Asian Antiques by Silk Road
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All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1910 item #884476 (stock #60-24)
Silk Road Gallery
$280.00
This late Qing wood pitcher from Shanghai is similar in form to provincial pitchers but is made of a harder wood, is more carefully constructed and has a sleeker look than its country cousins. The basic construction design is similar—shaped staves form the bowl and are held together with bands. The individual staves on this one are so tightly fitted that it looks as though it is carved from one piece of wood. The band around the bottom is metal but has been colored to match the wood; the uppe...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #847598 (stock #60-21)
Silk Road Gallery
$470.00
This Qing Dynasty scholar’s box has four rosewood doors hand painted with ivory-colored flowers and foliage, following the traditional practice of Chinese scholars to surround themselves in their studios with reminders of nature. Made to be displayed on a table or desk, the box was used to store carved signature seals, ink sticks and other small items. The rosewood door panels are set within hand carved elm beading and frames, and the front, sides and top of the piece are made of elm wood in a...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1800 item #279346 (stock #08-14)
Silk Road Gallery
$675.00
Elements of folk art blended with features of a classical Burmese Buddha give great charm to this unusual 18th century lacquered and gilded wood figure. The face is finely carved and serene, with well defined brows, downcast eyes and expressive lips. The ears, angled nearly straight out with jaunty flying lobes, and the exaggerated, very high finial are areas where the carver departed tradition in expression, perhaps, of his own personal image of the Buddha. The body is quite rounded and the han...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1970 item #809473 (stock #12-40)
Silk Road Gallery
$320.00
The Ramayana story of the heroic white monkey god Hanuman's rescue of Sita is portrayed by the carving that forms the handle of this teak wood rice scoop. Characters from the Indian epic Ramayana, familiar icons throughout Southeast Asia, are seen on folk and fine art, in children's books and on temple walls as representations of good and evil. In this carving, Hanuman is carrying Sita across the sea back to Rama after rescuing her from the evil king Ravanna. Hanuman is holding his long tail, wh...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1970 item #802398 (stock #63-86)
Silk Road Gallery
$675.00
A sleek bronze figure, cast in Burma about 40 years ago, assumes an art deco form as he smilingly holds up a receptacle for lamp oil. The design is likely a remnant of Burma's earlier colonial period (1890-1941) when British administrators, with little appreciation for indigenous Burmese art, commissioned ornamental images made to their own specifications. Burmese metalsmiths, whose skill was evident in the Buddhist art they produced, adapted their artistry to turning out secular European desig...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #969594 (stock #10-78)
Silk Road Gallery
SOLD
This graceful Mandalay Buddha, nearly two feet in height, seems to float above its low double lotus throne. The floating effect is achieved with the robe, edged in a Burmese lacquer technique called thayo that ripples lightly across the wide pedestal and cascades in loose folds down the front and back of the slender figure’s left shoulder. The face is serene, with wide downcast eyes and finely executed nose and mouth. Carved of Burmese teak, the surface is a rich red/brown, sealed with a lig...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1950 item #909778 (stock #11-02)
Silk Road Gallery
$875.00
This crowned Shan Buddha sits in bhadrasana, or Western position, on a tall stepped throne of unusual design. The carved teak wood figure has the winged side flanges and spired crown centered with high finial that identify royal Buddha figures from Burma. Shan artisans often added Arakanese accoutrements such as long ear pieces and ornate epaulets and chest ornaments to jambhupati (crowned) Buddha but this one has none of those; instead, the artisan provided a striking throne that nicely balanc...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1910 item #705829 (stock #54-66)
Silk Road Gallery
$295.00
