Asian Antiques by Silk Road
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All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #800345 (stock #11-25)
Silk Road Gallery
$450.00
Monks Sariputta and Mogallana, two chief disciples of Buddha, are carved in heavy Burmese teakwood. Important to the Buddhist iconography of Burma, the two are said to have been Brahmin ascetics who were among the earliest followers of the Buddha. The figures have a long history in Burmese art, appearing beside Buddha on 12th century plaques excavated at Pagan and down through the centuries in bronzes, paintings and carvings, always accompanying Buddha. Around the late 18th century, artisans beg...
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1900 item #878968 (stock #60-11)
Silk Road Gallery
SOLD
This Taihu scholar's stone is classified as "linglong," one of the criteria used by connoisseurs to judge the rocks collected by Chinese literati. The term linglong may be translated as "shapely" or as "pierced with many holes." This stone also is in the category of "fantastic rock" (as opposed to "zoomorphic rocks" and "landscape rocks") for the obvious reason that one can see abstract, dream-like representations in its form. Shaped by the water of Tai Hu (Lake Tai) near Suzhou, its dark khaki...
All Items : Popular Collectibles : Cultural : Contemporary item #1074923 (stock #19-71)
Silk Road Gallery
$230.00
Pair
The faces of comedy and tragedy are represented in this pair of masks carved of hibiscus wood by I. W. Mudano, a second generation master carver from Indonesia. Mr. Mudano, who has exhibited internationally for decades, works primarily in yellow hibiscus wood, and is recognized for his special talent in making delightful artistic use of the natural variations in the wood’s grain and shades. These masks were purchased more than 20 years ago from the carver in his studio in the small town of Mas...
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1910 item #1126165 (stock #12-57)
Silk Road Gallery
$290.00
This late Qing scholar’s box has a removable dark red and gold carved front panel that secures four drawers behind it. The intended interpretation of the gilded garden scene carving is a mystery: A man and woman appear to be observing or celebrating an object, possibly a manuscript, tied with a rope into a bundle that is suspended above them from an overhanging flowering branch. It is interesting to speculate that perhaps the scholar just completed some important writing and this is a celebrat...
All Items : Popular Collectibles : Cultural : Pre 2000 item #703311 (stock #34-60)
Silk Road Gallery
$250.00
A Balinese interpretation of Romeo and Juliette figures is carved in yellow hibiscus wood. It is from the studio of I. W. Mudano, a second generation master carver who has exhibited internationally for decades. He works primarily with yellow hibiscus wood, producing both original abstract forms and traditional Balinese figures and masks. This carving, he says, depicts the couple from the Balinese folk version of Shakespeare's Romeo And Juliette. A visit to the Mudano studio in Mas, near Ubud, on...
All Items : Antiques : Regional Art : Asian : Chinese : Sculpture : Pre 1900 item #136391 (stock #38-50)
Silk Road Gallery
$1,900.00
A finely done representation of Guanyin, Chinese goddess of mercy and compassion, this figure is carved of hwa yong, a slow-growing hardwood. The carving was coated first with red lacquer, which was then covered over in most areas with dark brown lacquer. The red color was retained to define the inner folds of the robe and to focus attention on the delicately carved hands and feet. Over time, the brown lacquer has worn thin in other areas allowing the red to show through and creating a pleasing ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1920 item #788418 (stock #64-03)
Silk Road Gallery
SOLD
An elephant with raised trunk, symbol of hospitality, forms the handle of this carved teakwood Burmese rice scoop. The dark red lacquer, applied over black lacquer in the traditional manner of Burmese artisans, is worn so the black undercoat shows through in areas, giving this early 20th century piece an inviting patina. The elephant trunk, which forms the scoop handle, is especially worn and shows evidence of many years of use. A simple decorative pattern is carved along the top of the scoop, a...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1900 item #850952 (stock #64-08)
Silk Road Gallery
$330.00
This late 19th century bronze bell is cast in same design as the huge bells that are prominent features outside Buddhist temples and monasteries throughout Burma. It hangs from a metal crossbar that also supports a U-shaped handle flanked with “to-naya” (snake-like dragons) that match those on the bell hanger. Unlike the huge bells that weigh a ton or more and are struck on the outside with a large wooden mallet, this bell has a clapper that, despite its smaller size, produces a rich and son...
All Items : New Century : Sculpture : Contemporary item #1233871 (stock #11-34)
Silk Road Gallery
$395.00
This nicely contoured Buddha face, carved in three separate wood panels, is from North Thailand. We add this contemporary Buddha to our collection, which over several decades has included only antique and vintage Buddha images, because it is an interesting interpretation of an ancient form. While features of Buddha representations varied from period to period and region to region down through the centuries, this contemporary piece recasts the traditional into sleek and striking. It is purely ...
