Asian Antiques by Silk Road
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All Items : Popular Collectibles : Cultural : Pre 2000 item #703311 (stock #34-60)
Silk Road Gallery
$250.00
A Balinese interpretation of Romeo and Juliette figures is carved in yellow hibiscus wood. It is from the studio of I. W. Mudano, a second generation master carver who has exhibited internationally for decades. He works primarily with yellow hibiscus wood, producing both original abstract forms and traditional Balinese figures and masks. This carving, he says, depicts the couple from the Balinese folk version of Shakespeare's Romeo And Juliette. A visit to the Mudano studio in Mas, near Ubud, on...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #167531 (stock #16-39)
Silk Road Gallery
$160.00
This primitive carved wood mask is from the Batak people who live around mystical Lake Toba in the northern reaches of the island of Sumatra in Indonesia. The small collection of Batak protector masks pictured in this catalogue (see them all under our category "Tribal") shows the fascinating range of facial expressions artisans were able to achieve in these relatively simple carvings. This particular mask has a bird theme, with rather predatory owl-like eyes and a red and green bird head that ha...
All Items : Popular Collectibles : Cultural : Contemporary item #1074923 (stock #19-71)
Silk Road Gallery
$230.00
Pair
The faces of comedy and tragedy are represented in this pair of masks carved of hibiscus wood by I. W. Mudano, a second generation master carver from Indonesia. Mr. Mudano, who has exhibited internationally for decades, works primarily in yellow hibiscus wood, and is recognized for his special talent in making delightful artistic use of the natural variations in the wood’s grain and shades. These masks were purchased more than 20 years ago from the carver in his studio in the small town of Mas...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #277996 (stock #10-46)
Silk Road Gallery
$550.00
Pieces of the blue and gold tiles that once covered the scales of this 19th century naga, or water dragon, remain on the weathered surface, adding interesting glints of light to the exotic sculptural form. Traces of red can be seen on the beard, around the eye and between the scales. The naga curved gracefully toward the sky on the roof of a Buddhist temple. One of the most revered forms in Thailand, the naga is said to have protected the Buddha from lightning as he meditated under the bodhi tre...
All Items : New Century : Sculpture : Contemporary item #1233871 (stock #11-34)
Silk Road Gallery
$395.00
This nicely contoured Buddha face, carved in three separate wood panels, is from North Thailand. We add this contemporary Buddha to our collection, which over several decades has included only antique and vintage Buddha images, because it is an interesting interpretation of an ancient form. While features of Buddha representations varied from period to period and region to region down through the centuries, this contemporary piece recasts the traditional into sleek and striking. It is purely ...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1950 item #933778 (stock #11-05)
Silk Road Gallery
$835.00
A royal Buddha, with right thumb and forefinger forming a circle, the vitarka mudra, sits in lotus position on a high double lotus throne. The vitarka gesture, sign of the Buddhist wheel of law, signifies intellectual discussion of philosophy and doctrine. This is one of several variations of the mudra, also conveyed with the circle sign given by the hand raised with palm outward, or the hand palm up resting in the lap. This figure, carved of dense Burmese teak wood, is attired in the distinc...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1940 item #1128330 (stock #12-20)
Silk Road Gallery
$670.00
A gilded Mandalay Buddha standing two feet tall strikes a graceful pose, with right hand in the varada mudra of charity and the fulfillment of wishes. Carved of dense Burmese teak wood, this early to mid-20th century figure is coated with a dark red matte lacquer highlighted with a liberal application of gilding. This Buddha’s finely carved face is striking, with especially large elongated eyes and brows. Elaborate draping and folds on the robe are emphasized with gilded scrolling and beading...
