Asian Antiques by Silk Road
All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1910 item #1240857 (stock #51-27)
Silk Road Gallery
$295.00
This late Qing Dynasty carved wood home altar, referred to as a “Buddha House,” is from Shandong Province in East China. It includes a wood cover that was slipped down over the altar, where a small Buddha was displayed. The cover was removed for family devotions. Gilded pierced carving framing the altar, while it appears to be scrolling or foliage, on close inspection is two stylized dragons that form the sides of the frame...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #321080 (stock #56-28)
Silk Road Gallery
$395.00
This low bench with four drawers was used by a street barber in 19th century China as a portable stool for his customers, to carry his tools and as a money box. Since such benches essentially served as the barber's shop, they were solidly built, generally with widely splayed legs, and usually with some decorative touches. Note the carving along the bottom edges...
All Items : Antiques : Regional Art : Asian : Central Asian : Textiles : Pre 1910 item #168408 (stock #15-40)
Silk Road Gallery
$900.00
Susani (sometimes spelled "suzani") is the word for "needle" in Farsi, and the large embroidered dowry textiles of Turkic groups are so named because of the many hundreds of hours of needlework required to produce them. This one is from Uzbekistan, where Uzbeks and Tadzhiks share similar textile traditions with the Turkmen and other neighboring peoples in Central Asia...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1910 item #1111838 (stock #12-72)
Silk Road Gallery
SOLD
This handsome bamboo basket from early 20th century China is a fine example of the care that was lavished on the creation of everyday utilitarian items by Chinese artisans. Delightful woven designs on the handle, knob and basket edges are emphasized in red, and a pattern of painted black designs encircles the lid. The bottom of the basket is recessed and rests atop a red and black bamboo base. The basket is strong, light, comfortable to carry and attractive. It is in excellent condition...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #882005 (stock #63-13)
Silk Road Gallery
SOLD
This very large lacquer tray from the Shan minority people in northeast Burma has four different patterns of basketry weaving showing through the rich persimmon-colored lacquer. Called byat, such handmade trays, used for serving food, were time-consuming to produce. Following the weaving process, each of the many successive applications of lacquer required several days of drying, then burnishing before the next coat of lacquer was applied...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1800 item #279346 (stock #08-14)
Silk Road Gallery
$675.00
Elements of folk art blended with features of a classical Burmese Buddha give great charm to this unusual 18th century lacquered and gilded wood figure. The face is finely carved and serene, with well defined brows, downcast eyes and expressive lips. The ears, angled nearly straight out with jaunty flying lobes, and the exaggerated, very high finial are areas where the carver departed tradition in expression, perhaps, of his own personal image of the Buddha...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1837 VR item #1250809 (stock #06-84)
Silk Road Gallery
$320.00
pair
These teak hangers are from Solo on the Indonesian island of Java and date to the early 19th century. Painted carvings of Hanuman, the heroic white monkey from the Southeast Asian epic, “The Ramayana,” sit atop long curved tails that form textile hangers. Fabrics can be draped so the Hanuman figures face front or to the sides. The hangers have holes at the top end so they can be either suspended or affixed directly to a wall...
All Items : Antiques : Regional Art : Asian : Chinese : Textiles : Pre 1900 item #890110 (stock #52-16)
Silk Road Gallery
$450.00
An embroidered silk cloud collar made for a child in late 19th century China has seven silk lappets, each embroidered with a lamb. In both city and provincial households, embroidery, an ancient Chinese art form, used symbolic animals, birds and flowers in free designs to express hopes for the future of family members. The lambs on this charming Shaanxi Province collar symbolized filial piety, an important Confucian trait that was encouraged on this piece seven times over...
All Items : Antiques : Regional Art : Asian : Japanese : Porcelain : Pre 1910 item #1236303 (stock #32-28)
Silk Road Gallery
Sold
This Japanese ceramic hibachi from the late Meiji Period (1868-1912) has a wonderful meandering design of orange persimmons on a branch overhanging black-centered white flowers. Both persimmons and flowers stand out in stark contrast to blue foliage and the vessel’s lighter soft blue background. Ceramic hibachi were introduced in Meiji times as alternatives to larger copper-lined wood hibachi and heavy bronze receptacles...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #797804 (stock #24-90)
Silk Road Gallery
SOLD
A pair of architectural panels from 19th century China have an elegantly simple fretwork design. Made of rosewood, the half-round pieces comprising the pattern are fitted together to form curving lines that emphasize the soft sheen of the smooth wood surfaces. Four abstract trees can be seen in the fretwork pattern. In China, these pieces may have been rescued from interior windows of an old house that was demolished, or they may have been part of a large canopied marriage bed...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #261283 (stock #57-66)
Silk Road Gallery
$175.00
The lid of this 19th century Burmese lacquer traveler's box is incised with a charming scene of two figures, separated by a tree, each of them with one hand raised in a farewell wave. Made by layering many coats of lacquer over a base constructed of fine strips of coiled bamboo, Burmese lacquerware is light and durable. The design on this box is hand drawn using a method called yun-incising...
