Asian Antiques by Silk Road
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All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1920 item #995663 (stock #42-40)
Silk Road Gallery
$580.00
This late Qing Dynasty pendulum clock in a carved wood case has a glass front hand painted with a double happiness symbol encircled by flowers. The brass pendulum swings behind the happiness symbol and the hour is announced with a pleasant chime tone produced by a small mallet striking a metal shell. The springs for the timing mechanism and chime are wound separately with a key (which is included) inserted into the clock face. The carving and shape of the wood case suggest Victorian design infl...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1920 item #922753 (stock #63-29)
Silk Road Gallery
SOLD
Delicately incised yun designs on a three-piece lacquer betel box from the Burmese city of Pagan depict scenes of five elegantly dressed courtiers, each portrayed within a distinctive and elaborate portal. The name of the artisan, Ko Sein Maung, is incised in one ribbon-like cartouche, and his locale, Pagan Dikesu, in another. The wish, chantha basage (may you be rich), appears in a third cartouche. The container has three parts—a deep lid, a high base and a fitted tray. It is designed to reta...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1920 item #919136 (stock #63-64)
Silk Road Gallery
$595.00
Two kneeling nats, possibly representing the Taungbyon brothers, among the most revered deities in the Burmese spirit world of nats, are carved with identical positions and thrones but faces that are quite different from one another. Widespread belief among the Burmese of nats, the spirits of certain departed humans, and also of nat spirits of trees, rivers, rocks and more, predates the introduction of Buddhism in Burma. Thirty-seven nats, both protectors and rogues, each with its own complex s...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #757166 (stock #08-03)
Silk Road Gallery
$375.00
A modest little folk Buddha with right hand in earth touching mudra sits on a red and black double lotus throne. Made of lacquered teak wood, the carving is from the Shan minority in Burma. The gilded Buddha has the downcast eyes, prominent brow, small chin and large finial generally seen on Shan figures. It most likely was displayed in a village daimyo, a covered outdoor pavilion with a stepped altar holding a number of Buddha figures of various sizes, a local gathering place for daily devotion...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1900 item #1065987 (stock #62-56)
Silk Road Gallery
$295.00
Rich auburn elmwood with a satin smooth surface makes this late 19th century hand-hewn Chinese food box an especially attractive shelf or table accent piece. It is constructed of shaped staves fitted tightly together and held with flat brass bands around the foot and the widest part of the vessel. Carvings on the side handles of lotus buds on long stems, both Taoist and Buddhist emblems of perfection, are appropriate for a food box because every part of the lotus plant is deemed edible by the C...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1910 item #778495 (stock #38-76)
Silk Road Gallery
$240.00
The shape of these bound foot shoes, with their very pointed toes and high curved instep, identifies their origin as North China. Their length, six inches, identifies their approximate age as early 20th century. Older golden lotus shoes, as they were called, usually were several inches shorter. Each of these black silk shoes has satin stitch embroidery with a butterfly, symbol of joy; a pomegranate, symbol of fertility, and several types of blossoms. The wear on the little soles and silk uppers ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #898500 (stock #63-30)
Silk Road Gallery
SOLD
A late 19th century lacquer betel box from Burma is incised in an intricate pattern called “yok-thei,” with tiny dancers swirling through vegetal scrolling. The small design, primarily red and green, is punctuated with black and green circles that look like launching pads for the flying stylized dancers. (For a betel box with a similar yok-thei pattern, see color plate # 41 in “Burmese Crafts Past and Present,” by Sylvia Fraser-Lu, Oxford University Press, 1994.) This is one of the more...
All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1910 item #1237426 (stock #11-19)
Silk Road Gallery
SOLD
Remarkable carving skill makes this late 19th/early 20th century container a handsome relic of the days when time and care were given to making utilitarian objects for Chinese households. The pleasingly clean form is created by the curved handle and spout, each carved seamlessly as part of staves that are integrated with 13 additional staves to form the container. A symbol carefully carved and gilded on the handle most likely had a significant meaning for the family. This piece, from Zheijian...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1970 item #698608 (stock #30-99)
Silk Road Gallery
$395.00
This triptych tableau featuring the Buddhist earth goddess, Wathundaye, is carved of teak and fitted with wood hinges to form a folding altar. The mid-20th century piece is from the countryside in Burma, where Wathundaye is a revered Buddhist icon. She is shown in the act of wringing water from her long hair, depicting a Jataka story that credits her with using the water to drown the evil Mara and his armies who were attempting to disrupt Buddha's path to enlightenment as he meditated under the ...
