Asian Antiques by Silk Road
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1837 VR item #396830 (stock #39-38)
Silk Road Gallery
$1,200.00
Shimmering gold and blue tiles represent scales on this 200-year-old naga (sea dragon) that stands 50 inches (127 cm) tall. Used in Thailand as temple roof finials or in pairs at entrances to guard against evil spirits and natural disasters, the powerful, mystical naga are among the most revered Buddhist symbols. With its soaring, curving form and large size this particular naga is especially sculptural. It shows the emerging outline of the sinuous Thai cho-fa, a simplified, streamlined shape th...
All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1910 item #1240857 (stock #51-27)
Silk Road Gallery
$295.00
This late Qing Dynasty carved wood home altar, referred to as a “Buddha House,” is from Shandong Province in East China. It includes a wood cover that was slipped down over the altar, where a small Buddha was displayed. The cover was removed for family devotions. Gilded pierced carving framing the altar, while it appears to be scrolling or foliage, on close inspection is two stylized dragons that form the sides of the frame. The altar is just deep enough to display a figure up to 9 ¼” ...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1800 item #313771 (stock #24-86)
Silk Road Gallery
$595.00
Pierced carvings of foliage widely spaced around a framed rectangular relief carving give this 18th century Chinese elm wood panel a light and airy look. The central carving depicts a three-tiered village scene with a stylized mountain in the background. A horizontal pierced carving inset at the top of the panel represents foliage, and a relief carving inset at the panel's bottom depicts a bird and a flowering branch. All the elements are set within frames so the piece has a balanced, ordered fe...
All Items : Vintage Arts : Regional Art : Asian : Indian Subcontinent : India : Pre 1980 item #673699 (stock #61-38)
Silk Road Gallery
$90.00
A miniature by Kishangarh painter Yogya Pralash, this work, with the addition of a peacock at the lady's feet, becomes a symbol of grace, joy, beauty and love. The peacock, national bird of India, figures importantly in Indian culture as an emblem to convey those sentiments. The musician's attire echoes the colors of the peacock's plumage and she plays a stringed instrument in a traditional pose found in miniatures from the Indian state of Rajasthan. This late 20th century painting, in very good...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1910 item #1233407 (stock #12-64)
Silk Road Gallery
$250.00
From China’s Shaanxi Province, known for its many types of marvelous dumplings, this late Qing woven reed basket opens clamshell fashion to form two large serving bowls. Wide bent willow bands painted with flowers and secured to the basketry with metal studs encircle the top and bottom sections. A metal hasp in the front is used to keep the top and bottom closed, and a metal ring in the back is used to keep the two sections attached when they are used as bowls. This piece shows appropriate ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1700 item #164750 (stock #40-84)
Silk Road Gallery
$950.00
Still bearing very slight traces of gold leaf, this small 15th century bronze head of Buddha is from Burma's Ava Period (1287-1752). It most likely was commissioned and donated by a family as an act of merit, and was buried under a stupa for centuries. The Burmese of the time were skilled metalworkers. When a bronze Buddha image was cast, even a small one such as this, astrologers were called in to name the most auspicious day and hour for the casting, and monks cleansed the site of evil spirits...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #147269 (stock #39-03)
Silk Road Gallery
$2,800.00
Made during Burma's Konbaung Period (1752-1885), this crowned Pagan (Bagan) Buddha stands nearly four feet tall. The hands are in the dharmacakra (teaching) mudra. The carved lacquered and gilded wooden image is in the style of the 11th century colossal standing Buddha statues from Ananda Temple in Pagan, with a long robe open to the ankles over body hugging clothing. Also typical for this type of figure are kneecaps that are visible through the clothing. The high crown of pointed leaves topped ...
All Items : Fine Art : Paintings : Watercolor : Pre 2000 item #798545 (stock #36-58)
Silk Road Gallery
$470.00
Shanghai contemporary artist Zhao-Nian Xi represents his country's beloved Huangshan Mountain in this watercolor by devoting the major portion of the painting to the sky. Occupying most of the space from the lower left corner to upper right corner, the sky communicates the vastness and heights of Huangshan's peaks. The technique is a variation of the "one corner" compositional formula of the Southern Sung school, which leaves half the picture nearly blank, adding tension to the subject. This art...
All Items : Popular Collectibles : Cultural : Pre 2000 item #720726 (stock #25-15)
Silk Road Gallery
$295.00
These three handsome wool pillow covers were woven by hand in the remote area of Chirokchi in the Kashkadarya Region of Uzbekistan, Central Asia. Made for the local market, the covers follow a design handed down for generations. They are as thick and tightly woven as flat-weave rugs, and most likely will last for generations. There was hope among the women home weavers of Chirokchi back in the mid 1990s that their weaving could be developed into export items but, as far as we know, their dream h...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #1136045 (stock #63-11)
Silk Road Gallery
$370.00
The cinnabar lacquer covering this late 19th/early 20th century Burmese “kwet,” or serving bowl, is satin smooth and cool to the touch. Years of daily use have enhanced both the look and feel of this large bowl, with black lacquer showing through the red in areas of wear. Six black ribs curve down to the feet, and the top is curved and rolled inward, giving the vessel beautiful balance. The old Burmese process of producing such lacquer pieces was labor intensive and time consuming. Woven an...