A tall, thin scholar in a flowing robe centers this late 19th/early 20th century Chinese wood carving. He holds a fan and strikes a pose of the privileged as his little servant stands by on the left. The scholar presumably is on a stroll through his garden, a spot where the Chinese literati were said to spend a good deal of their time and where they often were shown in paintings and carvings. The deep relief carving is inside an octagon, which is contained within a rectangular cartouche. The pan...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #981876 (stock #10-47)
Silk Road Gallery
$890.00
A classic Burmese bronze Buddha from the late 19th/early 20th century, with the simple, unadorned lines of the Ava Period, is softened with roundness in the face and body. The stepped throne, rather than the traditional diamond shape, also is rounded, adding to the settled, secure look of the figure. Legacies of the traditional Ava style also are seen in the well defined brow over lowered eyes, the slight smile, and a band separating hair and forehead. It was a common practice during the 19th a...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1910 item #921672 (stock #58-63)
Silk Road Gallery
SOLD
A large basket from China’s late Qing Dynasty has a sturdy weave of reeds bordered by two wide bands of bent willow, originally painted with bright flowers that now are faded. An example of the provincial Chinese skill and artistry devoted to utilitarian objects, the basket is designed to form two serving bowls when fully opened. Dumplings were stored and served in this container, which is from the western region of Shaanxi, where excellent dumplings are a source of provincial pride. A metal r...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1960 item #813834 (stock #12-83)
Silk Road Gallery
$495.00
A slender Buddha figure from mid-20th century Burma stands on a double lotus throne with right hand in varada mudra, gesture of charity and compassion. The tall crown, ornate side flanges, chest ornament and epaulets are in the style of the old Arakan Kingdom that became part of Burma in 1752 AD. This relatively small (14" tall) carved teak image was made by the Shan, a minority people residing primarily in Burma and Thailand. Shan communities have continued to produce crowned figures with Araka...
All Items : Vintage Arts : Regional Art : Pre 1940 item #1344136 (stock #10-60)
Silk Road Gallery
$700.00
This stunning Mandalay Buddha is meditating with hands in the darmachakra mudra of teaching,with thumbs and index fingers forming circles to represent the Buddhist wheel of law. Beautifully carved from especially dense and heavy teak, the figure shows the fine craftsmanship of Burmese carvers. The figure is covered with a deep reddish coat of smooth Burmese lacquer. This early to mid 20th century piece is in excellent condition. Dimensions: height 18", width 13 1/2", depth 9 1/2". Weight is 1...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1920 item #800706 (stock #58-47)
Silk Road Gallery
$175.00
Among the many varieties of red lacquered containers used during China's Qing and early Republic years, none has a more striking form than the humble lunch pail. An elegantly designed everyday item, it is constructed of shaped wood staves, a tall bent willow handle and a notched lid that snaps securely in place around the handle. Pails in this design also are referred to as berry pails. The recessed bottom on this one is decorated with two drawings of flowers, perhaps done by the maker of the pa...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #268585 (stock #57-71)
Silk Road Gallery
$365.00
With its lovely chu-pan foliage design, this 19th century cosmetic (bi-it) box shows the Burmese skill at fine lacquer work. The maker's name is prominently displayed on the lid in a banner carried aloft by a lively nat (spirit). Called a bi-it, the container was used to hold sandalwood powder, which was mixed with water to form a paste applied by Burmese women to their face as a skin refiner and sunscreen. Made by layering many coats of lacquer over a base of thin wood and coiled bamboo strips,...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #167330 (stock #39-12)
Silk Road Gallery
$675.00
The contrast of the smooth, dark sheen of the face with the light, dusty grey of the hair is a compelling feature of this well cast bronze head. Cast in Thailand about 30 years ago, it is in a style that originated during the Ayutthaya Kingdom (1350-1757), characterized by the full serene face with delicate eyebrows, slightly flared nostrils and well defined lips with the hint of a smile. Tightly curled hair in small spirals covers the head and unisha. The removable filial is an unadorned lotus...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #312760 (stock #57-32)
Silk Road Gallery
$500.00
