Asian Antiques by Silk Road
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All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1800 item #313771 (stock #24-86)
Silk Road Gallery
$595.00
Pierced carvings of foliage widely spaced around a framed rectangular relief carving give this 18th century Chinese elm wood panel a light and airy look. The central carving depicts a three-tiered village scene with a stylized mountain in the background. A horizontal pierced carving inset at the top of the panel represents foliage, and a relief carving inset at the panel's bottom depicts a bird and a flowering branch. All the elements are set within frames so the piece has a balanced, ordered fe...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1920 item #978464 (stock #31-03)
Silk Road Gallery
SOLD
This bronze leogryph figure with human face is from early 20th century Burma and is a variation of the Buddhist temple guardian called manok-thi-ha or manushi, names derived from the Sanskrit words for man (manu) and lion (simha). Burmese manok-thi-ha often have double rear quarters (two bums—see our catalog item 63-37). This one is single-bummed and outfitted with heavy necklace, chest ornament and lots of swirls. The fantastic manok-thi-ha, a creature from Buddhist mythology, is said to roam...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #844816 (stock #58-20)
Silk Road Gallery
$295.00
A late 19th century Chinese wood panel has excellent sinuous pierced carving on wide bands that stretch across the top and bottom and are set within a contrasting wood frame. The plain frame in a lighter reddish hue draws the eye to the quality of carving in the darker red/brown bands. The piece has been fitted with a new mirror, which for photography purposes, has been sprayed with a temporary non-reflective film. Originally part of a multi-panel screen, this Qing carving is in very good condit...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1492 item #718754 (stock #40-85)
Silk Road Gallery
$1,100.00
A 600-year-old bronze Buddha from the old Shan capital of Pinya in northern Burma sits in padmasana position with right hand in bhumisparsa, or earth touching, mudra. The Shan, who migrated down into north Burma from Yunnan, China, established their first capital at Pinya in 1298 during Burma's early Ava Period (1287-1752). In 1364, a Shan capital was established in Ava, where the Shan stayed until 1555. This small Pinya Buddha, most likely unearthed from a stupa, is a very early example of the ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1910 item #786538 (stock #10-40)
Silk Road Gallery
$790.00
This bronze Buddha, with attributes true to Burma's late Ava period of the 1600s, was cast a few hundred years later in the late 19th/early 20th century. It was common practice for Burmese artisans of later periods to copy styles that originated much earlier, sometimes mixing attributes from several periods and regions. In this beautifully cast handsome Buddha, the form follows the Ava look in all respects. The wide forehead, lowered eyes, well-defined nose and small, slightly upturned lips comb...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #167330 (stock #39-12)
Silk Road Gallery
$675.00
The contrast of the smooth, dark sheen of the face with the light, dusty grey of the hair is a compelling feature of this well cast bronze head. Cast in Thailand about 30 years ago, it is in a style that originated during the Ayutthaya Kingdom (1350-1757), characterized by the full serene face with delicate eyebrows, slightly flared nostrils and well defined lips with the hint of a smile. Tightly curled hair in small spirals covers the head and unisha. The removable filial is an unadorned lotus...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Hardstones : Pre 1980 item #924123 (stock #17-40)
Silk Road Gallery
$120.00
Candle holders, carved in East Java of onyx mined from a mountain not far from the shop, have a clean design that emphasizes the natural patterns created by striations in the stone. Produced in the late 1980s, and hopefully still being produced today, such contemporary lines stand in interesting contrast to much Indonesian art, especially that of East Java, where forms typically recall the more ornate style of the Majapahit empire. These pieces are in perfect condition. Dimensions: height 8 ¼...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1800 item #284166 (stock #08-04)
Silk Road Gallery
$450.00
Seated on a faded red lacquer throne, this little Buddha is a humble, quiet figure. With shallow carving that suggests rather than sharply defines the facial features, the smooth oval face takes on an enigmatic, ethereal look. The small body is compactly folded to fit precisely on the narrow throne, giving the impression that the figure is conserving space. Fingers on the right hand, in earth touching mudra, are exceptionally long. Three lines of script etched into the lacquer around the base of...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1920 item #919136 (stock #63-64)
Silk Road Gallery
$595.00
Two kneeling nats, possibly representing the Taungbyon brothers, among the most revered deities in the Burmese spirit world of nats, are carved with identical positions and thrones but faces that are quite different from one another. Widespread belief among the Burmese of nats, the spirits of certain departed humans, and also of nat spirits of trees, rivers, rocks and more, predates the introduction of Buddhism in Burma. Thirty-seven nats, both protectors and rogues, each with its own complex s...
All Items : Antiques : Regional Art : Asian : Chinese : Metalwork : Pre 1900 item #799154 (stock #38-93)
Silk Road Gallery
$195.00
This early to mid-19th century Chinese pewter teapot is sized to brew two small cups of tea. The outsized handle, made to resemble a Western cup handle, and the long curved spout are said to be a favorite design of that era, probably because it was so functional. Pewter was used for brewing strong teas; ceramics for brewing lighter teas. This pot has a few small dents on one side of the shoulder; otherwise it is in good condition. Dimensions: height 7" (18 cm), width from handle to spout tip 6-1...
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1910 item #1126165 (stock #12-57)
Silk Road Gallery
$290.00
This late Qing scholar’s box has a removable dark red and gold carved front panel that secures four drawers behind it. The intended interpretation of the gilded garden scene carving is a mystery: A man and woman appear to be observing or celebrating an object, possibly a manuscript, tied with a rope into a bundle that is suspended above them from an overhanging flowering branch. It is interesting to speculate that perhaps the scholar just completed some important writing and this is a celebrat...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #1345209 (stock #64-46)
Silk Road Gallery
SOLD
Eight bronze weights, commonly known as opium weights, are cast in the image of a mythical wild goose. The bird, referred to as "hintha" in Burmese or as "hamsa" in Sanskrit, is regarded as a sacred icon and also is the symbol of Burma's Mon People. Weights in the forms of mythical birds and animals were used in Burma from the 18th century into the 20th century to weigh small household items purchased in the marketplaces. Over the years, they became known as "opium" weights, but according to S...