All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1910 item #1237426 (stock #11-19)
Silk Road Gallery
SOLD
Remarkable carving skill makes this late 19th/early 20th century container a handsome relic of the days when time and care were given to making utilitarian objects for Chinese households. The pleasingly clean form is created by the curved handle and spout, each carved seamlessly as part of staves that are integrated with 13 additional staves to form the container. A symbol carefully carved and gilded on the handle most likely had a significant meaning for the family. This piece, from Zheijian...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1900 item #882912 (stock #64-06)
Silk Road Gallery
$695.00
A large 19th century bronze bell from Burma has a tall holding ring with legendary figures from Burmese Buddhist iconography—kinnari, half man/half bird creatures, and manok-thi-ha, half man/half lion sphinx-like images. Two kinnari stand with their large wings spread upward to create the form of the tall spire. Two manok-thi-ha (also called manushi or manuthiha or a number of other names derived from the Sanskrit words “manu” for man and “simha” for lion) crouch with their backs suppo...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1970 item #698608 (stock #30-99)
Silk Road Gallery
$395.00
This triptych tableau featuring the Buddhist earth goddess, Wathundaye, is carved of teak and fitted with wood hinges to form a folding altar. The mid-20th century piece is from the countryside in Burma, where Wathundaye is a revered Buddhist icon. She is shown in the act of wringing water from her long hair, depicting a Jataka story that credits her with using the water to drown the evil Mara and his armies who were attempting to disrupt Buddha's path to enlightenment as he meditated under the ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1920 item #919136 (stock #63-64)
Silk Road Gallery
$595.00
Two kneeling nats, possibly representing the Taungbyon brothers, among the most revered deities in the Burmese spirit world of nats, are carved with identical positions and thrones but faces that are quite different from one another. Widespread belief among the Burmese of nats, the spirits of certain departed humans, and also of nat spirits of trees, rivers, rocks and more, predates the introduction of Buddhism in Burma. Thirty-seven nats, both protectors and rogues, each with its own complex s...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #860292 (stock #31-27)
Silk Road Gallery
On Hold
A pair of pulleys that were used on a hand loom in Burma show the Burmese love for exuberant decorative elements on objects for everyday use. The tall carved peacocks are larger than the pulleys, and may have been just one of a number of such decorations on a woman’s loom. Simple household objects are traditionally well made and attractive in Burma, where no lines are drawn between fine arts and folk or applied arts. The peacock, emblem of the Kon-baung Dynasty (1752-1885), remains a favorite ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #768181 (stock #63-56)
Silk Road Gallery
$850.00
This very unusual rotund 19th century Burmese Buddha is patterned after a statue said to be carved of the wood of the sacred Bodhi tree in Anuradhapura, Sri Lanka. See a photo and description of a similar Dakkhina Sakkha Buddha in the periodical "Arts of Asia" June 1981 issue in an article on Burmese Buddha figures by Burma art expert Sylvia Fraser-Lu. Nine small knob-like disks representing auspicious marks are prominent on this Buddha--one on each shoulder, elbow and knee, two on the posterior...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #894706 (stock #63-51)
Silk Road Gallery
SOLD
These lacquered wood figures of Buddha and five monks are from Burma, where they are displayed to commemorate Dhama Sakya, or First Sermon Day, in honor of what is believed to have been the Buddha’s initial teaching following enlightenment. The important event is celebrated annually on the fourth day of the sixth month of the Buddhist calendar, which falls sometime in June or July. In the tableau, the Buddha, after just achieving enlightenment, meets five ascetics at the town of Saranath, nea...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #806740 (stock #64-02)
Silk Road Gallery
$195.00
This most unusual rice ladle from the Shan minority people of Southeast Asia has carvings of a peacock, an elephant, a donkey, a fish and a mystery animal all lined up along its handle. Carving on the double handle, simulating rope, is skillfully done; carving on the animals is more primitive. The bowl is made from a sturdy gourd coated with lacquer. This ladle originated in one of the many small Shan villages concentrated in northeast Burma and was used to scoop rice into the alms bowls of monk...
All Items : Popular Collectibles : Cultural : Contemporary item #696096 (stock #19-46)
Silk Road Gallery
$135.00
Natural variations in the color and grain of yellow hibiscus wood give this carved mask of a Balinese princess a special appeal. It is from the studio of I. W. Mudano, a second generation master carver who has exhibited internationally for decades. He works primarily with yellow hibiscus wood, producing both original abstract forms and traditional Balinese figures and masks. A visit to his studio in Mas, near Ubud, on the Indonesian Island of Bali, reveals the amazing range of beautiful shapes, ...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #638991 (stock #62-45)
Silk Road Gallery
$1,600.00
Fine relief carving on this late Qing Chinese bed panel expresses symbolic wishes for good fortune. Made of beautifully grained hongmu (Chinese mahogany), the long panel (88 inches) is suitable for use over a king-sized bed. Stylized characters and traditional symbols, most likely chosen by the parents who commissioned the work, were used to bestow wishes on the newly married couple for long and happy lives. Carvings within the three rectangular sections demonstrate the Chinese love of homonyms....