Variations in the shades of these green and white jade chess pieces give this set from Burma (Myanmar) extra appeal. Green knights are dark and opaque; other green pieces are translucent and various lighter shades. Many of the white pieces show a blush of pink. Burma is the source of much of the world's jade, which is found there in several colors. The board, set into the top of a carved teak wood storage/carrying case, also is made of green and white jade. Chess pieces are carved in the Western...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #811124 (stock #64-05)
Silk Road Gallery
$450.00
The monks Sariputta and Mogallana have been honored in Burmese Buddhist art as the two chief disciples of Buddha for more than 800 years, as evidenced by their images on 12th century plaques excavated at Pagan. Until the late 18th century they were most often integrated into carvings and bronzes of the Buddha. After artisans started carving and casting each of the figures separately, the pose of each monk evolved into the traditional poses seen on these black lacquered carvings, and now vary mai...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #757166 (stock #08-03)
Silk Road Gallery
$375.00
A modest little folk Buddha with right hand in earth touching mudra sits on a red and black double lotus throne. Made of lacquered teak wood, the carving is from the Shan minority in Burma. The gilded Buddha has the downcast eyes, prominent brow, small chin and large finial generally seen on Shan figures. It most likely was displayed in a village daimyo, a covered outdoor pavilion with a stepped altar holding a number of Buddha figures of various sizes, a local gathering place for daily devotion...
All Items : Popular Collectibles : Cultural : Contemporary item #708063 (stock #24-04)
Silk Road Gallery
$120.00
An unusual handcarved vase of hardwood native to Uzbekistan shows the strong relationship in aesthetics between Middle Eastern Persian or Iranian design and designs used by the Uzbek people of Central Asia. This piece is the product of an Uzbek family woodcarving business run by the family matriarch, herself a second generation woodcarver. Although the business mainly produces large ornate furniture for the local market in Uzbekistan, family members take great delight in creating small, carefull...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1970 item #698608 (stock #30-99)
Silk Road Gallery
$395.00
This triptych tableau featuring the Buddhist earth goddess, Wathundaye, is carved of teak and fitted with wood hinges to form a folding altar. The mid-20th century piece is from the countryside in Burma, where Wathundaye is a revered Buddhist icon. She is shown in the act of wringing water from her long hair, depicting a Jataka story that credits her with using the water to drown the evil Mara and his armies who were attempting to disrupt Buddha's path to enlightenment as he meditated under the ...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1970 item #895454 (stock #64-04)
Silk Road Gallery
$320.00
The Ramayana characters of Hamunan, the white monkey god, and Sita, the abducted wife of Rama, form the handle of this hand carved teak rice scoop from Burma. Hanuman is depicted carrying Sita back across the sea to Rama after rescuing her from the evil king Ravanna. The figures are familiar icons in the arts of Southeast Asia, particularly in Burma where the many heroes and villains of The Ramayana are universally recognized because the epic is still regularly performed there in puppet shows an...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #721542 (stock #24-41)
Silk Road Gallery
$250.00
A late Qing relief-carved wood panel has ten figures in martial arts poses. Trees and rocks frame two scenes. Touches of original gilding remain on the figures and define foliage in the top scene. The panel once was part of a larger piece such as a screen or perhaps a bench. It shows uneven wear, with the only the two figures at bottom right worn and weathered so that their features are no longer distinct. Overall, this late 19th century panel is in quite good and solid condition. Dimensions: he...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Wood : Pre 1980 item #818403 (stock #12-28)
Silk Road Gallery
$195.00
A small metal balance scale is enclosed within this wood container carved in the shape of the Burmese crane, known as a “karaweik,” that holds a fish in its bill. Although commonly called “opium” scales, such rudimentary instruments, and the so-called “opium” weights used with them, were basic merchant tools used in daily bazaars to measure just about anything that fit into the small trays. Mythical animals and birds were favorite design elements for items associated with the scales....