All Items : Antiques : Regional Art : Asian : Chinese : Sculpture : Pre 1800 item #136361 (stock #35-59)
Silk Road Gallery
$790.00
This 18th century ceramic figure of the Chinese Buddhist bodhisattva of mercy is unusual in several respects. The form is uncharacteristically simple for the popular Chinese goddess who typically was shown with elaborate flowing robes. The pert face is particularly different with its full lips, upturned nose and wide eyes. Only one hand is visible and it rests on her right knee. The high beaded headpiece and heavy necklace identify the figure as Guanyin. The weighty ceramic figure is heavily gla...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #792803 (stock #13-03)
Silk Road Gallery
$1,150.00
A crowned bronze Buddha in the Arakan style sits in meditation on a double lotus throne that rests atop a large figural pedestal. This early 20th century lost wax casting of a royal Buddha follows a form introduced in the 14th century Arakan Kingdom that was located in what is now Rakhine in Western Burma. The high opulent crown, side flanges, ear plugs and elaborate chest ornament are Arakan jambhupati features. Origin of the unusual pedestal is not so easily discerned. The central figure most ...
All Items : Vintage Arts : Regional Art : Asian : Indian Subcontinent : Himalayas : Pre 1960 item #878356 (stock #56-07)
Silk Road Gallery
SOLD
Carved bone chessmen patterned after Nepalese and Indian royalty and their subjects make up this mid-20th century bone chess set from Nepal. Both kings wear elaborate costumes. One of them is carved with multiple mustachioed faces; the other is in hunting regalia with his long hair hanging down his back. The buxom queens have heavy brows and wear patterned head scarves. Knights are winged horses, rooks are elephants, bishops are camels, and pawns are long-haired attendants in uniform. These han...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Pre 1960 item #1227248 (stock #11-03)
Silk Road Gallery
$600.00
The hands of this vintage teak Burmese Buddha are carved in a variation of the Darmachakra mudra, the gesture that represents teaching and the Buddhist wheel of law. The mudra is most often expressed with thumbs and index fingers of both hands forming separate circles. Here, the thumb and finger of the right hand encircle the middle finger of the left hand. When we found this Buddha in Burma, complex explanations about the precise meaning of this variation were not understandable to us, and w...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1970 item #809473 (stock #12-40)
Silk Road Gallery
$320.00
The Ramayana story of the heroic white monkey god Hanuman's rescue of Sita is portrayed by the carving that forms the handle of this teak wood rice scoop. Characters from the Indian epic Ramayana, familiar icons throughout Southeast Asia, are seen on folk and fine art, in children's books and on temple walls as representations of good and evil. In this carving, Hanuman is carrying Sita across the sea back to Rama after rescuing her from the evil king Ravanna. Hanuman is holding his long tail, wh...
All Items : Antiques : Regional Art : Asian : Chinese : Sculpture : Pre 1900 item #136391 (stock #38-50)
Silk Road Gallery
$1,900.00
A finely done representation of Guanyin, Chinese goddess of mercy and compassion, this figure is carved of hwa yong, a slow-growing hardwood. The carving was coated first with red lacquer, which was then covered over in most areas with dark brown lacquer. The red color was retained to define the inner folds of the robe and to focus attention on the delicately carved hands and feet. Over time, the brown lacquer has worn thin in other areas allowing the red to show through and creating a pleasing ...
