Asian Antiques by Silk Road
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1920 item #916461 (stock #64-47)
Silk Road Gallery
$360.00
This low Qing Dynasty table was made to furnish a kang, a raised platform used as the family’s living space during cold winter months in China’s northern provinces. The kang was heated, usually with a system of pipes under the platform that were connected to the cooking stove, and when furnished with pillows and low tables, became a relatively cozy retreat. This late 19th century kang table, made of northern elm, has pleasing touches of carving on all sides. It is in solid condition with evi...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #860292 (stock #31-27)
Silk Road Gallery
On Hold
A pair of pulleys that were used on a hand loom in Burma show the Burmese love for exuberant decorative elements on objects for everyday use. The tall carved peacocks are larger than the pulleys, and may have been just one of a number of such decorations on a woman’s loom. Simple household objects are traditionally well made and attractive in Burma, where no lines are drawn between fine arts and folk or applied arts. The peacock, emblem of the Kon-baung Dynasty (1752-1885), remains a favorite ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #757166 (stock #08-03)
Silk Road Gallery
$375.00
A modest little folk Buddha with right hand in earth touching mudra sits on a red and black double lotus throne. Made of lacquered teak wood, the carving is from the Shan minority in Burma. The gilded Buddha has the downcast eyes, prominent brow, small chin and large finial generally seen on Shan figures. It most likely was displayed in a village daimyo, a covered outdoor pavilion with a stepped altar holding a number of Buddha figures of various sizes, a local gathering place for daily devotion...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #686777 (stock #63-41)
Silk Road Gallery
$795.00
Right hand raised in jnana (teaching) mudra, this Burmese bronze Buddha sits in lotus position on a double lotus throne. The Buddha's thumb and index finger form a circle to signify the Buddhist wheel of law, the dharmachakra. This early 20th century Buddha is Ava in style, with the body tilting slightly forward on a waisted lotus throne that is tall relative to the height of the figure. The simple, unadorned robe leaves one shoulder bare, and the hair is separated from the face with a narrow ba...
All Items : Fine Art : Paintings : Watercolor : Pre 1990 item #846956 (stock #36-69)
Silk Road Gallery
$330.00
A mist-shrouded water scene in soft colors centers on a small houseboat being poled up a canal. This watercolor by contemporary Shanghai painter Zhao-Nian Xi, sealed by the artist in the lower right corner, is characteristic of his technique of using large muted or blank spaces to focus attention on one element. In his scenes of villages along a network of canals near Shanghai, he delivers in each a small, intimate look at one aspect of life. This watercolor is matted and is in excellent condit...
All Items : Vintage Arts : Regional Art : Asian : Chinese : Jewelry : Pre 1980 item #334861 (stock #41-23)
Silk Road Gallery
$275.00
This delicate carving of Guanyin, the revered Chinese goddess of mercy and compassion, was done in Burma in Burmese jade. Evidently carved for the ethnic Chinese community there, it is Chinese in style, with the goddess wearing her traditional headpiece and robe, holding a vase and standing on waves. She is carved in relief against a large curving dragon, which is fully visible in detail on the back side of the pendant. This jade piece is in excellent condition, and hangs from a fine gold chain....
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #395925 (stock #60-66)
Silk Road Gallery
$600.00
Chinese opera scenes are painted on the sides and lid of this late 19th century Chinese trunk. The octagon shape of the container, traditional for Chinese shoe trunks, is echoed in the octagon-shaped borders on the paintings. Such trunks quite often had a background color of turquoise, the hue on this one, or of very dark green, although we have seen them in black and bright blue as well. The size of the trunk makes it suitable for use as an accent table. There is wear on the painted surface app...
All Items : Antiques : Regional Art : Middle Eastern : Metalwork : Pre 1920 item #774309 (stock #27-38)
Silk Road Gallery
$700.00
This early 20th century Russian-made samovar was found in the Republic of Georgia following that small country's independence in 1991 after 70 years as part of the USSR. A maker's seal on the top shows a hammer and sickle under a star, perhaps a reason it was not retained by the original Georgian owners. The stamp includes the letters "BCHX" and "CCCP" as well as a Russian inscription. Another stamp, this one on the foot of the samovar, carries the initials "TK." The brass is coated with a silv...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #780643 (stock #12-42)
Silk Road Gallery
$250.00
Tiny yellow dots incised freehand into a black lacquer background cover this small early 20th Burmese box. The design, produced with a time-consuming technique called "yun," is one of the more subtle traditional yun patterns developed by Burmese lacquer artisans. Yun involves the use of a stylus to engrave designs, one color at a time, on a lacquer surface. The yellow, red and green patterns on this box required three separate sessions of engraving with the stylus, rubbing the color into the inc...