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1837 VR item #902690 (stock #38-56)
Silk Road Gallery
$600.00
An early 18th century inkstone has a gourd-shaped ink pool cut into a deep black stone slab that, along with brushes, ink and paper, represented what was referred to in Chinese literature as “the four precious things of the library.” Among the four objects, inkstones were considered the most important, the soul of the scholar’s library, because they were said to represent “the infinite subtlety of nature.” Although they appear to be relatively humble objects, inkstones were praised, co...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #780643 (stock #12-42)
Silk Road Gallery
$250.00
Tiny yellow dots incised freehand into a black lacquer background cover this small early 20th Burmese box. The design, produced with a time-consuming technique called "yun," is one of the more subtle traditional yun patterns developed by Burmese lacquer artisans. Yun involves the use of a stylus to engrave designs, one color at a time, on a lacquer surface. The yellow, red and green patterns on this box required three separate sessions of engraving with the stylus, rubbing the color into the inc...
All Items : Antiques : Regional Art : Middle Eastern : Textiles : Pre 1910 item #897630 (stock #10-52)
Silk Road Gallery
$200.00
Hand printed fabrics were created with these early 20th century carved wood printing blocks from Turkey. Each of the five variously sized and shaped blocks is deeply carved with different types of flowers. The four smaller blocks are shaped with a hand grip on the sides; the largest block most likely was placed in a handled holder. These relics of Turkey’s textile industry probably were used to print silk, as the production of even enough material for a scarf would have required considerable ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #686777 (stock #63-41)
Silk Road Gallery
$795.00
Right hand raised in jnana (teaching) mudra, this Burmese bronze Buddha sits in lotus position on a double lotus throne. The Buddha's thumb and index finger form a circle to signify the Buddhist wheel of law, the dharmachakra. This early 20th century Buddha is Ava in style, with the body tilting slightly forward on a waisted lotus throne that is tall relative to the height of the figure. The simple, unadorned robe leaves one shoulder bare, and the hair is separated from the face with a narrow ba...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1800 item #291897 (stock #02-34)
Silk Road Gallery
$600.00
Inscriptions cover the left and back sides of the throne under this 18th century seated Burmese Shan Buddha. Made of lacquered wood coated with gilt, the figure is graceful and well proportioned, with a finely carved face. Long, tilted eyes under high eyebrows that sweep upward toward the hairline are the most arresting features of the peaceful face, which is smoothly capped in dark lacquer and topped with an exceptionally tall finial. Hands and robe details are simple and realistic; the feet, d...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #980111 (stock #24-98)
Silk Road Gallery
$690.00
A 19th century Chinese red lacquered wood panel is carved with the gods of happiness, prosperity and longevity surrounded by lively attendants running to and fro in a garden scene. Gold leaf applied sparingly over the lacquer adds richness and depth to the carving. The panel is in two parts, with the gods and their retinue carved in relief on the upper section, and fine pierced carving on the bottom section, with beautifully executed symbolic icons: a peony representing honor and masculinity is...
All Items : Vintage Arts : Regional Art : Pre 1960 item #1221946 (stock #13-08)
Silk Road Gallery
SOLD
An exceptionally beautiful face distinguishes this mid-20th century reclining Mandalay Buddha. Carved from one piece of dense Burmese teak, the sleek dark reddish brown figure depicts the Buddha passing into Nirvana. On the wrist is a bracelet with the magic wish-fulfilling jewel Cintamani(see photo enlargement #6). The neck is slender and carved with the three folds characteristic of most Burmese Buddha images. Intricate edging on the graceful draped robe is created of thayo, a lacquer thic...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #877988 (stock #60-68)
Silk Road Gallery
$600.00
Vignettes from Chinese operas are painted on this octagonal late Qing wood trunk. Rendered primarily in orange/red, cream and black, and framed in red and blue, the scenes float on a striking turquoise background. On one side of the piece, a large dramatic orange/red flower painting gives variety to the colorful vignettes. The trunk, or lidded box, may have been used to store costumes for a traveling opera company. Or, it may have been used in a Chinese opera-loving household. It has metal carry...