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1900 item #878968 (stock #60-11)
Silk Road Gallery
SOLD
This Taihu scholar's stone is classified as "linglong," one of the criteria used by connoisseurs to judge the rocks collected by Chinese literati. The term linglong may be translated as "shapely" or as "pierced with many holes." This stone also is in the category of "fantastic rock" (as opposed to "zoomorphic rocks" and "landscape rocks") for the obvious reason that one can see abstract, dream-like representations in its form. Shaped by the water of Tai Hu (Lake Tai) near Suzhou, its dark khaki...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1837 VR item #1250809 (stock #06-84)
Silk Road Gallery
$320.00
pair
These teak hangers are from Solo on the Indonesian island of Java and date to the early 19th century. Painted carvings of Hanuman, the heroic white monkey from the Southeast Asian epic, “The Ramayana,” sit atop long curved tails that form textile hangers. Fabrics can be draped so the Hanuman figures face front or to the sides. The hangers have holes at the top end so they can be either suspended or affixed directly to a wall. (See a similar set of hangers with different carved figures by ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #891192 (stock #64-44)
Silk Road Gallery
$1,200.00
This late 19th century offering vessel from the Burmese city of Pagan is an exceptionally fine example of the hsun-ok containers used to carry food offerings to Buddhist monasteries and temples. It is made of wood covered with many coats of lacquer, black first and then top layers of rich deep red. As the red lacquer wears away in areas exposing the black, a handsome negoro effect is created. A similar wooden hsun-ok is pictured in “Burmese Crafts Past and Present,” by Sylvia Fraser-Lu, Oxfo...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #721542 (stock #24-41)
Silk Road Gallery
$250.00
A late Qing relief-carved wood panel has ten figures in martial arts poses. Trees and rocks frame two scenes. Touches of original gilding remain on the figures and define foliage in the top scene. The panel once was part of a larger piece such as a screen or perhaps a bench. It shows uneven wear, with the only the two figures at bottom right worn and weathered so that their features are no longer distinct. Overall, this late 19th century panel is in quite good and solid condition. Dimensions: he...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #806740 (stock #64-02)
Silk Road Gallery
$195.00
This most unusual rice ladle from the Shan minority people of Southeast Asia has carvings of a peacock, an elephant, a donkey, a fish and a mystery animal all lined up along its handle. Carving on the double handle, simulating rope, is skillfully done; carving on the animals is more primitive. The bowl is made from a sturdy gourd coated with lacquer. This ladle originated in one of the many small Shan villages concentrated in northeast Burma and was used to scoop rice into the alms bowls of monk...
All Items : Vintage Arts : Regional Art : Pre 1960 item #1221946 (stock #13-08)
Silk Road Gallery
SOLD
An exceptionally beautiful face distinguishes this mid-20th century reclining Mandalay Buddha. Carved from one piece of dense Burmese teak, the sleek dark reddish brown figure depicts the Buddha passing into Nirvana. On the wrist is a bracelet with the magic wish-fulfilling jewel Cintamani(see photo enlargement #6). The neck is slender and carved with the three folds characteristic of most Burmese Buddha images. Intricate edging on the graceful draped robe is created of thayo, a lacquer thic...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1960 item #813834 (stock #12-83)
Silk Road Gallery
$495.00
A slender Buddha figure from mid-20th century Burma stands on a double lotus throne with right hand in varada mudra, gesture of charity and compassion. The tall crown, ornate side flanges, chest ornament and epaulets are in the style of the old Arakan Kingdom that became part of Burma in 1752 AD. This relatively small (14" tall) carved teak image was made by the Shan, a minority people residing primarily in Burma and Thailand. Shan communities have continued to produce crowned figures with Araka...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1920 item #951381 (stock #30-94)
Silk Road Gallery
SOLD
A small bronze kyizi gong from a village in Burma is flanked by two coiled naga, sea dragons that are Buddhist icons of protection revered throughout Southeast Asia. Kyizi, (pronounced chi-z) are, as far as we know, unique to Burma, and cast in a variety of sizes, from smaller than this one to quite large, heavy pieces. Suspended on a rope, they are struck on the upturned ends so the gong swings in a circle and emits a vibrating tone, used to mark donations to the monastery or to alert local re...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1700 item #694620 (stock #25-65)
Silk Road Gallery
$1,100.00
This limestone Buddha head has been in our collection since the mid-1990s when we purchased three of them, each with features distinctive from the others but all carved from the same stone and of Burma's Ava Period (1287-1752). The other two of the three appear to have been cut from a back slab; this one is almost fully in the round. All three heads have the Ava characteristics of prominent sweeping eyebrows over half-closed eyes, well modeled lips and a smooth cap over the hair but differences ...
