Asian Antiques by Silk Road
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All Items : Antiques : Regional Art : Asian : Chinese : Sculpture : Pre 1837 VR item #1076254 (stock #12-49)
Silk Road Gallery
$1,500.00
This late 18th/early 19th century Chinese wood Buddha, nearly three feet tall, is carved in the Udayana image, an iconic pose used to portray the Shakyamuni Buddha. The figure, standing on a double lotus throne, gazes imperturbably out at the world with right hand extended in varada mudra, the Buddhist gesture of charity and blessings. Covering the entire wood surface are strong remains of original paint—russet , indigo and soft green define robes and throne; face, arms, hands and feet are ...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1940 item #1128330 (stock #12-20)
Silk Road Gallery
$670.00
A gilded Mandalay Buddha standing two feet tall strikes a graceful pose, with right hand in the varada mudra of charity and the fulfillment of wishes. Carved of dense Burmese teak wood, this early to mid-20th century figure is coated with a dark red matte lacquer highlighted with a liberal application of gilding. This Buddha’s finely carved face is striking, with especially large elongated eyes and brows. Elaborate draping and folds on the robe are emphasized with gilded scrolling and beading...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #394992 (stock #55-14)
Silk Road Gallery
$695.00
The low, rich sound of this Burmese temple gong is pleasant and gentle, yet impossible to ignore. We found the hand hammered bronze gong while traveling in Burma many years ago. We later had the stand, constructed of aged, reclaimed elm wood, custom made in China using traditional joinery methods. Thick, heavy bronze, blackened in the Burmese style, is responsible for the haunting sound of the gong. The striker, also made in Burma, has a hand sewn fabric cover. Dimensions of gong only: diameter ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #998093 (stock #12-89)
Silk Road Gallery
SOLD
This medicine Buddha from early 20th century Burma holds the healing fruit of the myrobalan tree in the right hand with the palm extended upward over the right knee. The left hand rests in meditation, palm upward in the lap, without the begging bowl often included in medicine Buddha figures. Variations in medicine Buddha forms may be seen throughout Asia, particularly in Burma, where the elliptical myrobalan fruit sometimes is offered from the right hand of a standing rather than sitting Buddha....
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #949034 (stock #57-73)
Silk Road Gallery
$850.00
This cast metal Buddha from Cambodia stands on a low pedestal with right hand raised in abhaya mudra, a gesture of blessing and protection. The facial features—full lips, short nose and heavy-lidded eyes, as well as the rounded head of tight curls with a wide usnisa (top knot) and no finial—are classic Khmer. Decorative detailing on the body-hugging robe is emphasized by the silver tone of the heavy metal alloy. This early 20th century Buddha is in good condition, with some surface pitting c...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #678034 (stock #63-44)
Silk Road Gallery
$595.00
Seated in lotus position, this early 20th century bronze Burmese Buddha has classic Ava features. The right hand is in bhumisparsa mudra (earth touching, centering), the robe is quite simple, the face triangular with small upturned mouth and the head is topped with an onion-shaped finial--all Ava attributes. Unlike the more ornate double lotus throne seen on many Ava figures, however, this Buddha of later vintage sits on a plain waisted throne. The relatively small size and simplicity of the thr...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #141341 (stock #40-05)
Silk Road Gallery
$550.00
Cast about 30 years ago, this replica bronze Buddha head is in the style of Thailand's Sukhothai Kingdom. The Sukhothai period, which lasted from the mid-13th century to the end of the 14th century, is often called "The Golden Age of Thai Civilization." Religious art and architecture from this period are regarded by many art historians as representing the most classic of Thai styles. The face of a Sukhothai Buddha is immediately recognizable for its regal, commanding look, with heavily lidded ey...
All Items : Antiques : Regional Art : Asian : Chinese : Metalwork : Pre 1900 item #799154 (stock #38-93)
Silk Road Gallery
$195.00
This early to mid-19th century Chinese pewter teapot is sized to brew two small cups of tea. The outsized handle, made to resemble a Western cup handle, and the long curved spout are said to be a favorite design of that era, probably because it was so functional. Pewter was used for brewing strong teas; ceramics for brewing lighter teas. This pot has a few small dents on one side of the shoulder; otherwise it is in good condition. Dimensions: height 7" (18 cm), width from handle to spout tip 6-1...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #1345209 (stock #64-46)
Silk Road Gallery
SOLD
Eight bronze weights, commonly known as opium weights, are cast in the image of a mythical wild goose. The bird, referred to as "hintha" in Burmese or as "hamsa" in Sanskrit, is regarded as a sacred icon and also is the symbol of Burma's Mon People. Weights in the forms of mythical birds and animals were used in Burma from the 18th century into the 20th century to weigh small household items purchased in the marketplaces. Over the years, they became known as "opium" weights, but according to S...