All Items : Popular Collectibles : Cultural : Contemporary item #696096 (stock #19-46)
Silk Road Gallery
$135.00
Natural variations in the color and grain of yellow hibiscus wood give this carved mask of a Balinese princess a special appeal. It is from the studio of I. W. Mudano, a second generation master carver who has exhibited internationally for decades. He works primarily with yellow hibiscus wood, producing both original abstract forms and traditional Balinese figures and masks. A visit to his studio in Mas, near Ubud, on the Indonesian Island of Bali, reveals the amazing range of beautiful shapes, ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1900 item #257200 (stock #03-17)
Silk Road Gallery
$400.00
The naga, Southeast Asia's "dragon of the sea," is a favorite protector throughout the region. This one, of weathered teak wood, is from Thailand where naga often are seen in pairs at entrances to temple grounds and positioned at intervals along roof lines. They are there to ward off evil spirits and natural disaster just as the naga is said to have protected the Buddha from lightning as he meditated under a bo tree. This one still has traces of yellow paint, and most likely was studded with bri...
All Items : Vintage Arts : Regional Art : Asian : Chinese : Snuff Bottles : Pre 1970 item #710691 (stock #54-35)
Silk Road Gallery
$130.00
An amber-colored snuff bottle has carvings of eight fish, auspicious Chinese symbols of wealth, abundance, freedom and harmony. Four fish swim on one side below calligraphy incised on a shoulder of the bottle; four fish on the other side swim among lotus plants, emblems of fruitfulness. For good measure, a ninth fish is incised between the two carved areas. Dating from mid to late 20th century, this piece is a relative newcomer in the venerable snuff bottle field. It is in excellent condition ex...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #261283 (stock #57-66)
Silk Road Gallery
$175.00
The lid of this 19th century Burmese lacquer traveler's box is incised with a charming scene of two figures, separated by a tree, each of them with one hand raised in a farewell wave. Made by layering many coats of lacquer over a base constructed of fine strips of coiled bamboo, Burmese lacquerware is light and durable. The design on this box is hand drawn using a method called yun-incising. Lines were incised through the top coats of black lacquer to reveal the persimmon-colored lacquer underne...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #141341 (stock #40-05)
Silk Road Gallery
$550.00
Cast about 30 years ago, this replica bronze Buddha head is in the style of Thailand's Sukhothai Kingdom. The Sukhothai period, which lasted from the mid-13th century to the end of the 14th century, is often called "The Golden Age of Thai Civilization." Religious art and architecture from this period are regarded by many art historians as representing the most classic of Thai styles. The face of a Sukhothai Buddha is immediately recognizable for its regal, commanding look, with heavily lidded ey...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #266405 (stock #57-62)
Silk Road Gallery
$450.00
Elegantly executed designs in red, yellow and green on a black background decorate this 19th century Burmese lacquer box. Called a "bi-it," this beautifully crafted container held combs, oil, perfume and sandalwood powder. The unusual scene on the lid shows a man and woman walking among trees collecting fruit. Their multi-patterned traditional clothing is drawn in great detail. Graceful flowers, calligraphy with a wish for happiness, and the signature of the maker decorate the sides of the lid a...
All Items : Vintage Arts : Regional Art : Asian : Chinese : Sculpture : Pre 1940 item #1345065 (stock #10-50)
Silk Road Gallery
$675.00
Carved from stone, weighing 98 pounds and standing 32 inches tall, this Buddha is unique--both spare and complex. From the side the figure is simplified and angular; the front and back are rounded, and the face is detailed. The figure conveys both strength and warmth through facial expression and hand gestures. A touch of hauteur in the face is softened with hand gestures (mudra). The right hand is raised in abhaya mudra, which grants protection and reassurance; the left palm is turned outward i...