All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1910 item #884476 (stock #60-24)
Silk Road Gallery
$280.00
This late Qing wood pitcher from Shanghai is similar in form to provincial pitchers but is made of a harder wood, is more carefully constructed and has a sleeker look than its country cousins. The basic construction design is similar—shaped staves form the bowl and are held together with bands. The individual staves on this one are so tightly fitted that it looks as though it is carved from one piece of wood. The band around the bottom is metal but has been colored to match the wood; the uppe...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1970 item #895454 (stock #64-04)
Silk Road Gallery
$320.00
The Ramayana characters of Hamunan, the white monkey god, and Sita, the abducted wife of Rama, form the handle of this hand carved teak rice scoop from Burma. Hanuman is depicted carrying Sita back across the sea to Rama after rescuing her from the evil king Ravanna. The figures are familiar icons in the arts of Southeast Asia, particularly in Burma where the many heroes and villains of The Ramayana are universally recognized because the epic is still regularly performed there in puppet shows an...
All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1910 item #1237426 (stock #11-19)
Silk Road Gallery
SOLD
Remarkable carving skill makes this late 19th/early 20th century container a handsome relic of the days when time and care were given to making utilitarian objects for Chinese households. The pleasingly clean form is created by the curved handle and spout, each carved seamlessly as part of staves that are integrated with 13 additional staves to form the container. A symbol carefully carved and gilded on the handle most likely had a significant meaning for the family. This piece, from Zheijian...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #811124 (stock #64-05)
Silk Road Gallery
$450.00
The monks Sariputta and Mogallana have been honored in Burmese Buddhist art as the two chief disciples of Buddha for more than 800 years, as evidenced by their images on 12th century plaques excavated at Pagan. Until the late 18th century they were most often integrated into carvings and bronzes of the Buddha. After artisans started carving and casting each of the figures separately, the pose of each monk evolved into the traditional poses seen on these black lacquered carvings, and now vary mai...
All Items : Antiques : Regional Art : Asian : Japanese : Furniture : Pre 1910 item #914262 (stock #62-26)
Silk Road Gallery
$560.00
This Meiji era ranma, an interior transom, was an integral part of the architecture of an old Japanese frame house. Within those houses, moveable partitions of wide sliding doors (fusuma) were used to define rooms, allowing the flexible use of space. The ranma was suspended above the fusuma to fill a gap between the tops of the doors and the ceiling. Pierced carvings on these wood transoms facilitated circulation of air and light throughout the house as well as adding a decorative element. Carve...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #167518 (stock #16-44)
Silk Road Gallery
$160.00
This primitive carved wood mask is from the Batak people who live around mystical Lake Toba in the northern reaches of the island of Sumatra. The small collection of Batak protector masks pictured in this catalogue (see them all under our category "Tribal") shows the fascinating range of facial expressions artisans were able to achieve in these relatively simply carved masks. This particular mask is unusual because the face appears to be smiling; its world class bloodshot eyes, however, are simi...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #638991 (stock #62-45)
Silk Road Gallery
$1,600.00
Fine relief carving on this late Qing Chinese bed panel expresses symbolic wishes for good fortune. Made of beautifully grained hongmu (Chinese mahogany), the long panel (88 inches) is suitable for use over a king-sized bed. Stylized characters and traditional symbols, most likely chosen by the parents who commissioned the work, were used to bestow wishes on the newly married couple for long and happy lives. Carvings within the three rectangular sections demonstrate the Chinese love of homonyms....
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #147269 (stock #39-03)
Silk Road Gallery
$2,800.00
Made during Burma's Konbaung Period (1752-1885), this crowned Pagan (Bagan) Buddha stands nearly four feet tall. The hands are in the dharmacakra (teaching) mudra. The carved lacquered and gilded wooden image is in the style of the 11th century colossal standing Buddha statues from Ananda Temple in Pagan, with a long robe open to the ankles over body hugging clothing. Also typical for this type of figure are kneecaps that are visible through the clothing. The high crown of pointed leaves topped ...