All Items : Antiques : Regional Art : Middle Eastern : Metalwork : Pre 1900 item #681058 (stock #27-85)
Silk Road Gallery
$470.00
A chased metal vessel used to serve wine, this 19th century pitcher from Georgia, is a reflection of that small country's historic role as a crossroad between East and West. Georgia's antiques, sometimes European, sometimes Asian in design, mirror its blend of cultural influences. While this wine pitcher obviously has Middle Eastern lines, a look at ancient Georgian wine vessels shows a split in design and motifs between pure East and pure West. Many of the oldest Georgian artifacts center aroun...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1492 item #718754 (stock #40-85)
Silk Road Gallery
$1,100.00
A 600-year-old bronze Buddha from the old Shan capital of Pinya in northern Burma sits in padmasana position with right hand in bhumisparsa, or earth touching, mudra. The Shan, who migrated down into north Burma from Yunnan, China, established their first capital at Pinya in 1298 during Burma's early Ava Period (1287-1752). In 1364, a Shan capital was established in Ava, where the Shan stayed until 1555. This small Pinya Buddha, most likely unearthed from a stupa, is a very early example of the ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #1245861 (stock #57-74)
Silk Road Gallery
$500.00
A Khmer face with full lips, short nose and eyes that tilt upward at the outer corners identifies the Cambodian origin of this early 20th century cast metal standing Buddha. The gesture of blessing and protection, abhaya mudra, is conveyed with the right hand, and both palms are incised with the Buddhist wheel of law. A high lotus finial tops tight curls on the rounded head. The torso is bare to the waist where a body-hugging robe is defined with deep incising around the hips and on a panel ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1800 item #259829 (stock #08-12)
Silk Road Gallery
$750.00
The strong, primitive carving, broad face and very tall finial on this 18th century Buddha suggest that it was carved in a Mon village. The figure comes from Burma and dates to the Konbaung Period (1752-1885) when the Mon people, an ethnic minority, held some power briefly before they fled in large numbers to Thailand. This image owes its originality and charm to a village carver. Though it conforms to guidelines for representation of the Buddha, and reflects as well the popular style of the per...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1950 item #909778 (stock #11-02)
Silk Road Gallery
$875.00
This crowned Shan Buddha sits in bhadrasana, or Western position, on a tall stepped throne of unusual design. The carved teak wood figure has the winged side flanges and spired crown centered with high finial that identify royal Buddha figures from Burma. Shan artisans often added Arakanese accoutrements such as long ear pieces and ornate epaulets and chest ornaments to jambhupati (crowned) Buddha but this one has none of those; instead, the artisan provided a striking throne that nicely balanc...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Paintings : Pre 1900 item #189896 (stock #57-04)
Silk Road Gallery
$250.00
The Buddha with two attending monks and a prince, all of them contemplating a small monkey, make up the tableau in this late 19th century Burmese temple painting. Done in tempura on cotton, the large painting has a signature in the lower left, although most Burmese artists of the period produced only Buddhist works destined for monasteries or temples and did not establish reputations or followings. The two monks may represent Sariputta and Mogallana, Buddha's two chief disciples. A number of sto...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #799411 (stock #57-43)
Silk Road Gallery
$1,700.00
Traces of gold leaf remain on this Pagan dry lacquer Buddha head from the late 1700s. The head rests on a contemporary removable black metal stand. The dry lacquer technique, used by Burmese artisans from the mid-18th century until the beginning of the 20th century, produced finely modeled hollow images that were light in weight but very strong. The labor-intensive method involved a number of steps. First the image was shaped from clay, then wrapped in a lacquer-soaked cloth. A pliable mixture ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1920 item #978464 (stock #31-03)
Silk Road Gallery
SOLD
This bronze leogryph figure with human face is from early 20th century Burma and is a variation of the Buddhist temple guardian called manok-thi-ha or manushi, names derived from the Sanskrit words for man (manu) and lion (simha). Burmese manok-thi-ha often have double rear quarters (two bums—see our catalog item 63-37). This one is single-bummed and outfitted with heavy necklace, chest ornament and lots of swirls. The fantastic manok-thi-ha, a creature from Buddhist mythology, is said to roam...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1970 item #802398 (stock #63-86)
Silk Road Gallery
$675.00
A sleek bronze figure, cast in Burma about 40 years ago, assumes an art deco form as he smilingly holds up a receptacle for lamp oil. The design is likely a remnant of Burma's earlier colonial period (1890-1941) when British administrators, with little appreciation for indigenous Burmese art, commissioned ornamental images made to their own specifications. Burmese metalsmiths, whose skill was evident in the Buddhist art they produced, adapted their artistry to turning out secular European desig...