All Items : Antiques : Regional Art : Asian : Japanese : Stoneware : Pre 1910 item #946568 (stock #04-01)
Silk Road Gallery
SOLD
This Japanese ceramic hibachi from the late Meiji Period (1868-1912) has a country scene—a rustic dwelling snuggled amid old trees, hills and distant mountains. Ceramic hibachi were introduced in Meiji times as portable alternatives to the larger copper-lined wood hibachi and the heavier bronze receptacles. Whether ceramic or metal, hibachi held glowing charcoal embers used as a source of heat during cold Japanese winters. The ceramic ones generally were placed under low tables (kotatsu) that...
All Items : Popular Collectibles : Cultural : Contemporary item #705474 (stock #61-35)
Silk Road Gallery
$325.00
A Rajasthani botanical miniature on handmade paper by Bikaner artist Raju Swami is green and gold with deep gold flowers shading to orange/red. An exotic white butterfly hovers over the meticulously veined flowers. Bikaner, a remote walled desert town in western India, has a miniaturist tradition in both Mughal and Rajasthani styles. This artist, who grinds his own mineral colors and makes his own brushes that sometimes consist of only a few squirrel hairs, produces particularly fine botanicals....
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1920 item #893819 (stock #17-53)
Silk Road Gallery
SOLD
Tropical scenes from a Javanese village are carved in teak wood in long, low formats making them suitable for hanging in shallow spaces above windows, doors or the like. One of the pair shows a festival, with a large gong and children playing. In the other carving, two horses are very reluctantly pulling a cart in a family going to market scene. These pieces are lighthearted and charming, with spirit, movement and rustic appeal. From the early 20th century, they are in excellent condition. Dimen...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #268585 (stock #57-71)
Silk Road Gallery
$365.00
With its lovely chu-pan foliage design, this 19th century cosmetic (bi-it) box shows the Burmese skill at fine lacquer work. The maker's name is prominently displayed on the lid in a banner carried aloft by a lively nat (spirit). Called a bi-it, the container was used to hold sandalwood powder, which was mixed with water to form a paste applied by Burmese women to their face as a skin refiner and sunscreen. Made by layering many coats of lacquer over a base of thin wood and coiled bamboo strips,...
All Items : Antiques : Regional Art : Asian : Japanese : Textiles : Pre 1910 item #818776 (stock #32-52)
Silk Road Gallery
$195.00
Shibori, an incredibly intricate Japanese textile art, was used to create the mon (family crest) on one side and good fortune character on the other side of this late Meiji era fukusa. The designs were formed by tightly tying off with thread thousands of individual tiny sections on plain white silk. The tied off sections covered the surface everywhere except the outlines of the character and crest, so that when the fabric was dyed green and the binding threads removed, each tiny section was puck...
All Items : Popular Collectibles : Cultural : Contemporary item #708063 (stock #24-04)
Silk Road Gallery
$120.00
An unusual handcarved vase of hardwood native to Uzbekistan shows the strong relationship in aesthetics between Middle Eastern Persian or Iranian design and designs used by the Uzbek people of Central Asia. This piece is the product of an Uzbek family woodcarving business run by the family matriarch, herself a second generation woodcarver. Although the business mainly produces large ornate furniture for the local market in Uzbekistan, family members take great delight in creating small, carefull...
All Items : Antiques : Regional Art : Asian : Chinese : Jewelry : Pre 1900 item #847943 (stock #54-34)
Silk Road Gallery
$275.00
Iridescent blue kingfisher bird feathers were used to create the five petals of this 19th century Chinese pin that was most likely used as a hair ornament. Feathers from the tiny kingfisher bird decorated items used by the ladies of Chinese imperial courts for many centuries. Jewelry and other articles covered with the feathers were found in Tang Dynasty tombs. In the 18th century, the fashion developed for very large, intricate feather headpieces, and these can be seen worn by empresses and the...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #844816 (stock #58-20)
Silk Road Gallery
$295.00
A late 19th century Chinese wood panel has excellent sinuous pierced carving on wide bands that stretch across the top and bottom and are set within a contrasting wood frame. The plain frame in a lighter reddish hue draws the eye to the quality of carving in the darker red/brown bands. The piece has been fitted with a new mirror, which for photography purposes, has been sprayed with a temporary non-reflective film. Originally part of a multi-panel screen, this Qing carving is in very good condit...
All Items : Vintage Arts : Regional Art : Asian : Chinese : Snuff Bottles : Pre 1970 item #710691 (stock #54-35)
Silk Road Gallery
$130.00
An amber-colored snuff bottle has carvings of eight fish, auspicious Chinese symbols of wealth, abundance, freedom and harmony. Four fish swim on one side below calligraphy incised on a shoulder of the bottle; four fish on the other side swim among lotus plants, emblems of fruitfulness. For good measure, a ninth fish is incised between the two carved areas. Dating from mid to late 20th century, this piece is a relative newcomer in the venerable snuff bottle field. It is in excellent condition ex...