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Moon Cake Molds with Auspicious Symbols

Catalogue: Archives: Regional Art: Asian: Chinese: Pre 1970   item# 804404 (stock# 10-55)

Moon Cake Molds with Auspicious Symbols
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Silk Road Gallery
(203) 208-0771


SOLD 

Handcarved wood molds used in making rice cakes for Chinese celebrations at New Year and the first full moon conveyed a family’s hopes for good fortune in the coming year. On this set of three, special wishes for wealth are expressed with carvings of coins, for joy with the butterfly shapes, for abundance with fish, and for protection with dragons. The rice cakes themselves, whether made with such special molds or just patted into round or oval shapes, carry a symbolic meaning of peace, harmony ...click for details


Marble in Carved Wood Frame Late Qing

Catalogue: Archives: Regional Art: Asian: Chinese: Pre 1900   item# 799708 (stock# 58-30)

Marble in Carved Wood Frame Late Qing
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Silk Road Gallery
(203) 208-0771


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Excellent pierced carving of leaves and scrolling surrounds a circular piece of marble in this late 19th century Chinese piece. Marble gazing was somewhat like cloud gazing in Qing Dynasty China, when pieces of "pictorial" marble were set into furniture and hung on walls as art. Patterns in the marble veins were said to resemble mountains, water scenes, or auspicious flowers and birds. This piece, with its beautifully carved hardwood frame, looks quite Victorian and is in very good con ...click for details


Danang Grandmother Charcoal Portrait by My

Catalogue: Archives: Regional Art: Asian: Southeast Asian: Pre 2000   item# 794883 (stock# 30-70)

Danang Grandmother Charcoal Portrait by My
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Silk Road Gallery
(203) 208-0771


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The warmth from an open fire reflected on the time-worn hands and face of a Vietnamese grandmother is felt when viewing this charcoal sketch by an artist from Danang who signs her work with only the name "My." The piece is dated 1997 and, although the open fire suggests a country or mountain locale, during that time it was still fairly common to see people gathered before fires on the back streets in some of Vietnam's cities. The woman's clothing indicates an urban grandmother, ...click for details


Lacquered Carved Teak Swan Box

Catalogue: Archives: Regional Art: Asian: Southeast Asian: Pre 1920   item# 793826 (stock# 11-09)

Lacquered Carved Teak Swan Box
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Silk Road Gallery
(203) 208-0771


SOLD 

Beautiful detailing on this whimsical carved and lacquered box transform a pickled tea container into a wonderful piece of folk art. From early 20th century Burma, the container is carved so the long, graceful neck of the swan serves as the handle for the lid of the box. Underneath the swan is a tortoise, symbol of the universe in Buddhist iconography. A fish hanging from the swan's bill may have been included as a symbolic hope for abundance. Extensive detailing on the swan's head, neck ...click for details


Qing Cypress Octagonal Lidded Box

Catalogue: Archives: Regional Art: Asian: Chinese: Pre 1900   item# 791083 (stock# 62-54)

Qing Cypress Octagonal Lidded Box
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Silk Road Gallery
(203) 208-0771


SOLD 

Carvings of flowers representing the seasons and auspicious wishes surround this octagonal 19th century Chinese lidded box. The cypress wood container is constructed of eight panels held together with metal bands. Flower carvings are set within a rectangular frame in each panel. This piece is in very good condition. Dimensions: height 12" (31 cm), diameter 13-1/2" (34 cm).


Carved Wood Rice Cake Molds

Catalogue: Archives: Regional Art: Asian: Chinese: Pre 1940   item# 788174 (stock# 10-57)

Carved Wood Rice Cake Molds
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Silk Road Gallery
(203) 208-0771


SOLD 

Handcarved wooden molds used in making rice cakes for Chinese celebrations at New Year and the first full moon conveyed a family's hopes for good fortune in the coming year. On this set of four, special wishes for abundance are expressed with carvings of fish, symbolizing plenty, regeneration and harmony. The rice cakes themselves, whether made with such special molds or just patted into round or oval shapes, carry a symbolic meaning of peace, harmony and the family circle. Also called moon ...click for details


Georgian Cossack Uniform for Young Boy

Catalogue: Archives: Regional Art: Middle Eastern: Pre 1940   item# 766429 (stock# 27-42)

Georgian Cossack Uniform for Young Boy
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Silk Road Gallery
(203) 208-0771


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A small cossack outfit with 12 bullet pockets has a dashing cut that evokes intrigue in the Caucasus. Its small size suggests it was made for a young boy but the beautiful construction of the wool coat, satin shirt and cotton trousers further suggest it had more importance than a mere costume. We purchased this outfit in the Republic of Georgia a few years after Georgia's independence in 1991 following 70 years as part of the USSR. The history of the uniform is lost but a guess is that it wa ...click for details


Pagan Lacquer Spired Hsun-ok Offering Bowl

Catalogue: Archives: Regional Art: Asian: Southeast Asian: Pre 1910   item# 765479 (stock# 13-02)

Pagan Lacquer Spired Hsun-ok Offering Bowl
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Silk Road Gallery
(203) 208-0771


SOLD 

From the Pagan region in Burma where much of the country's fine lacquerware was produced, this late 19th/early 20th century hsun-ok is a graceful example of the classic Pagan spired offering bowl. Various types of offering vessels--some with spires, some with low, stacked bowls, some with ornately carved trays--all within a broad classification called "hsun-ok," were made in Burma and used to take offerings of food to monasteries. Subtle variations in shape and ornamentation identi ...click for details


Silver Snake Bracelet

Catalogue: Archives: Regional Art: Asian: Southeast Asian: Pre 2000   item# 762237 (stock# 38-84)

Silver Snake Bracelet
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Silk Road Gallery
(203) 208-0771


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A silver bracelet from Java is formed by a sinuous coiling snake with over-sized eyes staring out at the curious world. Whimsy merges with realism as incised scales on the coil change into scrolling, a flower, then back to scales. The out-stretched head with its bug eyes appears to be searching for a friend rather than a victim. This bracelet can be worn several ways: on the wrist, pushed up toward the elbow or around the upper arm in Cleopatra fashion. We purchased this piece in the mid-1990s i ...click for details


Burmese Colonial Period Bronze Gong Stand

Catalogue: Archives: Regional Art: Asian: Southeast Asian: Pre 1920   item# 760204 (stock# 11-24)

Burmese Colonial Period Bronze Gong Stand
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Silk Road Gallery
(203) 208-0771


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Two native bearers hold aloft a bronze gong creating a tableau that was likely made for a colonial official during Burma's long colonial period (1885-1941). This is a large piece--the figures nearly two feet tall, weighing 22 pounds each--suited for use in a large dining room or entry hall. According to accounts in "Victoria and Albert Museum" by John Lowry, and "Burmese Crafts Past and Present" by Sylvia Fraser-Lu, large, ornamental gong stands were among objects sought ...click for details

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