716 (stock #35-91)
Silk Road Gallery
$150.00
From the old capital of Kandy in the hill country of Ceylon, now Sri Lanka, this primitive bone carving represents a Singhalese king. Carving on the face and upper body of the figure is quite primitive and contrasts with finer detailing in the swirling patterns on the long skirt, which ends in carved, comb-like teeth. The surface of the large, heavy bone is darkened with age except for one area on the right near the hand, which is white and worn smooth. This suggests it was used as an implemen...
All Items : Antiques : Regional Art : Asian : Central Asian : Textiles : Pre 1920 item #152889 (stock #14-79)
Silk Road Gallery
$395.00
The kilim bags of the Central Asian Turkmen nomads were woven of camel or goat hair, sometimes combined with wool, on transportable looms. This tightly woven camel hair bag perhaps was made while the weaver was traveling by camel to a new location. Called jaloors or juvals, these rectangular kilim sacks were used to transport and store household effects and goods for trade. This one has three wide bands with geometric designs on a rich red background. The back is natural camel color. It is bound...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1960 item #813834 (stock #12-83)
Silk Road Gallery
$495.00
A slender Buddha figure from mid-20th century Burma stands on a double lotus throne with right hand in varada mudra, gesture of charity and compassion. The tall crown, ornate side flanges, chest ornament and epaulets are in the style of the old Arakan Kingdom that became part of Burma in 1752 AD. This relatively small (14" tall) carved teak image was made by the Shan, a minority people residing primarily in Burma and Thailand. Shan communities have continued to produce crowned figures with Araka...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Wood : Pre 1980 item #818403 (stock #12-28)
Silk Road Gallery
$195.00
A small metal balance scale is enclosed within this wood container carved in the shape of the Burmese crane, known as a “karaweik,” that holds a fish in its bill. Although commonly called “opium” scales, such rudimentary instruments, and the so-called “opium” weights used with them, were basic merchant tools used in daily bazaars to measure just about anything that fit into the small trays. Mythical animals and birds were favorite design elements for items associated with the scales....
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #172561 (stock #16-41)
Silk Road Gallery
$160.00
This primitive carved wood mask is from the Batak people who live around mystical Lake Toba in the northern reaches of the island of Sumatra. The small collection of Batak protector masks pictured in this catalogue (see them all under our category "Tribal") shows the fascinating range of expressions artisans were able to achieve in these relatively simple carvings. The impression conveyed by this particular mask, one of wide-eyed innocence, is underscored by the soft pastel colors used by its cr...
All Items : Popular Collectibles : Cultural : Pre 2000 item #720726 (stock #25-15)
Silk Road Gallery
$295.00
These three handsome wool pillow covers were woven by hand in the remote area of Chirokchi in the Kashkadarya Region of Uzbekistan, Central Asia. Made for the local market, the covers follow a design handed down for generations. They are as thick and tightly woven as flat-weave rugs, and most likely will last for generations. There was hope among the women home weavers of Chirokchi back in the mid 1990s that their weaving could be developed into export items but, as far as we know, their dream h...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #154386 (stock #08-07)
Silk Road Gallery
$500.00
In Burma's remote villages, Buddha images displayed in temples and homes sometimes were the work of local artisans. The figures, created with great reverence, are humble and often quite appealing. This charming 18th century folk Buddha is from the Shan people, one of the numerous ethnic groups that make up Burma's devoutly Buddhist population. The image, carved from teak wood, was coated with several layers of black lacquer and then gilded, typical for Burmese carved wood figures. As a final ste...
All Items : Antiques : Regional Art : Pre 1837 VR item #839958 (stock #10-81)
Silk Road Gallery
SOLD
An unusually large early to mid-19th century Shan hsun-ok from Burma, this piece has a diameter of 19 inches and stands 32 inches high. Full size offering bowls with the distinctive hsun-ok silhouette generally are about 13 to 15 inches in diameter. This one is a masterpiece of balance with the ten identifying Shan raised rings around the lid echoed with 10 raised rings around base. The carvings on the spire, punctuated by a large ball, complement the substantial circumference of the piece. Its...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #891192 (stock #64-44)
Silk Road Gallery
$1,200.00
This late 19th century offering vessel from the Burmese city of Pagan is an exceptionally fine example of the hsun-ok containers used to carry food offerings to Buddhist monasteries and temples. It is made of wood covered with many coats of lacquer, black first and then top layers of rich deep red. As the red lacquer wears away in areas exposing the black, a handsome negoro effect is created. A similar wooden hsun-ok is pictured in “Burmese Crafts Past and Present,” by Sylvia Fraser-Lu, Oxfo...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #167518 (stock #16-44)
Silk Road Gallery
$160.00
This primitive carved wood mask is from the Batak people who live around mystical Lake Toba in the northern reaches of the island of Sumatra. The small collection of Batak protector masks pictured in this catalogue (see them all under our category "Tribal") shows the fascinating range of facial expressions artisans were able to achieve in these relatively simply carved masks. This particular mask is unusual because the face appears to be smiling; its world class bloodshot eyes, however, are simi...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1800 item #284166 (stock #08-04)
Silk Road Gallery
$450.00
Seated on a faded red lacquer throne, this little Buddha is a humble, quiet figure. With shallow carving that suggests rather than sharply defines the facial features, the smooth oval face takes on an enigmatic, ethereal look. The small body is compactly folded to fit precisely on the narrow throne, giving the impression that the figure is conserving space. Fingers on the right hand, in earth touching mudra, are exceptionally long. Three lines of script etched into the lacquer around the base of...
