Asian Antiques by Silk Road
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All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #686777 (stock #63-41)
Silk Road Gallery
$795.00
Right hand raised in jnana (teaching) mudra, this Burmese bronze Buddha sits in lotus position on a double lotus throne. The Buddha's thumb and index finger form a circle to signify the Buddhist wheel of law, the dharmachakra. This early 20th century Buddha is Ava in style, with the body tilting slightly forward on a waisted lotus throne that is tall relative to the height of the figure. The simple, unadorned robe leaves one shoulder bare, and the hair is separated from the face with a narrow ba...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1920 item #278822 (stock #60-16)
Silk Road Gallery
$250.00
As a nation of tea drinkers, the Chinese have lavished care on the artistry of implements associated with tea. This handsome wood box originated in Shaoxing, near Hangzhou, Zhejiang Province, and was used for storing small, handle-less teacups. Wood boxes for this purpose were made throughout China in a variety of shapes, some with large, fold-down handles such as this one, some with fixed handles, some with no handles. The type and amount of carving and other decoration also varied but almost w...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #141341 (stock #40-05)
Silk Road Gallery
$550.00
Cast about 30 years ago, this replica bronze Buddha head is in the style of Thailand's Sukhothai Kingdom. The Sukhothai period, which lasted from the mid-13th century to the end of the 14th century, is often called "The Golden Age of Thai Civilization." Religious art and architecture from this period are regarded by many art historians as representing the most classic of Thai styles. The face of a Sukhothai Buddha is immediately recognizable for its regal, commanding look, with heavily lidded ey...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1700 item #699949 (stock #25-64)
Silk Road Gallery
$1,100.00
This Ava Period (1287-1752) limestone Buddha head was found in Burma in the mid-1990s. It obviously was cut from a stone backslab, indicating an early to mid Ava timeframe since the use of backslabs, prevalent during the earlier Pagan Period, declined during the late Ava years. The Buddha has a wide, squarish face, prominent eyebrows, well modeled lips and smooth cap, all Ava attributes. It is intriguing to speculate whether it was grouped with other figures and where it was displayed, as the ba...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1940 item #845521 (stock #12-46)
Silk Road Gallery
$690.00
A Burmese Buddha with elaborate thayo edging on the robe and throne sits in lotus position with right hand in earth touching mudra. Carved of teak, the figure is lightly gilded, allowing the dark wood grain to show through, particularly on the face, arms and feet. Generous edging on the robe and double lotus throne is made of thayo, a lacquer and bone ash mixture used by Burmese artisans for relief molding. The serene face and tightly curled hair with low rounded unisha are classic Mandalay styl...
All Items : Antiques : Regional Art : Middle Eastern : Textiles : Pre 1910 item #897630 (stock #10-52)
Silk Road Gallery
$200.00
Hand printed fabrics were created with these early 20th century carved wood printing blocks from Turkey. Each of the five variously sized and shaped blocks is deeply carved with different types of flowers. The four smaller blocks are shaped with a hand grip on the sides; the largest block most likely was placed in a handled holder. These relics of Turkey’s textile industry probably were used to print silk, as the production of even enough material for a scarf would have required considerable ...
All Items : Popular Collectibles : Cultural : Thai : Pre 2000 item #832718 (stock #57-81)
Silk Road Gallery
$275.00
This soaring form, called a gaelae (galae), is seen in Northern Thailand on the peaked rooftops of houses and other structures built by the Thai Lanna people. On old buildings gaelae are extensions of the ends of roof beams crossed to form a V-shape. On newer houses they usually are separate carvings such as this one and are attached to the peaks of the steep roofs after the basic structure is completed. As to their original use, the most commonly heard explanation is that they were meant to di...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1910 item #903041 (stock #62-43)
Silk Road Gallery
$560.00
An early 20th century Chinese trunk is covered on all sides with leather in a deep wine color. The front is centered with a hasp on a circular brass back plate, and side handles and hinges also are brass. Such old Chinese leather trunks have great character and adapt nicely to second lives as casual coffee tables with storage. This piece is in solid condition and has the expected dings and dents of its age. Dimensions: height 15” (38 cm), width 32” (81.3 cm), depth 23 ½” (59.8 cm).
All Items : Antiques : Regional Art : Asian : Indian Subcontinent : Sri Lanka : Pre 1837 VR item #795716 (stock #35-91)
Silk Road Gallery
$150.00
From the old capital of Kandy in the hill country of Ceylon, now Sri Lanka, this primitive bone carving represents a Singhalese king. Carving on the face and upper body of the figure is quite primitive and contrasts with finer detailing in the swirling patterns on the long skirt, which ends in carved, comb-like teeth. The surface of the large, heavy bone is darkened with age except for one area on the right near the hand, which is white and worn smooth. This suggests it was used as an implemen...