All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1910 item #884476 (stock #60-24)
Silk Road Gallery
$280.00
This late Qing wood pitcher from Shanghai is similar in form to provincial pitchers but is made of a harder wood, is more carefully constructed and has a sleeker look than its country cousins. The basic construction design is similar—shaped staves form the bowl and are held together with bands. The individual staves on this one are so tightly fitted that it looks as though it is carved from one piece of wood. The band around the bottom is metal but has been colored to match the wood; the uppe...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1910 item #1233407 (stock #12-64)
Silk Road Gallery
$250.00
From China’s Shaanxi Province, known for its many types of marvelous dumplings, this late Qing woven reed basket opens clamshell fashion to form two large serving bowls. Wide bent willow bands painted with flowers and secured to the basketry with metal studs encircle the top and bottom sections. A metal hasp in the front is used to keep the top and bottom closed, and a metal ring in the back is used to keep the two sections attached when they are used as bowls. This piece shows appropriate ...
All Items : Antiques : Regional Art : Asian : Chinese : Sculpture : Pre 1837 VR item #1076254 (stock #12-49)
Silk Road Gallery
$1,500.00
This late 18th/early 19th century Chinese wood Buddha, nearly three feet tall, is carved in the Udayana image, an iconic pose used to portray the Shakyamuni Buddha. The figure, standing on a double lotus throne, gazes imperturbably out at the world with right hand extended in varada mudra, the Buddhist gesture of charity and blessings. Covering the entire wood surface are strong remains of original paint—russet , indigo and soft green define robes and throne; face, arms, hands and feet are ...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1920 item #875350 (stock #62-53)
Silk Road Gallery
SOLD
An early 20th century Chinese offering basket is affixed to a bamboo pedestal encircled with ink sketches of flowers representing the four seasons. The inside bottom of the tray is centered with a sauvastika, a Buddhist icon resembling a swastika but with the crampons turned to the left. Though the ancient Sanskrit symbol may have come to China as an auspicious Buddhist sign, it since has become a largely ornamental symbol of good fortune and can be seen in carpets, embroidery and carvings. In T...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1800 item #284166 (stock #08-04)
Silk Road Gallery
$450.00
Seated on a faded red lacquer throne, this little Buddha is a humble, quiet figure. With shallow carving that suggests rather than sharply defines the facial features, the smooth oval face takes on an enigmatic, ethereal look. The small body is compactly folded to fit precisely on the narrow throne, giving the impression that the figure is conserving space. Fingers on the right hand, in earth touching mudra, are exceptionally long. Three lines of script etched into the lacquer around the base of...
All Items : Antiques : Regional Art : Asian : Chinese : Porcelain : Pre 1900 item #853841 (stock #51-49)
Silk Road Gallery
SOLD
Dated 1870 on the base, this late Qing Dynasty ceramic figure is of General Guan Gong, a popular character in Chinese opera, who is cast as brave, swashbuckling and, above all, fiercely loyal to the emperor. The piece is quite detailed, with decorative elements of the butterscotch and white costume defined in relief as well as with intricate incising. Within the general’s wide, open-mouthed grin, his tongue and seven teeth are clearly visible. His face and hands are unglazed. His headpiece sho...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1800 item #291897 (stock #02-34)
Silk Road Gallery
$600.00
Inscriptions cover the left and back sides of the throne under this 18th century seated Burmese Shan Buddha. Made of lacquered wood coated with gilt, the figure is graceful and well proportioned, with a finely carved face. Long, tilted eyes under high eyebrows that sweep upward toward the hairline are the most arresting features of the peaceful face, which is smoothly capped in dark lacquer and topped with an exceptionally tall finial. Hands and robe details are simple and realistic; the feet, d...