All Items : Antiques : Regional Art : Asian : Central Asian : Textiles : Pre 1920 item #1014401 (stock #14-83)
Silk Road Gallery
$430.00
Flatwoven Kilim bags such as this one were used centuries ago by the nomadic Turkic tribes of Central Asia. The bags were made in various shapes and sizes to hold everything from salt to liquids to household goods. Woven of a combination of camel hair and wool, this bag is from the Uzbek people. The weaving is spectacular—tight enough to hold water—with a clean, intricate pattern inside six horizontal bands. Called “ jabors” or ” juvals,” rectangular bags in this size were tied to ...
All Items : Popular Collectibles : Cultural : Pre 2000 item #694009 (stock #25-08)
Silk Road Gallery
$195.00
Embroidered with a traditional Kirghiz pattern on thick hand-rolled felt, this large bag evokes the nomadic life of the people of Kirghizstan in Central Asia. Bags in this style held household items and were hung on the walls of felt yurts. When it was time to fold the yurt and move on, the bags with the contents simply were slung on the camels' backs--no packing required. This bag was made by women from Kara-Kol, a valley town in the Tien Shan Mountains. They have formed a cooperative to produc...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1837 VR item #1250809 (stock #06-84)
Silk Road Gallery
$320.00
pair
These teak hangers are from Solo on the Indonesian island of Java and date to the early 19th century. Painted carvings of Hanuman, the heroic white monkey from the Southeast Asian epic, “The Ramayana,” sit atop long curved tails that form textile hangers. Fabrics can be draped so the Hanuman figures face front or to the sides. The hangers have holes at the top end so they can be either suspended or affixed directly to a wall. (See a similar set of hangers with different carved figures by ...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Paintings : Pre 1960 item #1128953 (stock #10-73)
Silk Road Gallery
$200.00
This Yao painting of tribal ancestor spirits originally was part of a set of 27 scrolls that comprised a full Yao (Mien) Bible. (See photos and descriptions of a complete set archived on our website www.silkroad1.com by entering 57-33 in the search box.) This painting is one of two “orphan” bible pages we found that most likely were replaced in a bible with similar new paintings, which is sometimes done to refresh the set. Bible paintings that are replaced are “decommissioned” by a Ya...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #945150 (stock #40-09)
Silk Road Gallery
$160.00
This silver and clay pipe is from a Lawa tribal group living in northern Thailand. (For Lawa pipes similar to this one, see “Peoples of the Golden Triangle,” by Paul and Elaine Lewis, Thames and Hudson, 1998, p. 66.) The Lawa, also called Lua or Wa/Lawa, are a lowland people, one of the smaller tribal groups among the hill tribes of Thailand, Burma and Laos. The black clay bowl on this pipe is in pristine condition, suggesting it replaced earlier bowls that were affixed to the old curved sil...
All Items : Popular Collectibles : Cultural : Contemporary item #708063 (stock #24-04)
Silk Road Gallery
$120.00
An unusual handcarved vase of hardwood native to Uzbekistan shows the strong relationship in aesthetics between Middle Eastern Persian or Iranian design and designs used by the Uzbek people of Central Asia. This piece is the product of an Uzbek family woodcarving business run by the family matriarch, herself a second generation woodcarver. Although the business mainly produces large ornate furniture for the local market in Uzbekistan, family members take great delight in creating small, carefull...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #394992 (stock #55-14)
Silk Road Gallery
$695.00
The low, rich sound of this Burmese temple gong is pleasant and gentle, yet impossible to ignore. We found the hand hammered bronze gong while traveling in Burma many years ago. We later had the stand, constructed of aged, reclaimed elm wood, custom made in China using traditional joinery methods. Thick, heavy bronze, blackened in the Burmese style, is responsible for the haunting sound of the gong. The striker, also made in Burma, has a hand sewn fabric cover. Dimensions of gong only: diameter ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #949034 (stock #57-73)
Silk Road Gallery
$850.00
This cast metal Buddha from Cambodia stands on a low pedestal with right hand raised in abhaya mudra, a gesture of blessing and protection. The facial features—full lips, short nose and heavy-lidded eyes, as well as the rounded head of tight curls with a wide usnisa (top knot) and no finial—are classic Khmer. Decorative detailing on the body-hugging robe is emphasized by the silver tone of the heavy metal alloy. This early 20th century Buddha is in good condition, with some surface pitting c...
