Asian Antiques by Silk Road
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All Items : Antiques : Regional Art : Asian : Chinese : Metalwork : Pre 1900 item #799154 (stock #38-93)
Silk Road Gallery
$195.00
This early to mid-19th century Chinese pewter teapot is sized to brew two small cups of tea. The outsized handle, made to resemble a Western cup handle, and the long curved spout are said to be a favorite design of that era, probably because it was so functional. Pewter was used for brewing strong teas; ceramics for brewing lighter teas. This pot has a few small dents on one side of the shoulder; otherwise it is in good condition. Dimensions: height 7" (18 cm), width from handle to spout tip 6-1...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1700 item #164750 (stock #40-84)
Silk Road Gallery
$950.00
Still bearing very slight traces of gold leaf, this small 15th century bronze head of Buddha is from Burma's Ava Period (1287-1752). It most likely was commissioned and donated by a family as an act of merit, and was buried under a stupa for centuries. The Burmese of the time were skilled metalworkers. When a bronze Buddha image was cast, even a small one such as this, astrologers were called in to name the most auspicious day and hour for the casting, and monks cleansed the site of evil spirits...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #985475 (stock #55-25)
Silk Road Gallery
SOLD
This hand hammered bronze gong from Burma emits a mid-range mellow tone when struck at the center of its starburst pattern with a padded mallet. Hanging circular gongs of this sort are used in a Burmese orchestra, where an ornate lacquered wood gong circle, called a “kyi waing” surrounds 20 or so gongs of graduated sizes and tones. Gongs of various sizes also are used for Buddhist rites in temples and monasteries throughout Burma. When created for use as musical instruments, these carefully ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #799411 (stock #57-43)
Silk Road Gallery
$1,700.00
Traces of gold leaf remain on this Pagan dry lacquer Buddha head from the late 1700s. The head rests on a contemporary removable black metal stand. The dry lacquer technique, used by Burmese artisans from the mid-18th century until the beginning of the 20th century, produced finely modeled hollow images that were light in weight but very strong. The labor-intensive method involved a number of steps. First the image was shaped from clay, then wrapped in a lacquer-soaked cloth. A pliable mixture ...
All Items : Antiques : Regional Art : Asian : Japanese : Metalwork : Pre 1837 VR item #153340 (stock #33-09)
Silk Road Gallery
$390.00
From the latter half of Japan's Edo Period (1600-1868), this 18th century Buddhist ceremonial bell preceded Japanese sophistication in the art of bronze casting and their development of an export market for fine metalwork. Prior to the Meiji Era, most metalwork was for domestic use. The inscription on this piece reads "God's Bell" and, in spite of imperfect casting, the humble bell has great appeal. A free-floating metal ball that rolls around in the bell chamber creates a modest tinkling sound....
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1800 item #284166 (stock #08-04)
Silk Road Gallery
$450.00
Seated on a faded red lacquer throne, this little Buddha is a humble, quiet figure. With shallow carving that suggests rather than sharply defines the facial features, the smooth oval face takes on an enigmatic, ethereal look. The small body is compactly folded to fit precisely on the narrow throne, giving the impression that the figure is conserving space. Fingers on the right hand, in earth touching mudra, are exceptionally long. Three lines of script etched into the lacquer around the base of...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1492 item #718754 (stock #40-85)
Silk Road Gallery
$1,100.00
A 600-year-old bronze Buddha from the old Shan capital of Pinya in northern Burma sits in padmasana position with right hand in bhumisparsa, or earth touching, mudra. The Shan, who migrated down into north Burma from Yunnan, China, established their first capital at Pinya in 1298 during Burma's early Ava Period (1287-1752). In 1364, a Shan capital was established in Ava, where the Shan stayed until 1555. This small Pinya Buddha, most likely unearthed from a stupa, is a very early example of the ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1900 item #882912 (stock #64-06)
Silk Road Gallery
$695.00
A large 19th century bronze bell from Burma has a tall holding ring with legendary figures from Burmese Buddhist iconography—kinnari, half man/half bird creatures, and manok-thi-ha, half man/half lion sphinx-like images. Two kinnari stand with their large wings spread upward to create the form of the tall spire. Two manok-thi-ha (also called manushi or manuthiha or a number of other names derived from the Sanskrit words “manu” for man and “simha” for lion) crouch with their backs suppo...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #392459 (stock #55-22)
Silk Road Gallery
$495.00
While traveling in Burma (Myanmar) many years ago, we were enchanted by the particularly sonorous sounds of Burmese bronze gongs. Our resulting small shipment of various sizes of these gongs remained in storage until we had stands made for them in China. The stands are constructed with traditional Chinese tenon joinery of aged, reclaimed elm wood. The bright red fabric-covered striker, hand sewn in Burma, has the proper degree of softness to produce a full sound from this relatively small gong, ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #949034 (stock #57-73)
Silk Road Gallery
$850.00
This cast metal Buddha from Cambodia stands on a low pedestal with right hand raised in abhaya mudra, a gesture of blessing and protection. The facial features—full lips, short nose and heavy-lidded eyes, as well as the rounded head of tight curls with a wide usnisa (top knot) and no finial—are classic Khmer. Decorative detailing on the body-hugging robe is emphasized by the silver tone of the heavy metal alloy. This early 20th century Buddha is in good condition, with some surface pitting c...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #880614 (stock #11-06)
Silk Road Gallery
SOLD
This large dramatic sculpture of a royal Buddha in classic Arakan style is two feet tall and crowned with curled open-work flanges flanking five intricately rendered leaf-covered spires. The practice of outfitting Buddha images in such regal style is said to have started in the Arakan Kingdom that flourished from 1287 to 1752 AD, when it became part of Burma. According to legend, an Arakan king named Jambupati (or Jambuphati) was causing suffering due to his excessive arrogance and pride. In ord...