All Items : Popular Collectibles : Cultural : Japanese : Sculpture : Pre 2000 item #700671 (stock #18-59)
Silk Road Gallery
$300.00
set of 3
Three bamboo cages made by fishermen in Japan to harvest shrimp are wonderful examples of the Japanese aesthetic of wabi-sabi. Organic forms, simplicity and imperfections render these humble objects beautiful and timeless. (The Japanese cultural concept of wabi-sabi is nicely presented in the small book "Wabi-Sabi for Artists, Designers, Poets and Philosophers" by Leonard Koren, Stone Bridge Press, Berkeley, California, 1994.) These three bamboo forms together take on new life as an unusual piec...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1800 item #284166 (stock #08-04)
Silk Road Gallery
$450.00
Seated on a faded red lacquer throne, this little Buddha is a humble, quiet figure. With shallow carving that suggests rather than sharply defines the facial features, the smooth oval face takes on an enigmatic, ethereal look. The small body is compactly folded to fit precisely on the narrow throne, giving the impression that the figure is conserving space. Fingers on the right hand, in earth touching mudra, are exceptionally long. Three lines of script etched into the lacquer around the base of...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #929783 (stock #63-14)
Silk Road Gallery
SOLD
An especially handsome lacquer bowl, called a “kwet,” is from the Shan people, a southeast Asian tribal group living primarily in northeast Burma. Similar Shan bowls, though not identical to this one, are pictured in a book from the British Museum Press entitled “Visions from the Golden Land: Burma and the Art of Lacquer” by Isaacs and Blurton, on pages 183 and 184, where they are labeled with the spelling “khwet.” This bowl has an inscription on the bottom that is difficult to deci...
All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1910 item #1240857 (stock #51-27)
Silk Road Gallery
$295.00
This late Qing Dynasty carved wood home altar, referred to as a “Buddha House,” is from Shandong Province in East China. It includes a wood cover that was slipped down over the altar, where a small Buddha was displayed. The cover was removed for family devotions. Gilded pierced carving framing the altar, while it appears to be scrolling or foliage, on close inspection is two stylized dragons that form the sides of the frame. The altar is just deep enough to display a figure up to 9 ¼” ...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1800 item #313771 (stock #24-86)
Silk Road Gallery
$595.00
Pierced carvings of foliage widely spaced around a framed rectangular relief carving give this 18th century Chinese elm wood panel a light and airy look. The central carving depicts a three-tiered village scene with a stylized mountain in the background. A horizontal pierced carving inset at the top of the panel represents foliage, and a relief carving inset at the panel's bottom depicts a bird and a flowering branch. All the elements are set within frames so the piece has a balanced, ordered fe...
All Items : Antiques : Regional Art : Asian : Chinese : Porcelain : Pre 1900 item #853841 (stock #51-49)
Silk Road Gallery
SOLD
Dated 1870 on the base, this late Qing Dynasty ceramic figure is of General Guan Gong, a popular character in Chinese opera, who is cast as brave, swashbuckling and, above all, fiercely loyal to the emperor. The piece is quite detailed, with decorative elements of the butterscotch and white costume defined in relief as well as with intricate incising. Within the general’s wide, open-mouthed grin, his tongue and seven teeth are clearly visible. His face and hands are unglazed. His headpiece sho...