All Items : Vintage Arts : Regional Art : Asian : Indian Subcontinent : Himalayas : Pre 1980 item #705064 (stock #10-63)
Silk Road Gallery
$200.00
This wool weaving from Nepal represents a phoenix, wings spread soaring toward the sun. Its craggy surface and muted colors evoke the majestic, mysterious Himalayas. The design, at once ethnic and retro, recalls the late 1960s/early 1970s time period when it was made. The piece is in very good condition. Dimensions: height 30" (76 cm), width 40" (102 cm).
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #882005 (stock #63-13)
Silk Road Gallery
SOLD
This very large lacquer tray from the Shan minority people in northeast Burma has four different patterns of basketry weaving showing through the rich persimmon-colored lacquer. Called byat, such handmade trays, used for serving food, were time-consuming to produce. Following the weaving process, each of the many successive applications of lacquer required several days of drying, then burnishing before the next coat of lacquer was applied. Tin trays were replacing these handmade ones a number o...
All Items : Antiques : Regional Art : Asian : Central Asian : Jewelry : Pre 1920 item #714228 (stock #61-16)
Silk Road Gallery
$295.00
Worn as a powerful amulet, this silver ornament was sewn to the clothing of a woman of the Teke Turkomen nomadic tribe of the Central Asian steppes. Such ornaments hung in profusion from both the front and back of clothes, and were attached to headpieces and hair of young women to ward off evil and attract good fortune. The central shape of this one, a triangle bordered in braided silver wire, is an ancient symbol of fertility. The upper termination may represent a stylized animal horn. The blue...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1800 item #291897 (stock #02-34)
Silk Road Gallery
$600.00
Inscriptions cover the left and back sides of the throne under this 18th century seated Burmese Shan Buddha. Made of lacquered wood coated with gilt, the figure is graceful and well proportioned, with a finely carved face. Long, tilted eyes under high eyebrows that sweep upward toward the hairline are the most arresting features of the peaceful face, which is smoothly capped in dark lacquer and topped with an exceptionally tall finial. Hands and robe details are simple and realistic; the feet, d...
All Items : Antiques : Regional Art : Asian : Central Asian : Textiles : Pre 1910 item #168408 (stock #15-40)
Silk Road Gallery
$900.00
Susani (sometimes spelled "suzani") is the word for "needle" in Farsi, and the large embroidered dowry textiles of Turkic groups are so named because of the many hundreds of hours of needlework required to produce them. This one is from Uzbekistan, where Uzbeks and Tadzhiks share similar textile traditions with the Turkmen and other neighboring peoples in Central Asia. Susani designs and colors vary quite a bit from one locale to another, and the city of origin often is apparent at a glance to s...
All Items : Antiques : Regional Art : Asian : Central Asian : Jewelry : Pre 1900 item #918086 (stock #27-35)
Silk Road Gallery
$695.00
Two pierced and jeweled diamond-shaped metal plates are Teke Turkoman in design. A similar 19th century pectoral plate is pictured in the periodical, Arts of Asia, May/June 2009, on page 122 in the article “Beyond Orientalism: Works Inspired by Islamic Art,” by Lucien De Guise, curator of the Islamic Arts Museum Malaysia. Other similar rhomboid pectoral jewelry is pictured in “The Arts and Crafts of Turkestan,” by Johannes Kalter, Thames and Hudson, 1984, page 126. The two 19th century ...
