Asian Antiques by Silk Road
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All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1920 item #875350 (stock #62-53)
Silk Road Gallery
SOLD
An early 20th century Chinese offering basket is affixed to a bamboo pedestal encircled with ink sketches of flowers representing the four seasons. The inside bottom of the tray is centered with a sauvastika, a Buddhist icon resembling a swastika but with the crampons turned to the left. Though the ancient Sanskrit symbol may have come to China as an auspicious Buddhist sign, it since has become a largely ornamental symbol of good fortune and can be seen in carpets, embroidery and carvings. In T...
All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1910 item #1119963 (stock #10.86)
Silk Road Gallery
SOLD
This traditional Chinese wedding basket, made of light-weight wood, has 25 different black and gold vignettes of Qing Dynasty life painted on its octagonal trays and lid. The tall black bent willow handle is wrapped in bamboo strips woven into a black-accented pattern. The base of the basket and the scene on the lid are framed with key patterns, another element typical of the profuse symbolic adornment often found on late Qing items, especially those associated with marriage. Two of the three tr...
All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1910 item #1240857 (stock #51-27)
Silk Road Gallery
$295.00
This late Qing Dynasty carved wood home altar, referred to as a “Buddha House,” is from Shandong Province in East China. It includes a wood cover that was slipped down over the altar, where a small Buddha was displayed. The cover was removed for family devotions. Gilded pierced carving framing the altar, while it appears to be scrolling or foliage, on close inspection is two stylized dragons that form the sides of the frame. The altar is just deep enough to display a figure up to 9 ¼” ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #1136045 (stock #63-11)
Silk Road Gallery
$370.00
The cinnabar lacquer covering this late 19th/early 20th century Burmese “kwet,” or serving bowl, is satin smooth and cool to the touch. Years of daily use have enhanced both the look and feel of this large bowl, with black lacquer showing through the red in areas of wear. Six black ribs curve down to the feet, and the top is curved and rolled inward, giving the vessel beautiful balance. The old Burmese process of producing such lacquer pieces was labor intensive and time consuming. Woven an...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #275941 (stock #56-16)
Silk Road Gallery
$395.00
A small fish is carved into the handle of this late 19th century Chinese water pail. Its two-piece lid and festive red color indicate it most likely was used in the house to store drinking water rather than to carry water from a well or stream. A character written on the bottom of the base may indicate the identity of the artisan. The body of the wood pail is constructed of staves fitted into an oval shape in barrel fashion and held together with twisted brass wire. Remove one or both sides of t...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1920 item #922753 (stock #63-29)
Silk Road Gallery
SOLD
Delicately incised yun designs on a three-piece lacquer betel box from the Burmese city of Pagan depict scenes of five elegantly dressed courtiers, each portrayed within a distinctive and elaborate portal. The name of the artisan, Ko Sein Maung, is incised in one ribbon-like cartouche, and his locale, Pagan Dikesu, in another. The wish, chantha basage (may you be rich), appears in a third cartouche. The container has three parts—a deep lid, a high base and a fitted tray. It is designed to reta...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #929783 (stock #63-14)
Silk Road Gallery
SOLD
An especially handsome lacquer bowl, called a “kwet,” is from the Shan people, a southeast Asian tribal group living primarily in northeast Burma. Similar Shan bowls, though not identical to this one, are pictured in a book from the British Museum Press entitled “Visions from the Golden Land: Burma and the Art of Lacquer” by Isaacs and Blurton, on pages 183 and 184, where they are labeled with the spelling “khwet.” This bowl has an inscription on the bottom that is difficult to deci...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Wood : Pre 1980 item #818403 (stock #12-28)
Silk Road Gallery
$195.00
A small metal balance scale is enclosed within this wood container carved in the shape of the Burmese crane, known as a “karaweik,” that holds a fish in its bill. Although commonly called “opium” scales, such rudimentary instruments, and the so-called “opium” weights used with them, were basic merchant tools used in daily bazaars to measure just about anything that fit into the small trays. Mythical animals and birds were favorite design elements for items associated with the scales....