All Items : Vintage Arts : Regional Art : Asian : Chinese : Sculpture : Pre 1940 item #1345065 (stock #10-50)
Silk Road Gallery
$675.00
Carved from stone, weighing 98 pounds and standing 32 inches tall, this Buddha is unique--both spare and complex. From the side the figure is simplified and angular; the front and back are rounded, and the face is detailed. The figure conveys both strength and warmth through facial expression and hand gestures. A touch of hauteur in the face is softened with hand gestures (mudra). The right hand is raised in abhaya mudra, which grants protection and reassurance; the left palm is turned outward i...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #847598 (stock #60-21)
Silk Road Gallery
$470.00
This Qing Dynasty scholar’s box has four rosewood doors hand painted with ivory-colored flowers and foliage, following the traditional practice of Chinese scholars to surround themselves in their studios with reminders of nature. Made to be displayed on a table or desk, the box was used to store carved signature seals, ink sticks and other small items. The rosewood door panels are set within hand carved elm beading and frames, and the front, sides and top of the piece are made of elm wood in a...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1910 item #1245419 (stock #60-25)
Silk Road Gallery
$260.00
This late Qing Dynasty teacup box has a high handle carved with the figure of a deer, an auspicious Chinese symbol used to wish longevity. Foliage, flowers and scalloping also are carved on both sides of the handle as well as on the ear-like curved ends that hold the handle in place. The rich red lacquer on the wooden box contrasts nicely with touches of deep, dark green and faint gilding. The container is fitted with a removable half-lid that allowed stacks of traditional Chinese teacups witho...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #806740 (stock #64-02)
Silk Road Gallery
$195.00
This most unusual rice ladle from the Shan minority people of Southeast Asia has carvings of a peacock, an elephant, a donkey, a fish and a mystery animal all lined up along its handle. Carving on the double handle, simulating rope, is skillfully done; carving on the animals is more primitive. The bowl is made from a sturdy gourd coated with lacquer. This ladle originated in one of the many small Shan villages concentrated in northeast Burma and was used to scoop rice into the alms bowls of monk...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #800345 (stock #11-25)
Silk Road Gallery
$450.00
Monks Sariputta and Mogallana, two chief disciples of Buddha, are carved in heavy Burmese teakwood. Important to the Buddhist iconography of Burma, the two are said to have been Brahmin ascetics who were among the earliest followers of the Buddha. The figures have a long history in Burmese art, appearing beside Buddha on 12th century plaques excavated at Pagan and down through the centuries in bronzes, paintings and carvings, always accompanying Buddha. Around the late 18th century, artisans beg...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #312760 (stock #57-32)
Silk Road Gallery
$500.00
Variations in the shades of these green and white jade chess pieces give this set from Burma (Myanmar) extra appeal. Green knights are dark and opaque; other green pieces are translucent and various lighter shades. Many of the white pieces show a blush of pink. Burma is the source of much of the world's jade, which is found there in several colors. The board, set into the top of a carved teak wood storage/carrying case, also is made of green and white jade. Chess pieces are carved in the Western...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1910 item #786538 (stock #10-40)
Silk Road Gallery
$790.00
This bronze Buddha, with attributes true to Burma's late Ava period of the 1600s, was cast a few hundred years later in the late 19th/early 20th century. It was common practice for Burmese artisans of later periods to copy styles that originated much earlier, sometimes mixing attributes from several periods and regions. In this beautifully cast handsome Buddha, the form follows the Ava look in all respects. The wide forehead, lowered eyes, well-defined nose and small, slightly upturned lips comb...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1920 item #815705 (stock #12-44)
Silk Road Gallery
$250.00
A small lacquer box incised with the Burmese “yun” technique has an unusual lid design of a scarf encircled with foliage. Using the yun method, the pattern is accomplished by cutting through top layers of lacquer to reveal one or more differently colored lacquer layers underneath. In this case, just black and light red lacquers were used, producing a container with a simplicity that sets it apart from the multi-colored intricate yun work seen on the larger cylindrical betel boxes from Burma....
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #277996 (stock #10-46)
Silk Road Gallery
$550.00
Pieces of the blue and gold tiles that once covered the scales of this 19th century naga, or water dragon, remain on the weathered surface, adding interesting glints of light to the exotic sculptural form. Traces of red can be seen on the beard, around the eye and between the scales. The naga curved gracefully toward the sky on the roof of a Buddhist temple. One of the most revered forms in Thailand, the naga is said to have protected the Buddha from lightning as he meditated under the bodhi tre...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1800 item #279346 (stock #08-14)
Silk Road Gallery
$675.00
Elements of folk art blended with features of a classical Burmese Buddha give great charm to this unusual 18th century lacquered and gilded wood figure. The face is finely carved and serene, with well defined brows, downcast eyes and expressive lips. The ears, angled nearly straight out with jaunty flying lobes, and the exaggerated, very high finial are areas where the carver departed tradition in expression, perhaps, of his own personal image of the Buddha. The body is quite rounded and the han...
