Asian Antiques by Silk Road
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All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1920 item #919136 (stock #63-64)
Silk Road Gallery
$595.00
Two kneeling nats, possibly representing the Taungbyon brothers, among the most revered deities in the Burmese spirit world of nats, are carved with identical positions and thrones but faces that are quite different from one another. Widespread belief among the Burmese of nats, the spirits of certain departed humans, and also of nat spirits of trees, rivers, rocks and more, predates the introduction of Buddhism in Burma. Thirty-seven nats, both protectors and rogues, each with its own complex s...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1900 item #876853 (stock #58-78)
Silk Road Gallery
SOLD
A late 19th century Chinese box made for storing small teacups, this piece is an example of an everyday utilitarian object with design and workmanship that stands the test of time. The box is constructed of shaped wood staves fitted together in barrel fashion and secured top and bottom with brass bands. The lid is in two parts, with the back half affixed and the front half removable so that the stacked cups were secure but easily taken out of the container. The box is lacquered in dark red and t...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #799411 (stock #57-43)
Silk Road Gallery
$1,700.00
Traces of gold leaf remain on this Pagan dry lacquer Buddha head from the late 1700s. The head rests on a contemporary removable black metal stand. The dry lacquer technique, used by Burmese artisans from the mid-18th century until the beginning of the 20th century, produced finely modeled hollow images that were light in weight but very strong. The labor-intensive method involved a number of steps. First the image was shaped from clay, then wrapped in a lacquer-soaked cloth. A pliable mixture ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #875686 (stock #63-20)
Silk Road Gallery
$620.00
This early 20th century lacquer betel nut container has intricate incised scenes that recreate the magical interior of the old Burmese court. Dancers, mythical animals, courtiers, and servants surround the king on this throne in vignettes that cover the deep lid and base. The inscriptions "good health" and "be rich" are etched along the top edge of the deep lid. All the scenes are surrounded by fine bands of color and foliage with a cross-hatched background. Two trays that slide inside the high...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #1136045 (stock #63-11)
Silk Road Gallery
$370.00
The cinnabar lacquer covering this late 19th/early 20th century Burmese “kwet,” or serving bowl, is satin smooth and cool to the touch. Years of daily use have enhanced both the look and feel of this large bowl, with black lacquer showing through the red in areas of wear. Six black ribs curve down to the feet, and the top is curved and rolled inward, giving the vessel beautiful balance. The old Burmese process of producing such lacquer pieces was labor intensive and time consuming. Woven an...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #266405 (stock #57-62)
Silk Road Gallery
$450.00
Elegantly executed designs in red, yellow and green on a black background decorate this 19th century Burmese lacquer box. Called a "bi-it," this beautifully crafted container held combs, oil, perfume and sandalwood powder. The unusual scene on the lid shows a man and woman walking among trees collecting fruit. Their multi-patterned traditional clothing is drawn in great detail. Graceful flowers, calligraphy with a wish for happiness, and the signature of the maker decorate the sides of the lid a...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #780643 (stock #12-42)
Silk Road Gallery
$250.00
Tiny yellow dots incised freehand into a black lacquer background cover this small early 20th Burmese box. The design, produced with a time-consuming technique called "yun," is one of the more subtle traditional yun patterns developed by Burmese lacquer artisans. Yun involves the use of a stylus to engrave designs, one color at a time, on a lacquer surface. The yellow, red and green patterns on this box required three separate sessions of engraving with the stylus, rubbing the color into the inc...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #268585 (stock #57-71)
Silk Road Gallery
$365.00
With its lovely chu-pan foliage design, this 19th century cosmetic (bi-it) box shows the Burmese skill at fine lacquer work. The maker's name is prominently displayed on the lid in a banner carried aloft by a lively nat (spirit). Called a bi-it, the container was used to hold sandalwood powder, which was mixed with water to form a paste applied by Burmese women to their face as a skin refiner and sunscreen. Made by layering many coats of lacquer over a base of thin wood and coiled bamboo strips,...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1920 item #888007 (stock #02-65)
Silk Road Gallery
SOLD
A two-part silver box in the traditional Khmer motif of a singha, a mythical lion, is covered with swirling lines simulating fur, and has a fat pouf of a tail swung up over its broad back. Though it has the open jaw and flattened ears of a protector, its aura is more friendly than fierce. With a weight of 538 grams, this box is relatively large compared with other such boxes in the genre of handmade Khmer silver pieces found in the shapes of myriad birds and animals. (See the article “Khmer Si...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1920 item #922753 (stock #63-29)
Silk Road Gallery
SOLD
Delicately incised yun designs on a three-piece lacquer betel box from the Burmese city of Pagan depict scenes of five elegantly dressed courtiers, each portrayed within a distinctive and elaborate portal. The name of the artisan, Ko Sein Maung, is incised in one ribbon-like cartouche, and his locale, Pagan Dikesu, in another. The wish, chantha basage (may you be rich), appears in a third cartouche. The container has three parts—a deep lid, a high base and a fitted tray. It is designed to reta...