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #1222465 (stock #63-84)
Silk Road Gallery
$890.00
This teak sculpture, more than three feet tall, represents a supernatural character from ancient Burmese folklore, Zaw-gyi, who is said to possess a fantastic range of powers. Zaw-gyi is immortal, forever youthful, can fly and practices alchemy, to name just a few of his talents. He lives in solitude and strives for spiritual perfection. An important member in the region’s pantheon of superheroes prior to the arrival of Buddhism in Burma, he was solidly integrated into Buddhist...
All Items : Antiques : Regional Art : Asian : Chinese : Sculpture : Pre 1900 item #136356 (stock #39-11)
Silk Road Gallery
$795.00
The Chinese goddess of mercy, Guanyin, is carved in relief riding on the back of a dragon whose feet are supported by clouds. Although the stone is irregularly cut around the edges, the carving appears to have been done as a stand-alone tablet rather than as part of a larger plaque. The Buddhist bodhisattva Guanyin has been a popular Chinese figure for centuries. This carving possibly was displayed outside as the face of the goddess is slightly weathered. The rest of the piece is in excellent co...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1920 item #951381 (stock #30-94)
Silk Road Gallery
SOLD
A small bronze kyizi gong from a village in Burma is flanked by two coiled naga, sea dragons that are Buddhist icons of protection revered throughout Southeast Asia. Kyizi, (pronounced chi-z) are, as far as we know, unique to Burma, and cast in a variety of sizes, from smaller than this one to quite large, heavy pieces. Suspended on a rope, they are struck on the upturned ends so the gong swings in a circle and emits a vibrating tone, used to mark donations to the monastery or to alert local re...
All Items : Antiques : Regional Art : Asian : Japanese : Metalwork : Pre 1837 VR item #153340 (stock #33-09)
Silk Road Gallery
$390.00
From the latter half of Japan's Edo Period (1600-1868), this 18th century Buddhist ceremonial bell preceded Japanese sophistication in the art of bronze casting and their development of an export market for fine metalwork. Prior to the Meiji Era, most metalwork was for domestic use. The inscription on this piece reads "God's Bell" and, in spite of imperfect casting, the humble bell has great appeal. A free-floating metal ball that rolls around in the bell chamber creates a modest tinkling sound....
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1920 item #978464 (stock #31-03)
Silk Road Gallery
SOLD
This bronze leogryph figure with human face is from early 20th century Burma and is a variation of the Buddhist temple guardian called manok-thi-ha or manushi, names derived from the Sanskrit words for man (manu) and lion (simha). Burmese manok-thi-ha often have double rear quarters (two bums—see our catalog item 63-37). This one is single-bummed and outfitted with heavy necklace, chest ornament and lots of swirls. The fantastic manok-thi-ha, a creature from Buddhist mythology, is said to roam...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #980111 (stock #24-98)
Silk Road Gallery
$690.00
A 19th century Chinese red lacquered wood panel is carved with the gods of happiness, prosperity and longevity surrounded by lively attendants running to and fro in a garden scene. Gold leaf applied sparingly over the lacquer adds richness and depth to the carving. The panel is in two parts, with the gods and their retinue carved in relief on the upper section, and fine pierced carving on the bottom section, with beautifully executed symbolic icons: a peony representing honor and masculinity is...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #880614 (stock #11-06)
Silk Road Gallery
SOLD
This large dramatic sculpture of a royal Buddha in classic Arakan style is two feet tall and crowned with curled open-work flanges flanking five intricately rendered leaf-covered spires. The practice of outfitting Buddha images in such regal style is said to have started in the Arakan Kingdom that flourished from 1287 to 1752 AD, when it became part of Burma. According to legend, an Arakan king named Jambupati (or Jambuphati) was causing suffering due to his excessive arrogance and pride. In ord...