All Items : Popular Collectibles : Cultural : Contemporary item #696096 (stock #19-46)
Silk Road Gallery
$135.00
Natural variations in the color and grain of yellow hibiscus wood give this carved mask of a Balinese princess a special appeal. It is from the studio of I. W. Mudano, a second generation master carver who has exhibited internationally for decades. He works primarily with yellow hibiscus wood, producing both original abstract forms and traditional Balinese figures and masks. A visit to his studio in Mas, near Ubud, on the Indonesian Island of Bali, reveals the amazing range of beautiful shapes, ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #894706 (stock #63-51)
Silk Road Gallery
SOLD
These lacquered wood figures of Buddha and five monks are from Burma, where they are displayed to commemorate Dhama Sakya, or First Sermon Day, in honor of what is believed to have been the Buddha’s initial teaching following enlightenment. The important event is celebrated annually on the fourth day of the sixth month of the Buddhist calendar, which falls sometime in June or July. In the tableau, the Buddha, after just achieving enlightenment, meets five ascetics at the town of Saranath, nea...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1920 item #978464 (stock #31-03)
Silk Road Gallery
SOLD
This bronze leogryph figure with human face is from early 20th century Burma and is a variation of the Buddhist temple guardian called manok-thi-ha or manushi, names derived from the Sanskrit words for man (manu) and lion (simha). Burmese manok-thi-ha often have double rear quarters (two bums—see our catalog item 63-37). This one is single-bummed and outfitted with heavy necklace, chest ornament and lots of swirls. The fantastic manok-thi-ha, a creature from Buddhist mythology, is said to roam...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1900 item #335268 (stock #57-18)
Silk Road Gallery
$395.00
The hin-tha, or sacred goose, an icon found in both the folk and Buddhist art of Southeast Asia, is the subject of this 19th century teak wood carving from Burma. The bird's head points skyward and it holds a small fish in its beak. A kneeling man rides in the curve of its long neck. Also called a hamsa, the hin-tha is among the many creatures that play roles in The Jataka, stories about the lives of The Buddha. It is found on sacred objects as well as everyday utilitarian items. This carving wa...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1900 item #1065987 (stock #62-56)
Silk Road Gallery
$295.00
Rich auburn elmwood with a satin smooth surface makes this late 19th century hand-hewn Chinese food box an especially attractive shelf or table accent piece. It is constructed of shaped staves fitted tightly together and held with flat brass bands around the foot and the widest part of the vessel. Carvings on the side handles of lotus buds on long stems, both Taoist and Buddhist emblems of perfection, are appropriate for a food box because every part of the lotus plant is deemed edible by the C...
All Items : Antiques : Regional Art : Asian : Chinese : Sculpture : Pre 1837 VR item #1076254 (stock #12-49)
Silk Road Gallery
$1,500.00
This late 18th/early 19th century Chinese wood Buddha, nearly three feet tall, is carved in the Udayana image, an iconic pose used to portray the Shakyamuni Buddha. The figure, standing on a double lotus throne, gazes imperturbably out at the world with right hand extended in varada mudra, the Buddhist gesture of charity and blessings. Covering the entire wood surface are strong remains of original paint—russet , indigo and soft green define robes and throne; face, arms, hands and feet are ...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #797804 (stock #24-90)
Silk Road Gallery
SOLD
A pair of architectural panels from 19th century China have an elegantly simple fretwork design. Made of rosewood, the half-round pieces comprising the pattern are fitted together to form curving lines that emphasize the soft sheen of the smooth wood surfaces. Four abstract trees can be seen in the fretwork pattern. In China, these pieces may have been rescued from interior windows of an old house that was demolished, or they may have been part of a large canopied marriage bed. Both panels are ...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #860292 (stock #31-27)
Silk Road Gallery
On Hold
A pair of pulleys that were used on a hand loom in Burma show the Burmese love for exuberant decorative elements on objects for everyday use. The tall carved peacocks are larger than the pulleys, and may have been just one of a number of such decorations on a woman’s loom. Simple household objects are traditionally well made and attractive in Burma, where no lines are drawn between fine arts and folk or applied arts. The peacock, emblem of the Kon-baung Dynasty (1752-1885), remains a favorite ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #757166 (stock #08-03)
Silk Road Gallery
$375.00
A modest little folk Buddha with right hand in earth touching mudra sits on a red and black double lotus throne. Made of lacquered teak wood, the carving is from the Shan minority in Burma. The gilded Buddha has the downcast eyes, prominent brow, small chin and large finial generally seen on Shan figures. It most likely was displayed in a village daimyo, a covered outdoor pavilion with a stepped altar holding a number of Buddha figures of various sizes, a local gathering place for daily devotion...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1930 item #1276022 (stock #10-45)
Silk Road Gallery
$700.00
This well carved teak Burmese Buddha is peaceful and elegant. The finely modeled face and lavishly decorated robe are lightly touched with a subtle gold wash applied over a thin base of reddish lacquer, allowing the wood grain to show through. Edging on the robe and a body decoration that swirls across the right shoulder and down the arm are impressive examples of Burmese expertise with thayo, a mixture of lacquer and powdered bone or ash that dries to the hardness of wood. The figure sits in ...
All Items : Vintage Arts : Regional Art : Pre 1960 item #1221946 (stock #13-08)
Silk Road Gallery
SOLD
An exceptionally beautiful face distinguishes this mid-20th century reclining Mandalay Buddha. Carved from one piece of dense Burmese teak, the sleek dark reddish brown figure depicts the Buddha passing into Nirvana. On the wrist is a bracelet with the magic wish-fulfilling jewel Cintamani(see photo enlargement #6). The neck is slender and carved with the three folds characteristic of most Burmese Buddha images. Intricate edging on the graceful draped robe is created of thayo, a lacquer thic...