All Items : Popular Collectibles : Cultural : Thai : Pre 2000 item #832718 (stock #57-81)
Silk Road Gallery
$275.00
This soaring form, called a gaelae (galae), is seen in Northern Thailand on the peaked rooftops of houses and other structures built by the Thai Lanna people. On old buildings gaelae are extensions of the ends of roof beams crossed to form a V-shape. On newer houses they usually are separate carvings such as this one and are attached to the peaks of the steep roofs after the basic structure is completed. As to their original use, the most commonly heard explanation is that they were meant to di...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #949034 (stock #57-73)
Silk Road Gallery
$850.00
This cast metal Buddha from Cambodia stands on a low pedestal with right hand raised in abhaya mudra, a gesture of blessing and protection. The facial features—full lips, short nose and heavy-lidded eyes, as well as the rounded head of tight curls with a wide usnisa (top knot) and no finial—are classic Khmer. Decorative detailing on the body-hugging robe is emphasized by the silver tone of the heavy metal alloy. This early 20th century Buddha is in good condition, with some surface pitting c...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #1222465 (stock #63-84)
Silk Road Gallery
$890.00
This teak sculpture, more than three feet tall, represents a supernatural character from ancient Burmese folklore, Zaw-gyi, who is said to possess a fantastic range of powers. Zaw-gyi is immortal, forever youthful, can fly and practices alchemy, to name just a few of his talents. He lives in solitude and strives for spiritual perfection. An important member in the region’s pantheon of superheroes prior to the arrival of Buddhism in Burma, he was solidly integrated into Buddhist...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1970 item #802398 (stock #63-86)
Silk Road Gallery
$675.00
A sleek bronze figure, cast in Burma about 40 years ago, assumes an art deco form as he smilingly holds up a receptacle for lamp oil. The design is likely a remnant of Burma's earlier colonial period (1890-1941) when British administrators, with little appreciation for indigenous Burmese art, commissioned ornamental images made to their own specifications. Burmese metalsmiths, whose skill was evident in the Buddhist art they produced, adapted their artistry to turning out secular European desig...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #142931 (stock #39-02)
Silk Road Gallery
$2,900.00
Nearly four feet in height, this 19th century Burmese Mandalay Buddha holds the right hand in the varada gesture to signify fulfillment of all wishes, boon granting and charity. A small fruit offering also is held in the right hand. This graceful classic figure is carved from dense Burmese teak and stands on a lotus throne. An undercoating of dark red lacquer that shows through worn areas in the gilding gives the piece an attractive patina. Large Buddha images such as this were placed above eye-...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #265851 (stock #10-44)
Silk Road Gallery
$300.00
One of the most exotic sculptural forms in Southeast Asia, the naga, a sea dragon with a high curving spire, is seen at temple entrances an on roofs. This 19th century carved teak wood naga was once a finial on a temple roof in Thailand. The mythical serpent is said to have protected the Buddha from lightning as he sat meditating under a bodhi tree and so is used to guard against evil spirits, particularly natural disasters. When in use at temples, the sculptures generally are covered in colorfu...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1837 VR item #396830 (stock #39-38)
Silk Road Gallery
$1,200.00
Shimmering gold and blue tiles represent scales on this 200-year-old naga (sea dragon) that stands 50 inches (127 cm) tall. Used in Thailand as temple roof finials or in pairs at entrances to guard against evil spirits and natural disasters, the powerful, mystical naga are among the most revered Buddhist symbols. With its soaring, curving form and large size this particular naga is especially sculptural. It shows the emerging outline of the sinuous Thai cho-fa, a simplified, streamlined shape th...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #800345 (stock #11-25)