All Items : Popular Collectibles : Cultural : Pre 2000 item #703311 (stock #34-60)
Silk Road Gallery
$250.00
A Balinese interpretation of Romeo and Juliette figures is carved in yellow hibiscus wood. It is from the studio of I. W. Mudano, a second generation master carver who has exhibited internationally for decades. He works primarily with yellow hibiscus wood, producing both original abstract forms and traditional Balinese figures and masks. This carving, he says, depicts the couple from the Balinese folk version of Shakespeare's Romeo And Juliette. A visit to the Mudano studio in Mas, near Ubud, on...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #154386 (stock #08-07)
Silk Road Gallery
$500.00
In Burma's remote villages, Buddha images displayed in temples and homes sometimes were the work of local artisans. The figures, created with great reverence, are humble and often quite appealing. This charming 18th century folk Buddha is from the Shan people, one of the numerous ethnic groups that make up Burma's devoutly Buddhist population. The image, carved from teak wood, was coated with several layers of black lacquer and then gilded, typical for Burmese carved wood figures. As a final ste...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #275941 (stock #56-16)
Silk Road Gallery
$395.00
A small fish is carved into the handle of this late 19th century Chinese water pail. Its two-piece lid and festive red color indicate it most likely was used in the house to store drinking water rather than to carry water from a well or stream. A character written on the bottom of the base may indicate the identity of the artisan. The body of the wood pail is constructed of staves fitted into an oval shape in barrel fashion and held together with twisted brass wire. Remove one or both sides of t...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1940 item #845521 (stock #12-46)
Silk Road Gallery
$690.00
A Burmese Buddha with elaborate thayo edging on the robe and throne sits in lotus position with right hand in earth touching mudra. Carved of teak, the figure is lightly gilded, allowing the dark wood grain to show through, particularly on the face, arms and feet. Generous edging on the robe and double lotus throne is made of thayo, a lacquer and bone ash mixture used by Burmese artisans for relief molding. The serene face and tightly curled hair with low rounded unisha are classic Mandalay styl...
All Items : Antiques : Regional Art : Asian : Japanese : Furniture : Pre 1837 VR item #894121 (stock #07-61)
Silk Road Gallery
$890.00
A merchant’s money box, or zeni-bako, from Japan’s Edo Period carries an inscription that reads, “Purchased one lucky day in November in the 12th year of Bunsei,” which was 1829. The small copper coins in use at that time were called “zeni” and led to the development of simple, strong boxes for merchants to store coins during the business day. This box is made of thick keyaki wood and fitted with an iron lock and hasp. The top is constructed in two sections with a hole in the middle ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #898500 (stock #63-30)
Silk Road Gallery
SOLD
A late 19th century lacquer betel box from Burma is incised in an intricate pattern called “yok-thei,” with tiny dancers swirling through vegetal scrolling. The small design, primarily red and green, is punctuated with black and green circles that look like launching pads for the flying stylized dancers. (For a betel box with a similar yok-thei pattern, see color plate # 41 in “Burmese Crafts Past and Present,” by Sylvia Fraser-Lu, Oxford University Press, 1994.) This is one of the more...
