Asian Antiques by Silk Road
All Items : Antiques : Regional Art : Asian : Indian Subcontinent : India : Pre 1900 item #417570 (stock #61-30)
Silk Road Gallery
A beautifully crafted piece of jewelry from Rajasthan in North India, this sterling silver necklace has finely embossed images of 44 peacocks and is itself shaped to resemble a fanned peacock tail. From the late 19th century, the necklace is made of 92.5 percent silver and weighs 240 grams. Judging by its weight, regal design and motif of the peacock, national bird of India, this was a ceremonial piece and most likely was worn by a man. Eight vertical plates with peacocks and flowers in graduat...
All Items : Antiques : Regional Art : Asian : Indian Subcontinent : Himalayas : Pre 1900 item #886906 (stock #41-39)
Silk Road Gallery
This 19th century Tibetan Buddhist Tantrayna ritual crown was worn by Tibetan lamas during empowerment ceremonies. The five panels that form the crown are painted and gilded with images of Tantric yidams, teachers of the Tantric principles of the path to enlightenment. The yidams are depicted with yogini, their female partners. Five silk ribbons on each side of the crown hang from an embroidered emblem. The piece shows wear but is in good condition with all five paintings distinct. It is display...
All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1910 item #1119963 (stock #10.86)
Silk Road Gallery
This traditional Chinese wedding basket, made of light-weight wood, has 25 different black and gold vignettes of Qing Dynasty life painted on its octagonal trays and lid. The tall black bent willow handle is wrapped in bamboo strips woven into a black-accented pattern. The base of the basket and the scene on the lid are framed with key patterns, another element typical of the profuse symbolic adornment often found on late Qing items, especially those associated with marriage. Two of the three tr...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Paintings : Pre 1960 item #1223013 (stock #10-72)
Silk Road Gallery
Originally part of a set of 27 scrolls, this painting is from the Yao (Mein) tribal people living in the Golden Triangle area where Thailand, Burma and Laos meet. The Yao, one of the six so-called hill tribes residing in the Golden Triangle, follow Taoism as it was practiced in China in the 13th and 14th centuries. This painting on mulberry paper was one of several face masks representing ancestral spirits that were part of the complete set of large scrolls. It was worn by a tribal elder during...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #875686 (stock #63-20)
Silk Road Gallery
This early 20th century lacquer betel nut container has intricate incised scenes that recreate the magical interior of the old Burmese court. Dancers, mythical animals, courtiers, and servants surround the king on this throne in vignettes that cover the deep lid and base. The inscriptions "good health" and "be rich" are etched along the top edge of the deep lid. All the scenes are surrounded by fine bands of color and foliage with a cross-hatched background. Two trays that slide inside the high...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #834732 (stock #10-62)
Silk Road Gallery
A fine, tight weave of thin reeds gives texture to the cinnabar and black lacquer finish of this mid-19th century Burmese bowl. The textural quality is heightened by the wearing of top layers of cinnabar lacquer revealing black lacquer underneath for a handsome negoro effect. Resting on four low feet, the bowl, or “kwet,” flares out to a wide point about three-quarters up its height, and then gently angles in toward its crisp upper edge. The inner surface is smoothed with many coats of la...
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1900 item #899863 (stock #60-23)
Silk Road Gallery
This 19th century Chinese scholar's box has delicate bone inlay in a pattern of butterflies and flowers that swirl upward within four rosewood panels. A narrow rectangle of inlaid bone encloses each pattern. The panels are set within two doors on the front of the piece that swing out to reveal three drawers on one side and a large open compartment on the other. A “secret” storage area is accessible when the bottom drawer is removed. As is typical for Chinese joinery of the Qing Period, the d...
All Items : Antiques : Regional Art : Asian : Chinese : Jewelry : Pre 1900 item #847943 (stock #54-34)
Silk Road Gallery
Iridescent blue kingfisher bird feathers were used to create the five petals of this 19th century Chinese pin that was most likely used as a hair ornament. Feathers from the tiny kingfisher bird decorated items used by the ladies of Chinese imperial courts for many centuries. Jewelry and other articles covered with the feathers were found in Tang Dynasty tombs. In the 18th century, the fashion developed for very large, intricate feather headpieces, and these can be seen worn by empresses and the...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #142931 (stock #39-02)
Silk Road Gallery
Nearly four feet in height, this 19th century Burmese Mandalay Buddha holds the right hand in the varada gesture to signify fulfillment of all wishes, boon granting and charity. A small fruit offering also is held in the right hand. This graceful classic figure is carved from dense Burmese teak and stands on a lotus throne. An undercoating of dark red lacquer that shows through worn areas in the gilding gives the piece an attractive patina. Large Buddha images such as this were placed above eye-...