All Items : Antiques : Regional Art : Middle Eastern : Metalwork : Pre 1920 item #774309 (stock #27-38)
Silk Road Gallery
$700.00
This early 20th century Russian-made samovar was found in the Republic of Georgia following that small country's independence in 1991 after 70 years as part of the USSR. A maker's seal on the top shows a hammer and sickle under a star, perhaps a reason it was not retained by the original Georgian owners. The stamp includes the letters "BCHX" and "CCCP" as well as a Russian inscription. Another stamp, this one on the foot of the samovar, carries the initials "TK." The brass is coated with a silv...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #1345209 (stock #64-46)
Silk Road Gallery
SOLD
Eight bronze weights, commonly known as opium weights, are cast in the image of a mythical wild goose. The bird, referred to as "hintha" in Burmese or as "hamsa" in Sanskrit, is regarded as a sacred icon and also is the symbol of Burma's Mon People. Weights in the forms of mythical birds and animals were used in Burma from the 18th century into the 20th century to weigh small household items purchased in the marketplaces. Over the years, they became known as "opium" weights, but according to S...
All Items : Vintage Arts : Regional Art : Asian : Chinese : Sculpture : Pre 1940 item #1345065 (stock #10-50)
Silk Road Gallery
$675.00
Carved from stone, weighing 98 pounds and standing 32 inches tall, this Buddha is unique--both spare and complex. From the side the figure is simplified and angular; the front and back are rounded, and the face is detailed. The figure conveys both strength and warmth through facial expression and hand gestures. A touch of hauteur in the face is softened with hand gestures (mudra). The right hand is raised in abhaya mudra, which grants protection and reassurance; the left palm is turned outward i...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #142931 (stock #39-02)
Silk Road Gallery
$2,900.00
Nearly four feet in height, this 19th century Burmese Mandalay Buddha holds the right hand in the varada gesture to signify fulfillment of all wishes, boon granting and charity. A small fruit offering also is held in the right hand. This graceful classic figure is carved from dense Burmese teak and stands on a lotus throne. An undercoating of dark red lacquer that shows through worn areas in the gilding gives the piece an attractive patina. Large Buddha images such as this were placed above eye-...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #154386 (stock #08-07)
Silk Road Gallery
$500.00
In Burma's remote villages, Buddha images displayed in temples and homes sometimes were the work of local artisans. The figures, created with great reverence, are humble and often quite appealing. This charming 18th century folk Buddha is from the Shan people, one of the numerous ethnic groups that make up Burma's devoutly Buddhist population. The image, carved from teak wood, was coated with several layers of black lacquer and then gilded, typical for Burmese carved wood figures. As a final ste...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1940 item #924655 (stock #62-25)
Silk Road Gallery
$600.00
A tall carved teak Mandalay Buddha has an elegantly draped robe with a deep edging of thayo, a lacquering technique used for centuries by Burmese artisans to create the look and feel of intricate wood carving. The forehead band is also thayo, lacquer thickened with bone ash that dries to the hardness of wood. A thin brown/red lacquer applied over the carved teak allows the grain of the dense native wood to show. Traces of gold add richness to the figure and double lotus throne. The face is beau...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #167330 (stock #39-12)
Silk Road Gallery
$675.00
The contrast of the smooth, dark sheen of the face with the light, dusty grey of the hair is a compelling feature of this well cast bronze head. Cast in Thailand about 30 years ago, it is in a style that originated during the Ayutthaya Kingdom (1350-1757), characterized by the full serene face with delicate eyebrows, slightly flared nostrils and well defined lips with the hint of a smile. Tightly curled hair in small spirals covers the head and unisha. The removable filial is an unadorned lotus...