All Items : Antiques : Regional Art : Asian : Chinese : Porcelain : Pre 1900 item #853841 (stock #51-49)
Silk Road Gallery
SOLD
Dated 1870 on the base, this late Qing Dynasty ceramic figure is of General Guan Gong, a popular character in Chinese opera, who is cast as brave, swashbuckling and, above all, fiercely loyal to the emperor. The piece is quite detailed, with decorative elements of the butterscotch and white costume defined in relief as well as with intricate incising. Within the general’s wide, open-mouthed grin, his tongue and seven teeth are clearly visible. His face and hands are unglazed. His headpiece sho...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #768181 (stock #63-56)
Silk Road Gallery
$850.00
This very unusual rotund 19th century Burmese Buddha is patterned after a statue said to be carved of the wood of the sacred Bodhi tree in Anuradhapura, Sri Lanka. See a photo and description of a similar Dakkhina Sakkha Buddha in the periodical "Arts of Asia" June 1981 issue in an article on Burmese Buddha figures by Burma art expert Sylvia Fraser-Lu. Nine small knob-like disks representing auspicious marks are prominent on this Buddha--one on each shoulder, elbow and knee, two on the posterior...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #998093 (stock #12-89)
Silk Road Gallery
SOLD
This medicine Buddha from early 20th century Burma holds the healing fruit of the myrobalan tree in the right hand with the palm extended upward over the right knee. The left hand rests in meditation, palm upward in the lap, without the begging bowl often included in medicine Buddha figures. Variations in medicine Buddha forms may be seen throughout Asia, particularly in Burma, where the elliptical myrobalan fruit sometimes is offered from the right hand of a standing rather than sitting Buddha....
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #806740 (stock #64-02)
Silk Road Gallery
$195.00
This most unusual rice ladle from the Shan minority people of Southeast Asia has carvings of a peacock, an elephant, a donkey, a fish and a mystery animal all lined up along its handle. Carving on the double handle, simulating rope, is skillfully done; carving on the animals is more primitive. The bowl is made from a sturdy gourd coated with lacquer. This ladle originated in one of the many small Shan villages concentrated in northeast Burma and was used to scoop rice into the alms bowls of monk...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1700 item #191478 (stock #41-10)
Silk Road Gallery
SOLD
This is a museum-quality 16th century bronze Ava Buddha with a dedication inscription on the back of the high stepped throne. The bronze has aged to a wonderful black patina, and remaining gold leaf on the finely modeled figure and throne adds richness. The face has sweeping brows and well executed eyes. The high usnisha is topped with a narrow lotus bud finial. The Buddha sits in interlocking lotus position with the bottoms of both feet prominently displayed. Subtle, pleasing designs mark the e...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #929783 (stock #63-14)
Silk Road Gallery
SOLD
An especially handsome lacquer bowl, called a “kwet,” is from the Shan people, a southeast Asian tribal group living primarily in northeast Burma. Similar Shan bowls, though not identical to this one, are pictured in a book from the British Museum Press entitled “Visions from the Golden Land: Burma and the Art of Lacquer” by Isaacs and Blurton, on pages 183 and 184, where they are labeled with the spelling “khwet.” This bowl has an inscription on the bottom that is difficult to deci...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #941725 (stock #35-92)
Silk Road Gallery
$250.00
Chinese opera characters are carved in relief on this late 19th century wood roundel. The central character strokes his beard and looks pleased; the figure on the right thrusts his drinking cup aloft. In the background, a barefoot servant runs off holding a small scroll. A bat, Chinese emblem of good fortune, is carved into the base of the piece. While the two main characters on the roundel are in excellent condition, the figure of the running servant is inexplicably worn on the face (see photo ...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #844816 (stock #58-20)
Silk Road Gallery
$295.00
A late 19th century Chinese wood panel has excellent sinuous pierced carving on wide bands that stretch across the top and bottom and are set within a contrasting wood frame. The plain frame in a lighter reddish hue draws the eye to the quality of carving in the darker red/brown bands. The piece has been fitted with a new mirror, which for photography purposes, has been sprayed with a temporary non-reflective film. Originally part of a multi-panel screen, this Qing carving is in very good condit...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #167528 (stock #16-38)
Silk Road Gallery
$160.00
This primitive carved wood mask is from the Batak people who live around mystical Lake Toba in the northern reaches of the island of Sumatra. The small collection of Batak protector masks pictured in this catalogue (see them all under our category "Tribal") shows the fascinating range of expressions artisans were able to achieve in these relatively simple carvings. The impression conveyed by this particular mask is that of a keen observer somewhat stunned and perplexed by what he sees--a Batak v...