All Items : Vintage Arts : Regional Art : Asian : Indian Subcontinent : Himalayas : Pre 1980 item #678833 (stock #08-31)
Silk Road Gallery
$360.00
Made of handbeaten copper, lidded urns in this design continue to be used for household water storage in Kathmandu, Nepal, where many homes do not have running water. Daily trips to community wells are made, usually by women, who carry water home in narrow necked vessels, then pour it into containers like this. Copper vessels of all sorts still are made in Patan, the artisan section of the city, where small back streets echo with the sounds of copper and other metals being beaten into bowls, po...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #877672 (stock #63-04)
Silk Road Gallery
$800.00
This mid-19th century wood offering bowl is from Pagan, an area recognized for producing the finest lacquer items in Burma. Many layers of black lacquer cover the wood base and are topped with a lacquer mixed with cinnabar pigment. These outer red layers have worn away in many places, showing the black lacquer underneath and creating an attractive patina. (For a similar offering bowl see "Burmese Crafts Past and Present" by Sylvia Fraser-Lu, Oxford University Press, 1994, color plate 45.) The ta...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #880614 (stock #11-06)
Silk Road Gallery
SOLD
This large dramatic sculpture of a royal Buddha in classic Arakan style is two feet tall and crowned with curled open-work flanges flanking five intricately rendered leaf-covered spires. The practice of outfitting Buddha images in such regal style is said to have started in the Arakan Kingdom that flourished from 1287 to 1752 AD, when it became part of Burma. According to legend, an Arakan king named Jambupati (or Jambuphati) was causing suffering due to his excessive arrogance and pride. In ord...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1900 item #882912 (stock #64-06)
Silk Road Gallery
$695.00
A large 19th century bronze bell from Burma has a tall holding ring with legendary figures from Burmese Buddhist iconography—kinnari, half man/half bird creatures, and manok-thi-ha, half man/half lion sphinx-like images. Two kinnari stand with their large wings spread upward to create the form of the tall spire. Two manok-thi-ha (also called manushi or manuthiha or a number of other names derived from the Sanskrit words “manu” for man and “simha” for lion) crouch with their backs suppo...
All Items : Vintage Arts : Regional Art : Asian : Chinese : Paintings : Pre 1980 item #810505 (stock #37-65)
Silk Road Gallery
$700.00
Two panels of Chinese calligraphy convey an exotic and compelling vision: “In the amber light . . . hear the sound of drums and dance and fly like a bird.” Written in free-flowing cursive script, these late 20th century panels are mounted on grey silk appropriate for framing or scrolling. A fascinating window into Chinese history, calligraphy began with oracle bone script in the 11th and 12 centuries BC and progressed through various styles of script—seal, clerical, standard, and cursive. ...
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1837 VR item #902690 (stock #38-56)
Silk Road Gallery
$600.00
An early 18th century inkstone has a gourd-shaped ink pool cut into a deep black stone slab that, along with brushes, ink and paper, represented what was referred to in Chinese literature as “the four precious things of the library.” Among the four objects, inkstones were considered the most important, the soul of the scholar’s library, because they were said to represent “the infinite subtlety of nature.” Although they appear to be relatively humble objects, inkstones were praised, co...
All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1910 item #884476 (stock #60-24)
Silk Road Gallery
$280.00
This late Qing wood pitcher from Shanghai is similar in form to provincial pitchers but is made of a harder wood, is more carefully constructed and has a sleeker look than its country cousins. The basic construction design is similar—shaped staves form the bowl and are held together with bands. The individual staves on this one are so tightly fitted that it looks as though it is carved from one piece of wood. The band around the bottom is metal but has been colored to match the wood; the uppe...
All Items : Vintage Arts : Regional Art : Asian : Indian Subcontinent : Himalayas : Pre 1980 item #719796 (stock #55-98)
Silk Road Gallery
$90.00
Lapis and carnelian stones in an ornate setting mounted on a band of light, feathery etching is somehow evocative of Nepal where this bracelet originated. The bracelet is sized relatively large and, while it can be adjusted, may fit and look best when worn over a heavy sweater or jacket cuff. From the late 20th century, the piece is in excellent condition. We do not know the silver content but suspect it is relatively low as is typical for jewelry from Nepal. The inside width of the bracelet mea...