All Items : Vintage Arts : Regional Art : Asian : Indian Subcontinent : India : Pre 1940 item #771251 (stock #61-24)
Silk Road Gallery
$350.00
Eighteen maharajah turban plumes encircle this sterling silver bracelet from 1930s India. The maharajah rulers of Rajasthan adopted the plume-shaped turban ornaments they called "sarpech" from the Mughals. Made of feathers and jewels, worn pointing skyward from their turbans, the plumes became symbolic of the colorful princely rulers. An inventive jewelry maker from India's Jain minority used the distinctive sarpech shape as the design motif for this bracelet. In India, where they are a minority...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1950 item #933778 (stock #11-05)
Silk Road Gallery
$835.00
A royal Buddha, with right thumb and forefinger forming a circle, the vitarka mudra, sits in lotus position on a high double lotus throne. The vitarka gesture, sign of the Buddhist wheel of law, signifies intellectual discussion of philosophy and doctrine. This is one of several variations of the mudra, also conveyed with the circle sign given by the hand raised with palm outward, or the hand palm up resting in the lap. This figure, carved of dense Burmese teak wood, is attired in the distinc...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #903490 (stock #57-38)
Silk Road Gallery
$975.00
A Mon Buddha from 18th century Burma has the distinctive facial features and very high finial that identify Mon images from the Ava period. The waisted throne is edged with geometric decorations typical of Mon images of the era. We purchased this figure about 20 years ago in Burma from a dealer whose collection included mostly 19th century Shan images. This one is clearly from an earlier period and, although there is some overlap between the Shan and Mon sub-states in the characteristics of the...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #929783 (stock #63-14)
Silk Road Gallery
SOLD
An especially handsome lacquer bowl, called a “kwet,” is from the Shan people, a southeast Asian tribal group living primarily in northeast Burma. Similar Shan bowls, though not identical to this one, are pictured in a book from the British Museum Press entitled “Visions from the Golden Land: Burma and the Art of Lacquer” by Isaacs and Blurton, on pages 183 and 184, where they are labeled with the spelling “khwet.” This bowl has an inscription on the bottom that is difficult to deci...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #886035 (stock #11-15)
Silk Road Gallery
$600.00
An early 20th century Buddha from a Shan village in Burma wears an outer robe that flares wide at either side framing a lavishly adorned robe pulled tightly across the legs in a form fitting look originally associated with Pagan figures. The Buddha has the right hand turned palm out in varada mudra, a gesture of wish fulfillment and charity. Carved of teak wood, it is coated with dark red lacquer touched with gilding. Robe adornments were created with a uniquely Burmese lacquer process involvin...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1920 item #854196 (stock #10-68)
Silk Road Gallery
$390.00
This large lacquered early 20th century bowl from the Shan people, who live primarily in eastern parts of Burma and across the border in western and northern areas of Thailand, is called a “kwet” and was used to serve huge quantities of rice. It is made of split bamboo basketry supported by six sturdy ribs that curve down to end in six low feet. The basic bamboo construction is coated inside and out with layers of black lacquer overlaid with layers of red lacquer. The basketry shows through ...
All Items : Antiques : Regional Art : Middle Eastern : Pre 1910 item #898057 (stock #27-36)
Silk Road Gallery
$590.00
A colorful starburst disk shows the robust design typical of mountainous areas in the Republic of Georgia and in neighboring Dagestan and beyond in Central Asia. This large (5 inch diameter) piece, from Khevsureti, an eastern province in the Republic of Georgia, has been fitted with a long silver chain for use as a pendant but resembles in both size and design similar disks we have seen used as belt closings in regions of the Causasus and Central Asia. Unidentified stones in green, amber and br...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Textiles : Pre 1980 item #821010 (stock #34-56)
Silk Road Gallery
$400.00
Woven in a Toraja village in South Sulawesi, Indonesia, this large 40-year-old ikat blanket is made of exceptionally heavy cotton. The reddish brown, cream and blue are traditional Toraja colors used for their abstract patterned weavings. The piece has minimal fading and is in excellent condition. Dimensions: length 84" (214 cm), width 26" (66 cm). SEE MORE ITEMS IN OUR COLLECTION AT WWW.SILKROAD1.COM
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1950 item #909778 (stock #11-02)
Silk Road Gallery
$875.00
This crowned Shan Buddha sits in bhadrasana, or Western position, on a tall stepped throne of unusual design. The carved teak wood figure has the winged side flanges and spired crown centered with high finial that identify royal Buddha figures from Burma. Shan artisans often added Arakanese accoutrements such as long ear pieces and ornate epaulets and chest ornaments to jambhupati (crowned) Buddha but this one has none of those; instead, the artisan provided a striking throne that nicely balanc...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #896352 (stock #63-23)
Silk Road Gallery
$695.00
An offering stand, or “kalat,” used by the Intha people who live in the villages around Inle Lake in one of the Shan states in northeastern Burma, is from the late 19th century. A similar though more recent piece in the British Museum is pictured in “Visions from the Golden Land: Burma and the Art of Lacquer,” by Isaacs and Blurton, British Museum Press, p. 163. Kalat stands such as this were used by families in much the same manner as the tall, spired hsun-ok to carry offerings of food ...
All Items : Popular Collectibles : Cultural : Thai : Pre 1990 item #937270 (stock #01-81)
Silk Road Gallery
$135.00
A charming hand woven and decorated basket of split bamboo made in an Isan village in Northeastern Thailand is smoothed on the exterior with an application of brick red lacquer thickened with ash. Yellow and green flowers and dots on black grounds give the basket folk appeal. The Isan (also Isaan) people, though sometimes called Thai Isan, are a blend of Lao, Mon and and Khmer, and have their own language, which is Lao-like but written in the Thai alphabet. They are primarily agrarian and live i...