All Items : Popular Collectibles : Cultural : Japanese : Sculpture : Pre 2000 item #700671 (stock #18-59)
Silk Road Gallery
$300.00
set of 3
Three bamboo cages made by fishermen in Japan to harvest shrimp are wonderful examples of the Japanese aesthetic of wabi-sabi. Organic forms, simplicity and imperfections render these humble objects beautiful and timeless. (The Japanese cultural concept of wabi-sabi is nicely presented in the small book "Wabi-Sabi for Artists, Designers, Poets and Philosophers" by Leonard Koren, Stone Bridge Press, Berkeley, California, 1994.) These three bamboo forms together take on new life as an unusual piec...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #1239618 (stock #63-26)
Silk Road Gallery
$500.00
This cinnabar-colored four-piece lacquer box from late 19th century Burma has intricate designs incised in fine black lines on its hatbox-style lid, high-sided container and two trays. The tortoise shell design is interspersed with small circles, and the lid top is centered with a gold-accented drawing of a character in native dress. Cylindrical boxes such as this, called “kun-it,” were designed for storing and serving ingredients to assemble a quid, or chew, of betel, a mild stimulant tha...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1940 item #1236618 (stock #10-76)
Silk Road Gallery
$700.00
This sitting Mandalay Buddha is an outstanding example of the fine skill of Burmese artisans in using thayo. The opulent robe with intricate frills and edging, the figure's tightly curled hair and well defined lotus throne were created using thayo, a mixture of lacquer and bone ash that dries to the hardness of wood. The figure's erect posture adds to the sculpture's aura of settled elegance. Carving of on the hands and feet is carefully modeled and realistic. The unusual lightly brushed dull...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #638991 (stock #62-45)
Silk Road Gallery
$1,600.00
Fine relief carving on this late Qing Chinese bed panel expresses symbolic wishes for good fortune. Made of beautifully grained hongmu (Chinese mahogany), the long panel (88 inches) is suitable for use over a king-sized bed. Stylized characters and traditional symbols, most likely chosen by the parents who commissioned the work, were used to bestow wishes on the newly married couple for long and happy lives. Carvings within the three rectangular sections demonstrate the Chinese love of homonyms....
All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1910 item #1237426 (stock #11-19)
Silk Road Gallery
SOLD
Remarkable carving skill makes this late 19th/early 20th century container a handsome relic of the days when time and care were given to making utilitarian objects for Chinese households. The pleasingly clean form is created by the curved handle and spout, each carved seamlessly as part of staves that are integrated with 13 additional staves to form the container. A symbol carefully carved and gilded on the handle most likely had a significant meaning for the family. This piece, from Zheijian...
All Items : Antiques : Regional Art : Asian : Chinese : Sculpture : Pre 1900 item #136391 (stock #38-50)
Silk Road Gallery
$1,900.00
A finely done representation of Guanyin, Chinese goddess of mercy and compassion, this figure is carved of hwa yong, a slow-growing hardwood. The carving was coated first with red lacquer, which was then covered over in most areas with dark brown lacquer. The red color was retained to define the inner folds of the robe and to focus attention on the delicately carved hands and feet. Over time, the brown lacquer has worn thin in other areas allowing the red to show through and creating a pleasing ...
All Items : Antiques : Regional Art : Asian : Chinese : Sculpture : Pre 1800 item #136361 (stock #35-59)
Silk Road Gallery
$790.00
This 18th century ceramic figure of the Chinese Buddhist bodhisattva of mercy is unusual in several respects. The form is uncharacteristically simple for the popular Chinese goddess who typically was shown with elaborate flowing robes. The pert face is particularly different with its full lips, upturned nose and wide eyes. Only one hand is visible and it rests on her right knee. The high beaded headpiece and heavy necklace identify the figure as Guanyin. The weighty ceramic figure is heavily gla...