Asian Antiques by Silk Road
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All Items : Antiques : Regional Art : Asian : Japanese : Stoneware : Pre 1910 item #946568 (stock #04-01)
Silk Road Gallery
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This Japanese ceramic hibachi from the late Meiji Period (1868-1912) has a country scene—a rustic dwelling snuggled amid old trees, hills and distant mountains. Ceramic hibachi were introduced in Meiji times as portable alternatives to the larger copper-lined wood hibachi and the heavier bronze receptacles. Whether ceramic or metal, hibachi held glowing charcoal embers used as a source of heat during cold Japanese winters. The ceramic ones generally were placed under low tables (kotatsu) that...
All Items : Antiques : Regional Art : Asian : Japanese : Stoneware : Pre 1910 item #919688 (stock #07-51)
Silk Road Gallery
$395.00
A Japanese tokkuri, or sake bottle, dating to the late Meiji Era (1868-1911) has underglaze cobalt blue Kanji script identifying the sake shop and its locale. The Kanji is free spirited and bold, appropriate for the use of the container, proclaiming “Miyaka Sake, 214 Genrou Cho.” This utilitarian piece is from Saga Prefecture on Japan’s south island of Kyushu, where early very simple blue and white Imari was produced solely for the Japanese market. (See similar underglaze blue and white ...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #800345 (stock #11-25)
Silk Road Gallery
$450.00
Monks Sariputta and Mogallana, two chief disciples of Buddha, are carved in heavy Burmese teakwood. Important to the Buddhist iconography of Burma, the two are said to have been Brahmin ascetics who were among the earliest followers of the Buddha. The figures have a long history in Burmese art, appearing beside Buddha on 12th century plaques excavated at Pagan and down through the centuries in bronzes, paintings and carvings, always accompanying Buddha. Around the late 18th century, artisans beg...
All Items : Vintage Arts : Regional Art : Pre 1960 item #1221946 (stock #13-08)
Silk Road Gallery
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An exceptionally beautiful face distinguishes this mid-20th century reclining Mandalay Buddha. Carved from one piece of dense Burmese teak, the sleek dark reddish brown figure depicts the Buddha passing into Nirvana. On the wrist is a bracelet with the magic wish-fulfilling jewel Cintamani(see photo enlargement #6). The neck is slender and carved with the three folds characteristic of most Burmese Buddha images. Intricate edging on the graceful draped robe is created of thayo, a lacquer thic...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1900 item #257200 (stock #03-17)
Silk Road Gallery
$400.00
The naga, Southeast Asia's "dragon of the sea," is a favorite protector throughout the region. This one, of weathered teak wood, is from Thailand where naga often are seen in pairs at entrances to temple grounds and positioned at intervals along roof lines. They are there to ward off evil spirits and natural disaster just as the naga is said to have protected the Buddha from lightning as he meditated under a bo tree. This one still has traces of yellow paint, and most likely was studded with bri...
All Items : Popular Collectibles : Cultural : Chinese : Pre 1990 item #677672 (stock #12-21)
Silk Road Gallery
$375.00
In a folk painting from Huxian County, Shaanxi Province, two charming little girls are seen from the back as they walk to school. One of them appears to be whispering a secret to her friend. Gouache on paper, the painting is unsigned, as is typical for such folk pieces. Huxian (Huhsien) was China's first peasant painting community, established in 1958 in a rural region about an hour's drive outside the city of Xian. From Huxian the peasant painting movement spread across China and by 1989 there ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #268585 (stock #57-71)
Silk Road Gallery
$365.00
With its lovely chu-pan foliage design, this 19th century cosmetic (bi-it) box shows the Burmese skill at fine lacquer work. The maker's name is prominently displayed on the lid in a banner carried aloft by a lively nat (spirit). Called a bi-it, the container was used to hold sandalwood powder, which was mixed with water to form a paste applied by Burmese women to their face as a skin refiner and sunscreen. Made by layering many coats of lacquer over a base of thin wood and coiled bamboo strips,...
All Items : Antiques : Regional Art : Asian : Chinese : Textiles : Pre 1900 item #970886 (stock #41-66)
Silk Road Gallery
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Two finely embroidered silk cutwork panels from 19th century China are framed to create this dramatic pair showcasing Qing Dynasty textile techniques. Four layers of silk are deftly constructed into a dramatic design given depth through the skillful use of cutwork. Red silk embroidered with vases, flowers and butterflies delicately couched in silver thread centers each panel. Black silk overlays the red on the sides and bottom, where intricate cutwork forms the Chinese character for good fortun...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #860292 (stock #31-27)
Silk Road Gallery
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A pair of pulleys that were used on a hand loom in Burma show the Burmese love for exuberant decorative elements on objects for everyday use. The tall carved peacocks are larger than the pulleys, and may have been just one of a number of such decorations on a woman’s loom. Simple household objects are traditionally well made and attractive in Burma, where no lines are drawn between fine arts and folk or applied arts. The peacock, emblem of the Kon-baung Dynasty (1752-1885), remains a favorite ...