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1910 item #1233407 (stock #12-64)
Silk Road Gallery
$250.00
From China’s Shaanxi Province, known for its many types of marvelous dumplings, this late Qing woven reed basket opens clamshell fashion to form two large serving bowls. Wide bent willow bands painted with flowers and secured to the basketry with metal studs encircle the top and bottom sections. A metal hasp in the front is used to keep the top and bottom closed, and a metal ring in the back is used to keep the two sections attached when they are used as bowls. This piece shows appropriate ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1920 item #788418 (stock #64-03)
Silk Road Gallery
SOLD
An elephant with raised trunk, symbol of hospitality, forms the handle of this carved teakwood Burmese rice scoop. The dark red lacquer, applied over black lacquer in the traditional manner of Burmese artisans, is worn so the black undercoat shows through in areas, giving this early 20th century piece an inviting patina. The elephant trunk, which forms the scoop handle, is especially worn and shows evidence of many years of use. A simple decorative pattern is carved along the top of the scoop, a...
All Items : Antiques : Regional Art : Pre 1837 VR item #689923 (stock #58-39)
Silk Road Gallery
$600.00
This early 19th century Chinese makeup box with huanghauli top and original mirror is in excellent condition. A key design finely carved along the front apron is the only decorative element added to the functional form of the piece. The spare design and use of fine hardwood make this vanity more typical of the earlier Ming period than Qing, when folding vanity boxes became more flamboyant with lots of carving, often incorporating painted flowers and dragons. Hinges, hasp, handles and drawer pu...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1920 item #888007 (stock #02-65)
Silk Road Gallery
SOLD
A two-part silver box in the traditional Khmer motif of a singha, a mythical lion, is covered with swirling lines simulating fur, and has a fat pouf of a tail swung up over its broad back. Though it has the open jaw and flattened ears of a protector, its aura is more friendly than fierce. With a weight of 538 grams, this box is relatively large compared with other such boxes in the genre of handmade Khmer silver pieces found in the shapes of myriad birds and animals. (See the article “Khmer Si...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #811124 (stock #64-05)
Silk Road Gallery
$450.00
The monks Sariputta and Mogallana have been honored in Burmese Buddhist art as the two chief disciples of Buddha for more than 800 years, as evidenced by their images on 12th century plaques excavated at Pagan. Until the late 18th century they were most often integrated into carvings and bronzes of the Buddha. After artisans started carving and casting each of the figures separately, the pose of each monk evolved into the traditional poses seen on these black lacquered carvings, and now vary mai...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #847598 (stock #60-21)
Silk Road Gallery
$470.00
This Qing Dynasty scholar’s box has four rosewood doors hand painted with ivory-colored flowers and foliage, following the traditional practice of Chinese scholars to surround themselves in their studios with reminders of nature. Made to be displayed on a table or desk, the box was used to store carved signature seals, ink sticks and other small items. The rosewood door panels are set within hand carved elm beading and frames, and the front, sides and top of the piece are made of elm wood in a...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #896352 (stock #63-23)
Silk Road Gallery
$695.00
An offering stand, or “kalat,” used by the Intha people who live in the villages around Inle Lake in one of the Shan states in northeastern Burma, is from the late 19th century. A similar though more recent piece in the British Museum is pictured in “Visions from the Golden Land: Burma and the Art of Lacquer,” by Isaacs and Blurton, British Museum Press, p. 163. Kalat stands such as this were used by families in much the same manner as the tall, spired hsun-ok to carry offerings of food ...
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1900 item #291633 (stock #60-22)
Silk Road Gallery
$400.00
Elegant wood boxes with drawers and compartments were regarded by Chinese scholars as essential for the storage of the small personal items they valued. Their carved signature seals and ink sticks often were stored in these boxes, which usually were kept on a desk in the scholar's study but were small enough to be moved easily into the courtyard when he preferred to work outside. This late 19th century box has three drawers and a compartment with two doors made of nicely beaded panels. Door pane...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #780643 (stock #12-42)
Silk Road Gallery
$250.00
Tiny yellow dots incised freehand into a black lacquer background cover this small early 20th Burmese box. The design, produced with a time-consuming technique called "yun," is one of the more subtle traditional yun patterns developed by Burmese lacquer artisans. Yun involves the use of a stylus to engrave designs, one color at a time, on a lacquer surface. The yellow, red and green patterns on this box required three separate sessions of engraving with the stylus, rubbing the color into the inc...
All Items : Popular Collectibles : Cultural : Thai : Pre 1990 item #937270 (stock #01-81)
Silk Road Gallery
$135.00
A charming hand woven and decorated basket of split bamboo made in an Isan village in Northeastern Thailand is smoothed on the exterior with an application of brick red lacquer thickened with ash. Yellow and green flowers and dots on black grounds give the basket folk appeal. The Isan (also Isaan) people, though sometimes called Thai Isan, are a blend of Lao, Mon and and Khmer, and have their own language, which is Lao-like but written in the Thai alphabet. They are primarily agrarian and live i...