Silk Road Gallery
$450.00
Monks Sariputta and Mogallana, two chief disciples of Buddha, are carved in heavy Burmese teakwood. Important to the Buddhist iconography of Burma, the two are said to have been Brahmin ascetics who were among the earliest followers of the Buddha. The figures have a long history in Burmese art, appearing beside Buddha on 12th century plaques excavated at Pagan and down through the centuries in bronzes, paintings and carvings, always accompanying Buddha. Around the late 18th century, artisans beg...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1950 item #909778 (stock #11-02)
Silk Road Gallery
$875.00
This crowned Shan Buddha sits in bhadrasana, or Western position, on a tall stepped throne of unusual design. The carved teak wood figure has the winged side flanges and spired crown centered with high finial that identify royal Buddha figures from Burma. Shan artisans often added Arakanese accoutrements such as long ear pieces and ornate epaulets and chest ornaments to jambhupati (crowned) Buddha but this one has none of those; instead, the artisan provided a striking throne that nicely balanc...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #860292 (stock #31-27)
Silk Road Gallery
On Hold
A pair of pulleys that were used on a hand loom in Burma show the Burmese love for exuberant decorative elements on objects for everyday use. The tall carved peacocks are larger than the pulleys, and may have been just one of a number of such decorations on a woman’s loom. Simple household objects are traditionally well made and attractive in Burma, where no lines are drawn between fine arts and folk or applied arts. The peacock, emblem of the Kon-baung Dynasty (1752-1885), remains a favorite ...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #1345209 (stock #64-46)
Silk Road Gallery
SOLD
Eight bronze weights, commonly known as opium weights, are cast in the image of a mythical wild goose. The bird, referred to as "hintha" in Burmese or as "hamsa" in Sanskrit, is regarded as a sacred icon and also is the symbol of Burma's Mon People. Weights in the forms of mythical birds and animals were used in Burma from the 18th century into the 20th century to weigh small household items purchased in the marketplaces. Over the years, they became known as "opium" weights, but according to S...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #886035 (stock #11-15)
Silk Road Gallery
$600.00
An early 20th century Buddha from a Shan village in Burma wears an outer robe that flares wide at either side framing a lavishly adorned robe pulled tightly across the legs in a form fitting look originally associated with Pagan figures. The Buddha has the right hand turned palm out in varada mudra, a gesture of wish fulfillment and charity. Carved of teak wood, it is coated with dark red lacquer touched with gilding. Robe adornments were created with a uniquely Burmese lacquer process involvin...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #153013 (stock #35-95)
Silk Road Gallery
$290.00
A bearded scholar gestures with a fan in this late 19th century Chinese relief carving. In old China, a fan often was used by scholars and officials as part of a gesture to emphasize a special point. Two visitors, a man and a woman, are shown outside the scholar's studio, which is suggested by a bit of roofline, window and a vase of flowers. Carved below the roundel is stylized bat, symbol of good fortune. A hanger has been added to the carving, which may have been an element in a large architec...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #941725 (stock #35-92)
Silk Road Gallery
$250.00
Chinese opera characters are carved in relief on this late 19th century wood roundel. The central character strokes his beard and looks pleased; the figure on the right thrusts his drinking cup aloft. In the background, a barefoot servant runs off holding a small scroll. A bat, Chinese emblem of good fortune, is carved into the base of the piece. While the two main characters on the roundel are in excellent condition, the figure of the running servant is inexplicably worn on the face (see photo ...
