Asian Antiques by Silk Road
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All Items : Popular Collectibles : Cultural : Contemporary item #708063 (stock #24-04)
Silk Road Gallery
$120.00
An unusual handcarved vase of hardwood native to Uzbekistan shows the strong relationship in aesthetics between Middle Eastern Persian or Iranian design and designs used by the Uzbek people of Central Asia. This piece is the product of an Uzbek family woodcarving business run by the family matriarch, herself a second generation woodcarver. Although the business mainly produces large ornate furniture for the local market in Uzbekistan, family members take great delight in creating small, carefull...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1910 item #786538 (stock #10-40)
Silk Road Gallery
$790.00
This bronze Buddha, with attributes true to Burma's late Ava period of the 1600s, was cast a few hundred years later in the late 19th/early 20th century. It was common practice for Burmese artisans of later periods to copy styles that originated much earlier, sometimes mixing attributes from several periods and regions. In this beautifully cast handsome Buddha, the form follows the Ava look in all respects. The wide forehead, lowered eyes, well-defined nose and small, slightly upturned lips comb...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1920 item #919136 (stock #63-64)
Silk Road Gallery
$595.00
Two kneeling nats, possibly representing the Taungbyon brothers, among the most revered deities in the Burmese spirit world of nats, are carved with identical positions and thrones but faces that are quite different from one another. Widespread belief among the Burmese of nats, the spirits of certain departed humans, and also of nat spirits of trees, rivers, rocks and more, predates the introduction of Buddhism in Burma. Thirty-seven nats, both protectors and rogues, each with its own complex s...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1700 item #164750 (stock #40-84)
Silk Road Gallery
$950.00
Still bearing very slight traces of gold leaf, this small 15th century bronze head of Buddha is from Burma's Ava Period (1287-1752). It most likely was commissioned and donated by a family as an act of merit, and was buried under a stupa for centuries. The Burmese of the time were skilled metalworkers. When a bronze Buddha image was cast, even a small one such as this, astrologers were called in to name the most auspicious day and hour for the casting, and monks cleansed the site of evil spirits...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1940 item #924655 (stock #62-25)
Silk Road Gallery
$600.00
A tall carved teak Mandalay Buddha has an elegantly draped robe with a deep edging of thayo, a lacquering technique used for centuries by Burmese artisans to create the look and feel of intricate wood carving. The forehead band is also thayo, lacquer thickened with bone ash that dries to the hardness of wood. A thin brown/red lacquer applied over the carved teak allows the grain of the dense native wood to show. Traces of gold add richness to the figure and double lotus throne. The face is beau...
All Items : Vintage Arts : Regional Art : Pre 1960 item #1221946 (stock #13-08)
Silk Road Gallery
SOLD
An exceptionally beautiful face distinguishes this mid-20th century reclining Mandalay Buddha. Carved from one piece of dense Burmese teak, the sleek dark reddish brown figure depicts the Buddha passing into Nirvana. On the wrist is a bracelet with the magic wish-fulfilling jewel Cintamani(see photo enlargement #6). The neck is slender and carved with the three folds characteristic of most Burmese Buddha images. Intricate edging on the graceful draped robe is created of thayo, a lacquer thic...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #261283 (stock #57-66)
Silk Road Gallery
$175.00
The lid of this 19th century Burmese lacquer traveler's box is incised with a charming scene of two figures, separated by a tree, each of them with one hand raised in a farewell wave. Made by layering many coats of lacquer over a base constructed of fine strips of coiled bamboo, Burmese lacquerware is light and durable. The design on this box is hand drawn using a method called yun-incising. Lines were incised through the top coats of black lacquer to reveal the persimmon-colored lacquer underne...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #780643 (stock #12-42)
Silk Road Gallery
$250.00
Tiny yellow dots incised freehand into a black lacquer background cover this small early 20th Burmese box. The design, produced with a time-consuming technique called "yun," is one of the more subtle traditional yun patterns developed by Burmese lacquer artisans. Yun involves the use of a stylus to engrave designs, one color at a time, on a lacquer surface. The yellow, red and green patterns on this box required three separate sessions of engraving with the stylus, rubbing the color into the inc...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #153013 (stock #35-95)
Silk Road Gallery
$290.00
A bearded scholar gestures with a fan in this late 19th century Chinese relief carving. In old China, a fan often was used by scholars and officials as part of a gesture to emphasize a special point. Two visitors, a man and a woman, are shown outside the scholar's studio, which is suggested by a bit of roofline, window and a vase of flowers. Carved below the roundel is stylized bat, symbol of good fortune. A hanger has been added to the carving, which may have been an element in a large architec...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1940 item #1344377 (stock #11-14)
Silk Road Gallery
$600.00
A Burmese Buddha revered for healing the spirit as well as the body holds a pot containing the water of long life. Ornamentation is especially dramatic, with a high spired crown and the lavish use of a Burmese lacquer process called thayo on the robes to represent elaborate embroidery. The cape is flared at the sides giving the figure a striking silhouette. Small applications of gold leaf added by the devout when a Buddha is displayed add interest to the dark brown teakwood carving. This mid-19...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1920 item #815705 (stock #12-44)
Silk Road Gallery
$250.00
A small lacquer box incised with the Burmese “yun” technique has an unusual lid design of a scarf encircled with foliage. Using the yun method, the pattern is accomplished by cutting through top layers of lacquer to reveal one or more differently colored lacquer layers underneath. In this case, just black and light red lacquers were used, producing a container with a simplicity that sets it apart from the multi-colored intricate yun work seen on the larger cylindrical betel boxes from Burma....