All Items : Popular Collectibles : Cultural : Contemporary item #760551 (stock #24-06)
Silk Road Gallery
$120.00
A carved vase of hardwood native to Uzbekistan shows the strong relationship in aesthetics between Middle Eastern Persian or Iranian design and that of the Uzbeks of Central Asia. This piece is the product of an Uzbek family woodcarving business run by the family matriarch, herself a second generation woodcarver. Although the business mainly produces large ornately carved furniture for the local market in Uzbekistan, family members take great delight in creating small, carefully carved, time-con...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #167528 (stock #16-38)
Silk Road Gallery
$160.00
This primitive carved wood mask is from the Batak people who live around mystical Lake Toba in the northern reaches of the island of Sumatra. The small collection of Batak protector masks pictured in this catalogue (see them all under our category "Tribal") shows the fascinating range of expressions artisans were able to achieve in these relatively simple carvings. The impression conveyed by this particular mask is that of a keen observer somewhat stunned and perplexed by what he sees--a Batak v...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1700 item #699949 (stock #25-64)
Silk Road Gallery
$1,100.00
This Ava Period (1287-1752) limestone Buddha head was found in Burma in the mid-1990s. It obviously was cut from a stone backslab, indicating an early to mid Ava timeframe since the use of backslabs, prevalent during the earlier Pagan Period, declined during the late Ava years. The Buddha has a wide, squarish face, prominent eyebrows, well modeled lips and smooth cap, all Ava attributes. It is intriguing to speculate whether it was grouped with other figures and where it was displayed, as the ba...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1900 item #257200 (stock #03-17)
Silk Road Gallery
$400.00
The naga, Southeast Asia's "dragon of the sea," is a favorite protector throughout the region. This one, of weathered teak wood, is from Thailand where naga often are seen in pairs at entrances to temple grounds and positioned at intervals along roof lines. They are there to ward off evil spirits and natural disaster just as the naga is said to have protected the Buddha from lightning as he meditated under a bo tree. This one still has traces of yellow paint, and most likely was studded with bri...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1837 VR item #1250809 (stock #06-84)
Silk Road Gallery
$320.00
pair
These teak hangers are from Solo on the Indonesian island of Java and date to the early 19th century. Painted carvings of Hanuman, the heroic white monkey from the Southeast Asian epic, “The Ramayana,” sit atop long curved tails that form textile hangers. Fabrics can be draped so the Hanuman figures face front or to the sides. The hangers have holes at the top end so they can be either suspended or affixed directly to a wall. (See a similar set of hangers with different carved figures by ...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #892964 (stock #54-71)
Silk Road Gallery
SOLD
Two rectangular wood panels from late 19th century China are hand carved with vases, flowers and graceful trailing foliage in deep relief, each carving set within a cartouche and showcased with gilding applied over dark pomegranate red. These panels once were part of an interior window or door or perhaps integrated into a large piece of furniture. Such panels are often referred to as “temple carvings” because some of them were part of Buddhist temple architecture, rescued as China’s old b...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1940 item #1236618 (stock #10-76)
Silk Road Gallery
$700.00
This sitting Mandalay Buddha is an outstanding example of the fine skill of Burmese artisans in using thayo. The opulent robe with intricate frills and edging, the figure's tightly curled hair and well defined lotus throne were created using thayo, a mixture of lacquer and bone ash that dries to the hardness of wood. The figure's erect posture adds to the sculpture's aura of settled elegance. Carving of on the hands and feet is carefully modeled and realistic. The unusual lightly brushed dull...
All Items : Antiques : Regional Art : Asian : Indian Subcontinent : Sri Lanka : Pre 1900 item #1021472 (stock #35-43)
Silk Road Gallery
$295.00
A dragon’s mouth holds the flame in this 19th century bronze oil lamp from Ceylon. The dragon head and lamp base, cast as a separate unit, screw off the top tiered part of the lamp, which is hollow to hold the oil (see photo enlargement #3). The oil flows down through the dragon head to feed a wick threaded into the mouth. A heavy chain cast in double links is attached to a loop at the top of the lamp, allowing it to be used either as a hanging or a standing piece (see photo enlargement #6). T...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1940 item #1128330 (stock #12-20)
Silk Road Gallery
$670.00
A gilded Mandalay Buddha standing two feet tall strikes a graceful pose, with right hand in the varada mudra of charity and the fulfillment of wishes. Carved of dense Burmese teak wood, this early to mid-20th century figure is coated with a dark red matte lacquer highlighted with a liberal application of gilding. This Buddha’s finely carved face is striking, with especially large elongated eyes and brows. Elaborate draping and folds on the robe are emphasized with gilded scrolling and beading...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #142931 (stock #39-02)
Silk Road Gallery
$2,900.00
Nearly four feet in height, this 19th century Burmese Mandalay Buddha holds the right hand in the varada gesture to signify fulfillment of all wishes, boon granting and charity. A small fruit offering also is held in the right hand. This graceful classic figure is carved from dense Burmese teak and stands on a lotus throne. An undercoating of dark red lacquer that shows through worn areas in the gilding gives the piece an attractive patina. Large Buddha images such as this were placed above eye-...