All Items : Popular Collectibles : Cultural : Contemporary item #708063 (stock #24-04)
Silk Road Gallery
$120.00
An unusual handcarved vase of hardwood native to Uzbekistan shows the strong relationship in aesthetics between Middle Eastern Persian or Iranian design and designs used by the Uzbek people of Central Asia. This piece is the product of an Uzbek family woodcarving business run by the family matriarch, herself a second generation woodcarver. Although the business mainly produces large ornate furniture for the local market in Uzbekistan, family members take great delight in creating small, carefull...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1960 item #820664 (stock #10-58)
Silk Road Gallery
SOLD
Long, low Burmese hermit figures with their distinctive hats and monk robes represent heroes from ancient Buddhist legends and folk stories. According to legend, the hermits spend most of their lives in self deprivation striving to perfect themselves morally, and if they achieve that perfection are reborn as zaw-gyi (zagwi), supernatural beings who fly through water, land and air doing good deeds. Some stories say zaw-gyi live forever, others say they live a mere 80,000 years. They are venerated...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #392459 (stock #55-22)
Silk Road Gallery
$495.00
While traveling in Burma (Myanmar) many years ago, we were enchanted by the particularly sonorous sounds of Burmese bronze gongs. Our resulting small shipment of various sizes of these gongs remained in storage until we had stands made for them in China. The stands are constructed with traditional Chinese tenon joinery of aged, reclaimed elm wood. The bright red fabric-covered striker, hand sewn in Burma, has the proper degree of softness to produce a full sound from this relatively small gong, ...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1940 item #1236618 (stock #10-76)
Silk Road Gallery
$700.00
This sitting Mandalay Buddha is an outstanding example of the fine skill of Burmese artisans in using thayo. The opulent robe with intricate frills and edging, the figure's tightly curled hair and well defined lotus throne were created using thayo, a mixture of lacquer and bone ash that dries to the hardness of wood. The figure's erect posture adds to the sculpture's aura of settled elegance. Carving of on the hands and feet is carefully modeled and realistic. The unusual lightly brushed dull...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1700 item #191478 (stock #41-10)
Silk Road Gallery
SOLD
This is a museum-quality 16th century bronze Ava Buddha with a dedication inscription on the back of the high stepped throne. The bronze has aged to a wonderful black patina, and remaining gold leaf on the finely modeled figure and throne adds richness. The face has sweeping brows and well executed eyes. The high usnisha is topped with a narrow lotus bud finial. The Buddha sits in interlocking lotus position with the bottoms of both feet prominently displayed. Subtle, pleasing designs mark the e...
All Items : Antiques : Regional Art : Asian : Chinese : Metalwork : Pre 1900 item #799154 (stock #38-93)
Silk Road Gallery
$195.00
This early to mid-19th century Chinese pewter teapot is sized to brew two small cups of tea. The outsized handle, made to resemble a Western cup handle, and the long curved spout are said to be a favorite design of that era, probably because it was so functional. Pewter was used for brewing strong teas; ceramics for brewing lighter teas. This pot has a few small dents on one side of the shoulder; otherwise it is in good condition. Dimensions: height 7" (18 cm), width from handle to spout tip 6-1...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #141341 (stock #40-05)
Silk Road Gallery
$550.00
Cast about 30 years ago, this replica bronze Buddha head is in the style of Thailand's Sukhothai Kingdom. The Sukhothai period, which lasted from the mid-13th century to the end of the 14th century, is often called "The Golden Age of Thai Civilization." Religious art and architecture from this period are regarded by many art historians as representing the most classic of Thai styles. The face of a Sukhothai Buddha is immediately recognizable for its regal, commanding look, with heavily lidded ey...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #903490 (stock #57-38)
Silk Road Gallery
$975.00
A Mon Buddha from 18th century Burma has the distinctive facial features and very high finial that identify Mon images from the Ava period. The waisted throne is edged with geometric decorations typical of Mon images of the era. We purchased this figure about 20 years ago in Burma from a dealer whose collection included mostly 19th century Shan images. This one is clearly from an earlier period and, although there is some overlap between the Shan and Mon sub-states in the characteristics of the...
