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Catalogue: Archives: Regional Art: Asian: Southeast Asian (62)

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Lao Carved Teak Textile Hanger in Lotus Design

Catalogue: Archives: Regional Art: Asian: Southeast Asian: Pre 2000   item# 829843 (stock# 09-77)

Lao Carved Teak Textile Hanger in Lotus Design
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Silk Road Gallery
(203) 208-0771


SOLD 

Hand carved of teak wood in Laos, this hanger provides an elegant way to display large collectible textiles. The end pieces are fully carved front and back with lotus flowers, Buddhist emblem of purity and perfection. (The symbolism is based on the fact that lotus flowers emerge from the mud beautiful and undefiled.) The center rod measures 31 ½ inches (80 cm) across to hold over-sized textiles such as ikat blankets, silk shawls, sarongs, and tribal and folk weavings. End carvings are shown in o ...click for details


Carved Teak Mandalay Reclining Buddha

Catalogue: Archives: Regional Art: Asian: Southeast Asian: Pre 1940   item# 796012 (stock# 10-39)

Carved Teak Mandalay Reclining Buddha
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Silk Road Gallery
(203) 208-0771


SOLD 

A reclining Mandalay Buddha with a serene face and gracefully draped robe is carved of dense Burmese teakwood. Detailed edging on the robe, and the forehead band and tightly curled hair over the wide Mandalay unisha are fine examples of the artful use of thayo, a thickened lacquer used with great expertise by Burmese lacquer artisans. Traces of gold add richness to the thin coating of red/brown lacquer that covers the figure. This exquisite mid-20th century Buddha is in excellent condition. Dime ...click for details


Danang Grandmother Charcoal Portrait by My

Catalogue: Archives: Regional Art: Asian: Southeast Asian: Pre 2000   item# 794883 (stock# 30-70)

Danang Grandmother Charcoal Portrait by My
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Silk Road Gallery
(203) 208-0771


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The warmth from an open fire reflected on the time-worn hands and face of a Vietnamese grandmother is felt when viewing this charcoal sketch by an artist from Danang who signs her work with only the name "My." The piece is dated 1997 and, although the open fire suggests a country or mountain locale, during that time it was still fairly common to see people gathered before fires on the back streets in some of Vietnam's cities. The woman's clothing indicates an urban grandmother, ...click for details


Silver Snake Bracelet

Catalogue: Archives: Regional Art: Asian: Southeast Asian: Pre 2000   item# 762237 (stock# 38-84)

Silver Snake Bracelet
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Silk Road Gallery
(203) 208-0771


SOLD 

A silver bracelet from Java is formed by a sinuous coiling snake with over-sized eyes staring out at the curious world. Whimsy merges with realism as incised scales on the coil change into scrolling, a flower, then back to scales. The out-stretched head with its bug eyes appears to be searching for a friend rather than a victim. This bracelet can be worn several ways: on the wrist, pushed up toward the elbow or around the upper arm in Cleopatra fashion. We purchased this piece in the mid-1990s i ...click for details


Burmese Colonial Period Bronze Gong Stand

Catalogue: Archives: Regional Art: Asian: Southeast Asian: Pre 1920   item# 760204 (stock# 11-24)

Burmese Colonial Period Bronze Gong Stand
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Silk Road Gallery
(203) 208-0771


SOLD 

Two native bearers hold aloft a bronze gong creating a tableau that was likely made for a colonial official during Burma's long colonial period (1885-1941). This is a large piece--the figures nearly two feet tall, weighing 22 pounds each--suited for use in a large dining room or entry hall. According to accounts in "Victoria and Albert Museum" by John Lowry, and "Burmese Crafts Past and Present" by Sylvia Fraser-Lu, large, ornamental gong stands were among objects sought ...click for details


Jambupati Lacquered Teak Royal Buddha

Catalogue: Archives: Regional Art: Asian: Southeast Asian: Pre 1900   item# 754699 (stock# 64-21)

Jambupati Lacquered Teak Royal Buddha
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Silk Road Gallery
(203) 208-0771


SOLD 

A graceful royal Buddha with Arakanese accoutrements, the right hand in the sign of the wheel of law, or vitarka mudra, a gesture of intellectual discourse, sits atop a tall double lotus throne. The figure, nearly 26 inches in height, is carved of heavy teak wood coated with lacquer and gilded. Arakanese attributes are evident in the square face and slender body, long ear pieces hanging on either side of an elaborate chest ornament, upper arm bands and flowing cuffs. Such royal Buddha images, kn ...click for details


Carved Wood Shan Ladle With Monkeys

Catalogue: Archives: Regional Art: Asian: Southeast Asian: Pre 1910   item# 709210 (stock# 64-31)

Carved Wood Shan Ladle With Monkeys
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Silk Road Gallery
(203) 208-0771


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Three carved monkeys cavort along the handle of this delightful 38-inch long water ladle. It is customary throughout the hot countries of Southeast Asia to place large containers of water and ladles outside houses so anyone passing in need of a drink may help themselves. This wonderful early 20th century red monkey ladle of the Shan people in Burma is unlike any other ladle we have seen. It might have been inspired by the tribes of monkeys that often live around Buddhist complexes and beg treats ...click for details


Lacquer Rattan Pattern Burmese Bowl

Catalogue: Archives: Regional Art: Asian: Southeast Asian: Pre 1920   item# 685967 (stock# 63-19)

Lacquer Rattan Pattern Burmese Bowl
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Silk Road Gallery
(203) 208-0771


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Beautiful basketry is strengthened and preserved under many applications of cinnabar and black lacquer on this low handwoven rattan bowl. The bold and unusual pattern of the rattan weaving is retained as the design element of the piece. Rather than completely covering the basketry texture of the entire surface, as was generally done when woven bamboo was used as a base for lacquer, the artisan in this case covered and smoothed only the interior surface of the bowl, leaving the black lacquered te ...click for details


Pagan Lacquer Hsun-ok Offering Bowl

Catalogue: Archives: Regional Art: Asian: Southeast Asian: Pre 1900   item# 684635 (stock# 63-01)

Pagan Lacquer Hsun-ok Offering Bowl
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Silk Road Gallery
(203) 208-0771


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A majestic Burmese lacquer offering bowl from the 19th century has a wide band of relief-molded lacquer at the base of its tall spire. The green and gold design, applied over cinnabar lacquer, has four cartouche-like cells, called bilu-gwin, two with dancing figures, two with Burmese "chinthe," or lions. Scrolling and flowers fill the remaining space on the band. The modeled designs are created from "thayo," a mixture of boiled lacquer with finely powdered bone, ash or cow du ...click for details


Six-Piece Lacquer Offering Bowl From Burma

Catalogue: Archives: Regional Art: Asian: Southeast Asian: Pre 1920   item# 679925 (stock# 57-48)

Six-Piece Lacquer Offering Bowl From Burma
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Silk Road Gallery
(203) 208-0771


SOLD 

Made of gleaming black lacquer, this Burmese ok-kwet, which means "wide bowl," is one of the designs within a classification of vessels called "hsun-ok" used to carry offerings of food to Buddhist monasteries. The six-piece container--a large bowl topped with a series of trays and smaller bowls--hides more elegance inside with its rich cinnabar-colored interiors and rims. Pieces fit together in stepped fashion, ending in an inverted cup that sits atop the stack. When taken to ...click for details

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