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #969594 (stock #10-78)
Silk Road Gallery
SOLD
This graceful Mandalay Buddha, nearly two feet in height, seems to float above its low double lotus throne. The floating effect is achieved with the robe, edged in a Burmese lacquer technique called thayo that ripples lightly across the wide pedestal and cascades in loose folds down the front and back of the slender figure’s left shoulder. The face is serene, with wide downcast eyes and finely executed nose and mouth. Carved of Burmese teak, the surface is a rich red/brown, sealed with a lig...
All Items : Antiques : Regional Art : Asian : Japanese : Furniture : Pre 1837 VR item #894121 (stock #07-61)
Silk Road Gallery
$890.00
A merchant’s money box, or zeni-bako, from Japan’s Edo Period carries an inscription that reads, “Purchased one lucky day in November in the 12th year of Bunsei,” which was 1829. The small copper coins in use at that time were called “zeni” and led to the development of simple, strong boxes for merchants to store coins during the business day. This box is made of thick keyaki wood and fitted with an iron lock and hasp. The top is constructed in two sections with a hole in the middle ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1800 item #284166 (stock #08-04)
Silk Road Gallery
$450.00
Seated on a faded red lacquer throne, this little Buddha is a humble, quiet figure. With shallow carving that suggests rather than sharply defines the facial features, the smooth oval face takes on an enigmatic, ethereal look. The small body is compactly folded to fit precisely on the narrow throne, giving the impression that the figure is conserving space. Fingers on the right hand, in earth touching mudra, are exceptionally long. Three lines of script etched into the lacquer around the base of...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1910 item #1089599 (stock #11-21)
Silk Road Gallery
SOLD
A Qing Dynasty lidded wooden box designed to serve pancakes combines handsome form with evidence of long use to evoke hundreds of banquets in late 18th/early 19th century China. The top of the notched lid is centered with a green and gold painting of chrysanthemums, symbol of conviviality. Faded calligraphy can still be seen on the underside of the lid. The bottom surface of the container also has very faint remains of calligraphy. Two deeply worn areas along the top surface of the tall hand-h...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #719473 (stock #10-08)
Silk Road Gallery
$350.00
A 19th century Chinese panel carved in deep relief is centered with an official riding a chilin, a mythical beast that was an ancient Chinese symbol of high rank. Part unicorn, part dragon, part lion, the chilin is artfully carved with regal head, a flowing three-pronged tail and scales. Attendants holding a fan and a tray of food stand by on either side of the rider. The scene is bordered with graceful carvings of auspicious flowers--lotus, emblem of fruitfulness, on one end; peonies, omen of g...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #880614 (stock #11-06)
Silk Road Gallery
SOLD
This large dramatic sculpture of a royal Buddha in classic Arakan style is two feet tall and crowned with curled open-work flanges flanking five intricately rendered leaf-covered spires. The practice of outfitting Buddha images in such regal style is said to have started in the Arakan Kingdom that flourished from 1287 to 1752 AD, when it became part of Burma. According to legend, an Arakan king named Jambupati (or Jambuphati) was causing suffering due to his excessive arrogance and pride. In ord...
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1900 item #878968 (stock #60-11)
Silk Road Gallery
SOLD
This Taihu scholar's stone is classified as "linglong," one of the criteria used by connoisseurs to judge the rocks collected by Chinese literati. The term linglong may be translated as "shapely" or as "pierced with many holes." This stone also is in the category of "fantastic rock" (as opposed to "zoomorphic rocks" and "landscape rocks") for the obvious reason that one can see abstract, dream-like representations in its form. Shaped by the water of Tai Hu (Lake Tai) near Suzhou, its dark khaki...