All Items : Popular Collectibles : Cultural : Contemporary item #696096 (stock #19-46)
Silk Road Gallery
$135.00
Natural variations in the color and grain of yellow hibiscus wood give this carved mask of a Balinese princess a special appeal. It is from the studio of I. W. Mudano, a second generation master carver who has exhibited internationally for decades. He works primarily with yellow hibiscus wood, producing both original abstract forms and traditional Balinese figures and masks. A visit to his studio in Mas, near Ubud, on the Indonesian Island of Bali, reveals the amazing range of beautiful shapes, ...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1940 item #924655 (stock #62-25)
Silk Road Gallery
$600.00
A tall carved teak Mandalay Buddha has an elegantly draped robe with a deep edging of thayo, a lacquering technique used for centuries by Burmese artisans to create the look and feel of intricate wood carving. The forehead band is also thayo, lacquer thickened with bone ash that dries to the hardness of wood. A thin brown/red lacquer applied over the carved teak allows the grain of the dense native wood to show. Traces of gold add richness to the figure and double lotus throne. The face is beau...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1920 item #919136 (stock #63-64)
Silk Road Gallery
$595.00
Two kneeling nats, possibly representing the Taungbyon brothers, among the most revered deities in the Burmese spirit world of nats, are carved with identical positions and thrones but faces that are quite different from one another. Widespread belief among the Burmese of nats, the spirits of certain departed humans, and also of nat spirits of trees, rivers, rocks and more, predates the introduction of Buddhism in Burma. Thirty-seven nats, both protectors and rogues, each with its own complex s...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1930 item #1276022 (stock #10-45)
Silk Road Gallery
$700.00
This well carved teak Burmese Buddha is peaceful and elegant. The finely modeled face and lavishly decorated robe are lightly touched with a subtle gold wash applied over a thin base of reddish lacquer, allowing the wood grain to show through. Edging on the robe and a body decoration that swirls across the right shoulder and down the arm are impressive examples of Burmese expertise with thayo, a mixture of lacquer and powdered bone or ash that dries to the hardness of wood. The figure sits in ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1700 item #164750 (stock #40-84)
Silk Road Gallery
$950.00
Still bearing very slight traces of gold leaf, this small 15th century bronze head of Buddha is from Burma's Ava Period (1287-1752). It most likely was commissioned and donated by a family as an act of merit, and was buried under a stupa for centuries. The Burmese of the time were skilled metalworkers. When a bronze Buddha image was cast, even a small one such as this, astrologers were called in to name the most auspicious day and hour for the casting, and monks cleansed the site of evil spirits...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1940 item #972160 (stock #63-88)
Silk Road Gallery
$675.00
A bronze oil lamp that dates to the latter years of Burma’s British colonial period (1890-1941) is built around the figure of a smiling Burman holding out a small oil receptacle. The piece, nearly two feet in height, has a decidedly art deco look, in spite of the figure’s native dress. According to Sylvia Fraser-Lu in her book, “Burmese Crafts Past and Present,” British colonial administrators had little appreciation for indigenous Burmese art but they acknowledged the superior metalwork...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #981876 (stock #10-47)
Silk Road Gallery
$890.00
A classic Burmese bronze Buddha from the late 19th/early 20th century, with the simple, unadorned lines of the Ava Period, is softened with roundness in the face and body. The stepped throne, rather than the traditional diamond shape, also is rounded, adding to the settled, secure look of the figure. Legacies of the traditional Ava style also are seen in the well defined brow over lowered eyes, the slight smile, and a band separating hair and forehead. It was a common practice during the 19th a...
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1837 VR item #902690 (stock #38-56)
Silk Road Gallery
$600.00
An early 18th century inkstone has a gourd-shaped ink pool cut into a deep black stone slab that, along with brushes, ink and paper, represented what was referred to in Chinese literature as “the four precious things of the library.” Among the four objects, inkstones were considered the most important, the soul of the scholar’s library, because they were said to represent “the infinite subtlety of nature.” Although they appear to be relatively humble objects, inkstones were praised, co...