All Items : Fine Art : Paintings : Miniatures : Pre 1837 VR item #861057 (stock #61-02)
Silk Road Gallery
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A miniature painting of an Ottoman gentleman is signed by Riza-Zade, a Persian artist who was brought to serve in the Ottoman court in the early 19th century. Although the work is richly adorned with gold and touches of vivid red, the subject's reflective expression and loose green robe give the painting a quiet, subdued feeling. Judging by a small area of minor damage to back surface of the paper, the painting most likely was preserved in a book. It is in excellent condition, and signed in the...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1910 item #778495 (stock #38-76)
Silk Road Gallery
$240.00
The shape of these bound foot shoes, with their very pointed toes and high curved instep, identifies their origin as North China. Their length, six inches, identifies their approximate age as early 20th century. Older golden lotus shoes, as they were called, usually were several inches shorter. Each of these black silk shoes has satin stitch embroidery with a butterfly, symbol of joy; a pomegranate, symbol of fertility, and several types of blossoms. The wear on the little soles and silk uppers ...
All Items : Antiques : Regional Art : Asian : Chinese : Textiles : Pre 1900 item #890110 (stock #52-16)
Silk Road Gallery
$450.00
An embroidered silk cloud collar made for a child in late 19th century China has seven silk lappets, each embroidered with a lamb. In both city and provincial households, embroidery, an ancient Chinese art form, used symbolic animals, birds and flowers in free designs to express hopes for the future of family members. The lambs on this charming Shaanxi Province collar symbolized filial piety, an important Confucian trait that was encouraged on this piece seven times over. Called cloud collars, s...
All Items : Antiques : Regional Art : Asian : Chinese : Textiles : Pre 1900 item #782459 (stock #52-15)
Silk Road Gallery
$530.00
A silk collar from the late Qing Dynasty is made of six embroidered lappets shaped to resemble clouds. Cloud icons, evolved from archaic pictographs, have been used in Chinese art for thousands of years to symbolize abundance and the nourishment of life. This collar was worn on festival days by a young girl whose mother designed and embroidered it with six auspicious flowers and six auspicious insects to convey added good wishes for her daughter's future. The embroidery is done in a beautifully ...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1910 item #921672 (stock #58-63)
Silk Road Gallery
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A large basket from China’s late Qing Dynasty has a sturdy weave of reeds bordered by two wide bands of bent willow, originally painted with bright flowers that now are faded. An example of the provincial Chinese skill and artistry devoted to utilitarian objects, the basket is designed to form two serving bowls when fully opened. Dumplings were stored and served in this container, which is from the western region of Shaanxi, where excellent dumplings are a source of provincial pride. A metal r...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1960 item #813834 (stock #12-83)
Silk Road Gallery
$495.00
A slender Buddha figure from mid-20th century Burma stands on a double lotus throne with right hand in varada mudra, gesture of charity and compassion. The tall crown, ornate side flanges, chest ornament and epaulets are in the style of the old Arakan Kingdom that became part of Burma in 1752 AD. This relatively small (14" tall) carved teak image was made by the Shan, a minority people residing primarily in Burma and Thailand. Shan communities have continued to produce crowned figures with Araka...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #806740 (stock #64-02)
Silk Road Gallery
$195.00
This most unusual rice ladle from the Shan minority people of Southeast Asia has carvings of a peacock, an elephant, a donkey, a fish and a mystery animal all lined up along its handle. Carving on the double handle, simulating rope, is skillfully done; carving on the animals is more primitive. The bowl is made from a sturdy gourd coated with lacquer. This ladle originated in one of the many small Shan villages concentrated in northeast Burma and was used to scoop rice into the alms bowls of monk...
All Items : Antiques : Regional Art : Asian : Chinese : Textiles : Pre 1900 item #761334 (stock #45-20)
Silk Road Gallery
$900.00
Colorful embroidered silk shapes linked together with beads and loops create these long, mobile-like bedside hangings from late 19th century China. The auspicious shapes and symbols convey wishes for a long and successful life. These were made in Shaanxi Province, hung on either side of a bed, and originally, of course, were displayed without frames and glass as shown here. Each hanging is assembled from nine cutout shapes. The bottom black section is edged with a ruyi shape, emblem of long life...
All Items : Popular Collectibles : Cultural : Contemporary item #684988 (stock #61-34)
Silk Road Gallery
$120.00
A miniature painted and signed by Bikaner artist Raju Swami contemplates a man spinning thread. Done in soft blues, greens and browns, the study is in Bikaner style, and is soft and quiet. The man crouches on the ground, stares pensively at the cotton in his hand, and appears to be thinking thoughts thousands of miles removed from his task. The miniature, signed lower right, is in perfect condition. Dimensions overall: height 7" (18 cm), width 5" (12 cm). Dimensions of image: height 6-1/4" (16 c...