All Items : Antiques : Regional Art : Pre 1837 VR item #839958 (stock #10-81)
Silk Road Gallery
SOLD
An unusually large early to mid-19th century Shan hsun-ok from Burma, this piece has a diameter of 19 inches and stands 32 inches high. Full size offering bowls with the distinctive hsun-ok silhouette generally are about 13 to 15 inches in diameter. This one is a masterpiece of balance with the ten identifying Shan raised rings around the lid echoed with 10 raised rings around base. The carvings on the spire, punctuated by a large ball, complement the substantial circumference of the piece. Its...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1920 item #854196 (stock #10-68)
Silk Road Gallery
$390.00
This large lacquered early 20th century bowl from the Shan people, who live primarily in eastern parts of Burma and across the border in western and northern areas of Thailand, is called a “kwet” and was used to serve huge quantities of rice. It is made of split bamboo basketry supported by six sturdy ribs that curve down to end in six low feet. The basic bamboo construction is coated inside and out with layers of black lacquer overlaid with layers of red lacquer. The basketry shows through ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #929783 (stock #63-14)
Silk Road Gallery
SOLD
An especially handsome lacquer bowl, called a “kwet,” is from the Shan people, a southeast Asian tribal group living primarily in northeast Burma. Similar Shan bowls, though not identical to this one, are pictured in a book from the British Museum Press entitled “Visions from the Golden Land: Burma and the Art of Lacquer” by Isaacs and Blurton, on pages 183 and 184, where they are labeled with the spelling “khwet.” This bowl has an inscription on the bottom that is difficult to deci...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #1244658 (stock #39-32)
Silk Road Gallery
$395.00
From late 19th century Burma, this parabaik, or book, is made of thick cardboard-like paper folded accordion-style with front and back covers of gilded relief lacquer. The paper was made from the inner bark of the mulberry tree that was boiled for a day until soft, then pounded and spread on fabric that was stretched across a frame. The frame was repeatedly dipped in water and drained, then dried in the sun, spread with glue and chalk powder, and finally, polished with seeds. The thick paper ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #891192 (stock #64-44)
Silk Road Gallery
$1,200.00
This late 19th century offering vessel from the Burmese city of Pagan is an exceptionally fine example of the hsun-ok containers used to carry food offerings to Buddhist monasteries and temples. It is made of wood covered with many coats of lacquer, black first and then top layers of rich deep red. As the red lacquer wears away in areas exposing the black, a handsome negoro effect is created. A similar wooden hsun-ok is pictured in “Burmese Crafts Past and Present,” by Sylvia Fraser-Lu, Oxfo...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1920 item #815705 (stock #12-44)
Silk Road Gallery
$250.00
A small lacquer box incised with the Burmese “yun” technique has an unusual lid design of a scarf encircled with foliage. Using the yun method, the pattern is accomplished by cutting through top layers of lacquer to reveal one or more differently colored lacquer layers underneath. In this case, just black and light red lacquers were used, producing a container with a simplicity that sets it apart from the multi-colored intricate yun work seen on the larger cylindrical betel boxes from Burma....
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #261283 (stock #57-66)
Silk Road Gallery
$175.00
The lid of this 19th century Burmese lacquer traveler's box is incised with a charming scene of two figures, separated by a tree, each of them with one hand raised in a farewell wave. Made by layering many coats of lacquer over a base constructed of fine strips of coiled bamboo, Burmese lacquerware is light and durable. The design on this box is hand drawn using a method called yun-incising. Lines were incised through the top coats of black lacquer to reveal the persimmon-colored lacquer underne...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #896352 (stock #63-23)
Silk Road Gallery
$695.00
An offering stand, or “kalat,” used by the Intha people who live in the villages around Inle Lake in one of the Shan states in northeastern Burma, is from the late 19th century. A similar though more recent piece in the British Museum is pictured in “Visions from the Golden Land: Burma and the Art of Lacquer,” by Isaacs and Blurton, British Museum Press, p. 163. Kalat stands such as this were used by families in much the same manner as the tall, spired hsun-ok to carry offerings of food ...