All Items : Vintage Arts : Regional Art : Asian : Chinese : Paintings : Pre 1970 item #815349 (stock #33-33)
Silk Road Gallery
$700.00
These striking Chinese calligraphy panels celebrate two of the most magnificent creatures in Buddhist and Taoist legends--the crane and the dragon. Portraits of cranes, a most admired bird in China, and dragons, chief among reptiles, have appeared for centuries in temples and houses as symbols of admirable traits and good fortune. The calligraphy on one panel reads, "The sea is the world of the dragon," and the companion panel says, "The sky is the homeland of the crane." The beneficent Chinese ...
All Items : Vintage Arts : Regional Art : Asian : Indian Subcontinent : Himalayas : Pre 1980 item #705064 (stock #10-63)
Silk Road Gallery
$200.00
This wool weaving from Nepal represents a phoenix, wings spread soaring toward the sun. Its craggy surface and muted colors evoke the majestic, mysterious Himalayas. The design, at once ethnic and retro, recalls the late 1960s/early 1970s time period when it was made. The piece is in very good condition. Dimensions: height 30" (76 cm), width 40" (102 cm).
All Items : Antiques : Regional Art : Asian : Chinese : Textiles : Pre 1900 item #782459 (stock #52-15)
Silk Road Gallery
$530.00
A silk collar from the late Qing Dynasty is made of six embroidered lappets shaped to resemble clouds. Cloud icons, evolved from archaic pictographs, have been used in Chinese art for thousands of years to symbolize abundance and the nourishment of life. This collar was worn on festival days by a young girl whose mother designed and embroidered it with six auspicious flowers and six auspicious insects to convey added good wishes for her daughter's future. The embroidery is done in a beautifully ...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #1345209 (stock #64-46)
Silk Road Gallery
SOLD
Eight bronze weights, commonly known as opium weights, are cast in the image of a mythical wild goose. The bird, referred to as "hintha" in Burmese or as "hamsa" in Sanskrit, is regarded as a sacred icon and also is the symbol of Burma's Mon People. Weights in the forms of mythical birds and animals were used in Burma from the 18th century into the 20th century to weigh small household items purchased in the marketplaces. Over the years, they became known as "opium" weights, but according to S...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1920 item #815705 (stock #12-44)
Silk Road Gallery
$250.00
A small lacquer box incised with the Burmese “yun” technique has an unusual lid design of a scarf encircled with foliage. Using the yun method, the pattern is accomplished by cutting through top layers of lacquer to reveal one or more differently colored lacquer layers underneath. In this case, just black and light red lacquers were used, producing a container with a simplicity that sets it apart from the multi-colored intricate yun work seen on the larger cylindrical betel boxes from Burma....
All Items : Fine Art : Paintings : Pre 2000 item #704354 (stock #17-94)
Silk Road Gallery
$795.00
Signed by Hanoi artist Ngo Van Cao and dated 1993, this is his view of rooftops seen along a narrow street in the old quarter of his city. We purchased this work from the artist in Hanoi in 1995. At that time the art scene in Hanoi still was relaxed, with painters gathering daily at local galleries to discuss their work and meet with the few foreign buyers. By the end of the 1990s, Hanoi had become a magnet for serious collectors and investors. The special appeal of Vietnamese paintings, particu...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #969594 (stock #10-78)
Silk Road Gallery
SOLD
This graceful Mandalay Buddha, nearly two feet in height, seems to float above its low double lotus throne. The floating effect is achieved with the robe, edged in a Burmese lacquer technique called thayo that ripples lightly across the wide pedestal and cascades in loose folds down the front and back of the slender figure’s left shoulder. The face is serene, with wide downcast eyes and finely executed nose and mouth. Carved of Burmese teak, the surface is a rich red/brown, sealed with a lig...
All Items : Antiques : Regional Art : Asian : Japanese : Furniture : Pre 1910 item #168849 (stock #08-45)
Silk Road Gallery
$650.00
Sliding reed doors such as these late Meiji Period fusuma were used in Japan during the hot summer months to replace shoji screens and solid doors. The reeds allowed cooling breezes to circulate yet afforded privacy. On these doors, the reeds are carefully arranged so the darker areas form a wave pattern. They are held in place by horizontal strips of bamboo on one side and kiri wood on the other. The frame and top portion of the doors are made of light-weight kiri wood. Doors play an important ...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1910 item #1245419 (stock #60-25)
Silk Road Gallery
$260.00
This late Qing Dynasty teacup box has a high handle carved with the figure of a deer, an auspicious Chinese symbol used to wish longevity. Foliage, flowers and scalloping also are carved on both sides of the handle as well as on the ear-like curved ends that hold the handle in place. The rich red lacquer on the wooden box contrasts nicely with touches of deep, dark green and faint gilding. The container is fitted with a removable half-lid that allowed stacks of traditional Chinese teacups witho...