All Items : Vintage Arts : Regional Art : Pre 1980 item #900567 (stock #35-16)
Silk Road Gallery
A silver bracelet from the Indonesian island of Java is formed by a slender snake coiled around to meet its tail. The piece is pliable and springy so can be worn on the wrist or Cleopatra-style on the upper arm. Made is the mid-1990s, it is in excellent condition. A silver content stamp inside the bracelet reads "925." As photographed, the bracelet measures 2 ½” (6.4 cm) in diameter but can be adjusted to fit. SEE MORE ITEMS IN OUR COLLECTION AT WWW.SILKROAD1.COM
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #981876 (stock #10-47)
Silk Road Gallery
A classic Burmese bronze Buddha from the late 19th/early 20th century, with the simple, unadorned lines of the Ava Period, is softened with roundness in the face and body. The stepped throne, rather than the traditional diamond shape, also is rounded, adding to the settled, secure look of the figure. Legacies of the traditional Ava style also are seen in the well defined brow over lowered eyes, the slight smile, and a band separating hair and forehead. It was a common practice during the 19th a...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #265851 (stock #10-44)
Silk Road Gallery
One of the most exotic sculptural forms in Southeast Asia, the naga, a sea dragon with a high curving spire, is seen at temple entrances an on roofs. This 19th century carved teak wood naga was once a finial on a temple roof in Thailand. The mythical serpent is said to have protected the Buddha from lightning as he sat meditating under a bodhi tree and so is used to guard against evil spirits, particularly natural disasters. When in use at temples, the sculptures generally are covered in colorfu...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #800345 (stock #11-25)
Silk Road Gallery
Monks Sariputta and Mogallana, two chief disciples of Buddha, are carved in heavy Burmese teakwood. Important to the Buddhist iconography of Burma, the two are said to have been Brahmin ascetics who were among the earliest followers of the Buddha. The figures have a long history in Burmese art, appearing beside Buddha on 12th century plaques excavated at Pagan and down through the centuries in bronzes, paintings and carvings, always accompanying Buddha. Around the late 18th century, artisans beg...
All Items : Antiques : Regional Art : Ancient World : Near Eastern : Metalwork : Pre 1920 item #805608 (stock #27-77)
Silk Road Gallery
Georgians love wine. They produce it with quality and drink it in quantity. During a Georgian celebratory dinner, called a supra, the host leads toasts throughout an evening of good food, wine and fellowship that is a treasured national tradition. Distinctively Georgian wine vessels are a part of that culture. This ram’s horn supra toasting cup has a wide band of silver over copper around the drinking end and is capped on the other end with an embossed silvered copper tube that ends in the sha...
All Items : Fine Art : Paintings : Watercolor : Pre 1990 item #846956 (stock #36-69)
Silk Road Gallery
A mist-shrouded water scene in soft colors centers on a small houseboat being poled up a canal. This watercolor by contemporary Shanghai painter Zhao-Nian Xi, sealed by the artist in the lower right corner, is characteristic of his technique of using large muted or blank spaces to focus attention on one element. In his scenes of villages along a network of canals near Shanghai, he delivers in each a small, intimate look at one aspect of life. This watercolor is matted and is in excellent condit...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #1136045 (stock #63-11)
Silk Road Gallery
The cinnabar lacquer covering this late 19th/early 20th century Burmese “kwet,” or serving bowl, is satin smooth and cool to the touch. Years of daily use have enhanced both the look and feel of this large bowl, with black lacquer showing through the red in areas of wear. Six black ribs curve down to the feet, and the top is curved and rolled inward, giving the vessel beautiful balance. The old Burmese process of producing such lacquer pieces was labor intensive and time consuming. Woven an...
All Items : Antiques : Regional Art : Asian : Chinese : Stoneware : Pre 1837 VR item #784126 (stock #33-54)
Silk Road Gallery
An 18th century Chinese oil pitcher has a thick glaze decorated with blue calligraphy done in the loose, free "wet brush" manner. Collected for its spontaneity of design, Swatow ware with this type of calligraphy was made in South China and exported from the port of Swatow to countries throughout Southeast Asia. The cursive characters were applied with a very wet brush, depositing heavier, darker color at the ends of the strokes. Though similar in design and color to the Swatow plates known as "...
All Items : Antiques : Regional Art : Asian : Chinese : Metalwork : Pre 1900 item #799154 (stock #38-93)
Silk Road Gallery
This early to mid-19th century Chinese pewter teapot is sized to brew two small cups of tea. The outsized handle, made to resemble a Western cup handle, and the long curved spout are said to be a favorite design of that era, probably because it was so functional. Pewter was used for brewing strong teas; ceramics for brewing lighter teas. This pot has a few small dents on one side of the shoulder; otherwise it is in good condition. Dimensions: height 7" (18 cm), width from handle to spout tip 6-1...