Asian Antiques by Silk Road
All Items : Antiques : Regional Art : Asian : Japanese : Textiles : Pre 1900 item #1068929 (stock #18-22)
Silk Road Gallery
$320.00
This late Meiji era Japanese silk obi with pattern on both sides of its full 116 inch length is classified as a “han haba” obi because it is half the width of the standard kimono belt and, with its softer texture and informal pattern, is meant to be worn at home or with yukata in the summer. The unusual color combination of lilac, gold, yellow and white on a dark turquoise background adds interest to the casual design...
All Items : Antiques : Regional Art : Middle Eastern : Pre 1900 item #155372 (stock #27-74)
Silk Road Gallery
$275.00
From Tbilisi, Georgia, this 19th century wine decanter was turned, then hand carved with distinctively Georgian designs that reflect the country's geographic position between East and West. Wine making and wine drinking have been serious pursuits for many centuries in Georgia, so many of the country's old, collectible objects center around viniculture...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #147269 (stock #39-03)
Silk Road Gallery
$2,800.00
Made during Burma's Konbaung Period (1752-1885), this crowned Pagan (Bagan) Buddha stands nearly four feet tall. The hands are in the dharmacakra (teaching) mudra. The carved lacquered and gilded wooden image is in the style of the 11th century colossal standing Buddha statues from Ananda Temple in Pagan, with a long robe open to the ankles over body hugging clothing. Also typical for this type of figure are kneecaps that are visible through the clothing...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #981876 (stock #10-47)
Silk Road Gallery
$890.00
A classic Burmese bronze Buddha from the late 19th/early 20th century, with the simple, unadorned lines of the Ava Period, is softened with roundness in the face and body. The stepped throne, rather than the traditional diamond shape, also is rounded, adding to the settled, secure look of the figure. Legacies of the traditional Ava style also are seen in the well defined brow over lowered eyes, the slight smile, and a band separating hair and forehead...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #926234 (stock #33-92)
Silk Road Gallery
SOLD
This is a late 19th century Chinese altar table that has been altered for use as a table behind a low sofa. Altar tables typically have the shallow depth needed for a table placed behind a sofa but often are too high for that use. That is most likely why this one, somewhere along the way, had its legs shortened by a few inches. While its antique value was adversely affected by the alteration, its usability, at least from a Western point of view, may have been enhanced...
All Items : Antiques : Regional Art : Asian : Chinese : Textiles : Pre 1910 item #838315 (stock #41-63)
Silk Road Gallery
$425.00
A peacock embroidered in jewel tones stands on a low tree peony branch on this large red silk wall hanging from the late Qing period. During China’s Ming and Qing Dynasties, the peacock was used as a symbol of rank and also was presented as recognition for meritorious service. It symbolized beauty and dignity, and often was combined, as here, with the tree peony, emblem of Spring and good fortune...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #898500 (stock #63-30)
Silk Road Gallery
SOLD
A late 19th century lacquer betel box from Burma is incised in an intricate pattern called “yok-thei,” with tiny dancers swirling through vegetal scrolling. The small design, primarily red and green, is punctuated with black and green circles that look like launching pads for the flying stylized dancers...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #799411 (stock #57-43)
Silk Road Gallery
$1,700.00
Traces of gold leaf remain on this Pagan dry lacquer Buddha head from the late 1700s. The head rests on a contemporary removable black metal stand. The dry lacquer technique, used by Burmese artisans from the mid-18th century until the beginning of the 20th century, produced finely modeled hollow images that were light in weight but very strong. The labor-intensive method involved a number of steps. First the image was shaped from clay, then wrapped in a lacquer-soaked cloth...
