Asian Antiques by Silk Road
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All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #1136045 (stock #63-11)
Silk Road Gallery
$370.00
The cinnabar lacquer covering this late 19th/early 20th century Burmese “kwet,” or serving bowl, is satin smooth and cool to the touch. Years of daily use have enhanced both the look and feel of this large bowl, with black lacquer showing through the red in areas of wear. Six black ribs curve down to the feet, and the top is curved and rolled inward, giving the vessel beautiful balance. The old Burmese process of producing such lacquer pieces was labor intensive and time consuming. Woven an...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1920 item #687835 (stock #64-37)
Silk Road Gallery
$1,200.00
Sale Pending
Finely modeled scenes from the "Jataka," stories of important events in the life of the Buddha, cover the lid and three sides of this "sadaik," or manuscript chest, from a Burmese monastery. (See similar chests in an article in "Arts of Asia" magazine, May-June 2013 issue, page 82, by Sylvia Fraser-Lu, with detailed information on Jataka stories depicted on manuscript chests.) The lid on this chest shows two scenes especially revered in Burma: The first is a compelling representation of the Budd...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1800 item #259829 (stock #08-12)
Silk Road Gallery
$750.00
The strong, primitive carving, broad face and very tall finial on this 18th century Buddha suggest that it was carved in a Mon village. The figure comes from Burma and dates to the Konbaung Period (1752-1885) when the Mon people, an ethnic minority, held some power briefly before they fled in large numbers to Thailand. This image owes its originality and charm to a village carver. Though it conforms to guidelines for representation of the Buddha, and reflects as well the popular style of the per...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #929783 (stock #63-14)
Silk Road Gallery
SOLD
An especially handsome lacquer bowl, called a “kwet,” is from the Shan people, a southeast Asian tribal group living primarily in northeast Burma. Similar Shan bowls, though not identical to this one, are pictured in a book from the British Museum Press entitled “Visions from the Golden Land: Burma and the Art of Lacquer” by Isaacs and Blurton, on pages 183 and 184, where they are labeled with the spelling “khwet.” This bowl has an inscription on the bottom that is difficult to deci...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #896352 (stock #63-23)
Silk Road Gallery
$695.00
An offering stand, or “kalat,” used by the Intha people who live in the villages around Inle Lake in one of the Shan states in northeastern Burma, is from the late 19th century. A similar though more recent piece in the British Museum is pictured in “Visions from the Golden Land: Burma and the Art of Lacquer,” by Isaacs and Blurton, British Museum Press, p. 163. Kalat stands such as this were used by families in much the same manner as the tall, spired hsun-ok to carry offerings of food ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1920 item #788418 (stock #64-03)
Silk Road Gallery
SOLD
An elephant with raised trunk, symbol of hospitality, forms the handle of this carved teakwood Burmese rice scoop. The dark red lacquer, applied over black lacquer in the traditional manner of Burmese artisans, is worn so the black undercoat shows through in areas, giving this early 20th century piece an inviting patina. The elephant trunk, which forms the scoop handle, is especially worn and shows evidence of many years of use. A simple decorative pattern is carved along the top of the scoop, a...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1900 item #876853 (stock #58-78)
Silk Road Gallery
SOLD
A late 19th century Chinese box made for storing small teacups, this piece is an example of an everyday utilitarian object with design and workmanship that stands the test of time. The box is constructed of shaped wood staves fitted together in barrel fashion and secured top and bottom with brass bands. The lid is in two parts, with the back half affixed and the front half removable so that the stacked cups were secure but easily taken out of the container. The box is lacquered in dark red and t...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1920 item #922753 (stock #63-29)
Silk Road Gallery
SOLD
Delicately incised yun designs on a three-piece lacquer betel box from the Burmese city of Pagan depict scenes of five elegantly dressed courtiers, each portrayed within a distinctive and elaborate portal. The name of the artisan, Ko Sein Maung, is incised in one ribbon-like cartouche, and his locale, Pagan Dikesu, in another. The wish, chantha basage (may you be rich), appears in a third cartouche. The container has three parts—a deep lid, a high base and a fitted tray. It is designed to reta...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1837 VR item #262688 (stock #57-54)
Silk Road Gallery
$250.00
The deep, close-fitting lid, two interior trays and small size of this luminous cinnabar-colored box suggest that it was used to carry a personal supply of ingredients for assembling a quid of betel. Betel leaves would have been stored in the bottom, and areca nuts, lime and spices carried on the trays. The container dates from the early 19th century. A subtle tortoise shell design covers the top and side of the lid. The side and bottom of the box are decorated with narrow bands of incised lines...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #799411 (stock #57-43)
Silk Road Gallery
$1,700.00
Traces of gold leaf remain on this Pagan dry lacquer Buddha head from the late 1700s. The head rests on a contemporary removable black metal stand. The dry lacquer technique, used by Burmese artisans from the mid-18th century until the beginning of the 20th century, produced finely modeled hollow images that were light in weight but very strong. The labor-intensive method involved a number of steps. First the image was shaped from clay, then wrapped in a lacquer-soaked cloth. A pliable mixture ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #898500 (stock #63-30)
Silk Road Gallery
SOLD
A late 19th century lacquer betel box from Burma is incised in an intricate pattern called “yok-thei,” with tiny dancers swirling through vegetal scrolling. The small design, primarily red and green, is punctuated with black and green circles that look like launching pads for the flying stylized dancers. (For a betel box with a similar yok-thei pattern, see color plate # 41 in “Burmese Crafts Past and Present,” by Sylvia Fraser-Lu, Oxford University Press, 1994.) This is one of the more...