All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1910 item #345229 (stock #51-28)
Silk Road Gallery
$225.00
A simple and elegant wood altar with clean lines and expert craftsmanship, this display stand and cover were made to hold a small Buddha for devotion at home. Delicate pierced carving frames the interior display area. The box lid, which slides down to cover the display area, has a round front "window" with similar pierced carving that allows the image inside to "see" and be seen. The cover protected the statue when the altar was not being used for devotions...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1920 item #951381 (stock #30-94)
Silk Road Gallery
SOLD
A small bronze kyizi gong from a village in Burma is flanked by two coiled naga, sea dragons that are Buddhist icons of protection revered throughout Southeast Asia. Kyizi, (pronounced chi-z) are, as far as we know, unique to Burma, and cast in a variety of sizes, from smaller than this one to quite large, heavy pieces...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1800 item #291897 (stock #02-34)
Silk Road Gallery
$600.00
Inscriptions cover the left and back sides of the throne under this 18th century seated Burmese Shan Buddha. Made of lacquered wood coated with gilt, the figure is graceful and well proportioned, with a finely carved face. Long, tilted eyes under high eyebrows that sweep upward toward the hairline are the most arresting features of the peaceful face, which is smoothly capped in dark lacquer and topped with an exceptionally tall finial...
All Items : Antiques : Regional Art : Asian : Chinese : Pottery : Pre 1900 item #668805 (stock #60-31)
Silk Road Gallery
SOLD
A rustic jar with stylized designs on a rich blue/green glaze, this 19th century Chinese utility ware evokes a time when even the most humble items were hand made with artistry. Three freely brushed sketches of flowers and calligraphy decorate the sides of the vessel; the top has three abstract foliage designs. Uneven coverage of the turquoise glaze adds to the jar's earthy appeal. Brown glaze covering the interior indicates it was intended for use as a storage urn...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #892964 (stock #54-71)
Silk Road Gallery
SOLD
Two rectangular wood panels from late 19th century China are hand carved with vases, flowers and graceful trailing foliage in deep relief, each carving set within a cartouche and showcased with gilding applied over dark pomegranate red. These panels once were part of an interior window or door or perhaps integrated into a large piece of furniture. Such panels are often referred to as “temple carvings” because some of them were part of Buddhist temple architecture, rescued as China’s old b...
All Items : Antiques : Regional Art : Asian : Chinese : Paintings : Pre 1920 item #710109 (stock #60-57)
Silk Road Gallery
$600.00
This large hanging scroll with a painting of a Chinese civil official and his wife could be called minimalist within the genre of Chinese ancestor portraits. It is executed in the classic ancestral portrait style, with the subjects facing directly forward, seated on a chair with a rounded back and footrest, the man with hands and shoes showing and the woman with her robe completely covering hands and feet. The difference between this and many other Chinese ancestor images is in the spareness of ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #998093 (stock #12-89)
Silk Road Gallery
SOLD
This medicine Buddha from early 20th century Burma holds the healing fruit of the myrobalan tree in the right hand with the palm extended upward over the right knee. The left hand rests in meditation, palm upward in the lap, without the begging bowl often included in medicine Buddha figures. Variations in medicine Buddha forms may be seen throughout Asia, particularly in Burma, where the elliptical myrobalan fruit sometimes is offered from the right hand of a standing rather than sitting Buddha....
All Items : Antiques : Regional Art : Asian : Chinese : Stoneware : Pre 1920 item #1090941 (stock #12-55)
Silk Road Gallery
SOLD
Two Chinese ovoid ceramic ginger jars convey a rich symbolic message with their “three friends” designs of bamboo, pine and plum branches. Venerated in China for centuries, the three trees have been grouped together in paintings and poems to represent the ideal of perseverance in overcoming adversity. They became known as “the three friends of winter” because they flourish in harsh environments—the bamboo and pine tree remaining green throughout the year, and the plum tree blooming i...
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1920 item #666659 (stock #41-59)
Silk Road Gallery
$795.00
An ancient form of calligraphy was used in this scroll by an early 20th century Chinese scholar to express his admiration for the work of a fellow calligrapher. Loosely translated as "clever hand," the characters have a bold and charming quality that allows them to be appreciated as abstract art apart from the sentiment they convey. Circa 1920, this piece is signed and sealed by the calligrapher Li Fung Gung. The calligraphy, on paper, is in very good condition and is mounted on silk. The scrol...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #882005 (stock #63-13)
Silk Road Gallery
SOLD
This very large lacquer tray from the Shan minority people in northeast Burma has four different patterns of basketry weaving showing through the rich persimmon-colored lacquer. Called byat, such handmade trays, used for serving food, were time-consuming to produce. Following the weaving process, each of the many successive applications of lacquer required several days of drying, then burnishing before the next coat of lacquer was applied. Tin trays were replacing these handmade ones a number o...