Asian Antiques by Silk Road
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #799411 (stock #57-43)
Silk Road Gallery
$1,700.00
Traces of gold leaf remain on this Pagan dry lacquer Buddha head from the late 1700s. The head rests on a contemporary removable black metal stand. The dry lacquer technique, used by Burmese artisans from the mid-18th century until the beginning of the 20th century, produced finely modeled hollow images that were light in weight but very strong. The labor-intensive method involved a number of steps. First the image was shaped from clay, then wrapped in a lacquer-soaked cloth...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #981876 (stock #10-47)
Silk Road Gallery
$890.00
A classic Burmese bronze Buddha from the late 19th/early 20th century, with the simple, unadorned lines of the Ava Period, is softened with roundness in the face and body. The stepped throne, rather than the traditional diamond shape, also is rounded, adding to the settled, secure look of the figure. Legacies of the traditional Ava style also are seen in the well defined brow over lowered eyes, the slight smile, and a band separating hair and forehead...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #998093 (stock #12-89)
Silk Road Gallery
SOLD
This medicine Buddha from early 20th century Burma holds the healing fruit of the myrobalan tree in the right hand with the palm extended upward over the right knee. The left hand rests in meditation, palm upward in the lap, without the begging bowl often included in medicine Buddha figures. Variations in medicine Buddha forms may be seen throughout Asia, particularly in Burma, where the elliptical myrobalan fruit sometimes is offered from the right hand of a standing rather than sitting Buddha...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1900 item #257200 (stock #03-17)
Silk Road Gallery
$400.00
The naga, Southeast Asia's "dragon of the sea," is a favorite protector throughout the region. This one, of weathered teak wood, is from Thailand where naga often are seen in pairs at entrances to temple grounds and positioned at intervals along roof lines. They are there to ward off evil spirits and natural disaster just as the naga is said to have protected the Buddha from lightning as he meditated under a bo tree...
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1837 VR item #902690 (stock #38-56)
Silk Road Gallery
$600.00
An early 18th century inkstone has a gourd-shaped ink pool cut into a deep black stone slab that, along with brushes, ink and paper, represented what was referred to in Chinese literature as “the four precious things of the library.” Among the four objects, inkstones were considered the most important, the soul of the scholar’s library, because they were said to represent “the infinite subtlety of nature.” Although they appear to be relatively humble objects, inkstones were praised, co...
All Items : Antiques : Regional Art : Asian : Japanese : Metalwork : Pre 1837 VR item #153340 (stock #33-09)
Silk Road Gallery
$390.00
From the latter half of Japan's Edo Period (1600-1868), this 18th century Buddhist ceremonial bell preceded Japanese sophistication in the art of bronze casting and their development of an export market for fine metalwork. Prior to the Meiji Era, most metalwork was for domestic use. The inscription on this piece reads "God's Bell" and, in spite of imperfect casting, the humble bell has great appeal. A free-floating metal ball that rolls around in the bell chamber creates a modest tinkling sound...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #797804 (stock #24-90)
Silk Road Gallery
$740.00
A pair of architectural panels from 19th century China have an elegantly simple fretwork design. Made of rosewood, the half-round pieces comprising the pattern are fitted together to form curving lines that emphasize the soft sheen of the smooth wood surfaces. Four abstract trees can be seen in the fretwork pattern. In China, these pieces may have been rescued from interior windows of an old house that was demolished, or they may have been part of a large canopied marriage bed...
All Items : Antiques : Regional Art : Asian : Chinese : Textiles : Pre 1900 item #782459 (stock #52-15)
Silk Road Gallery
$530.00
A silk collar from the late Qing Dynasty is made of six embroidered lappets shaped to resemble clouds. Cloud icons, evolved from archaic pictographs, have been used in Chinese art for thousands of years to symbolize abundance and the nourishment of life. This collar was worn on festival days by a young girl whose mother designed and embroidered it with six auspicious flowers and six auspicious insects to convey added good wishes for her daughter's future...
All Items : Antiques : Regional Art : Asian : Korean : Folk Art : Pre 1920 item #159080 (stock #53-50)
Silk Road Gallery
SOLD
Signed and sealed by Korean painter Lo Cok, this large early 20th century brush painting of three fishermen returning home with the day's catch is done in bold strokes of grey and black ink on paper. The only touch of color is the skin tone of the fishermen. The unusual scene--the man in the rear holding a bamboo pole points to the kneeling man who is being stepped over by the man in the foreground--may relate to a folk legend...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1900 item #882912 (stock #64-06)
Silk Road Gallery
$695.00
A large 19th century bronze bell from Burma has a tall holding ring with legendary figures from Burmese Buddhist iconography—kinnari, half man/half bird creatures, and manok-thi-ha, half man/half lion sphinx-like images. Two kinnari stand with their large wings spread upward to create the form of the tall spire...
All Items : Antiques : Regional Art : Asian : Japanese : Textiles : Pre 1900 item #134696 (stock #12-81)
Silk Road Gallery
SOLD
Hand-loomed silk from Meiji Era Japan with a vignette from a folk legend about a young boy who neglected his duty of caring for the water buffalo and, with the help of a goddess acting as fairy godmother, was taught about responsibility. The scene is outlined with meticulous cutwork, a process that involves cutting away tiny sections of threads to outline the design woven into the fabric. The figures are on the bottom half of the cloth, which has a one-half inch self fringe at both ends...
All Items : Antiques : Regional Art : Middle Eastern : Metalwork : Pre 1900 item #681058 (stock #27-85)
Silk Road Gallery
$470.00
A chased metal vessel used to serve wine, this 19th century pitcher from the Republic of Georgia is a reflection of that small country's historic role as a crossroad between East and West. Georgia's antiques, sometimes European, sometimes Asian in design, mirror its blend of cultural influences. While this wine pitcher obviously has Middle Eastern lines, a look at ancient Georgian wine vessels shows a split in design and motifs between pure East and pure West...
All Items : Antiques : Regional Art : Middle Eastern : Metalwork : Pre 1920 item #774309 (stock #27-38)
Silk Road Gallery
$700.00
This early 20th century Russian-made samovar was found in the Republic of Georgia following that small country's independence in 1991 after 70 years as part of the USSR. A maker's seal on the top shows a hammer and sickle under a star, perhaps a reason it was not retained by the original Georgian owners...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #321080 (stock #56-28)
Silk Road Gallery
$395.00
This low bench with four drawers was used by a street barber in 19th century China as a portable stool for his customers, to carry his tools and as a money box. Since such benches essentially served as the barber's shop, they were solidly built, generally with widely splayed legs, and usually with some decorative touches. Note the carving along the bottom edges. For an old illustration of a barber carrying a similar bench on one end of a long pole, balanced on the other end by a small stove for ...
All Items : Antiques : Regional Art : Asian : Chinese : Sculpture : Pre 1910 item #157904 (stock #38-51)
Silk Road Gallery
SOLD
The expression on the full, rounded face of this late Qing Chinese Buddha is both tranquil and wise, and a slight smile adds to the enigma. The forehead is marked with the third eye of spiritual wisdom, the urna, and the bare chest is marked with a swastika, an ancient emblem derived from Sanskrit, that means "so be it" or resignation to what is. The Chinese representation of the Buddha Shakyamuni often includes the swastika as a symbol that denotes the heart and mind of Buddha. An element of Bu...
All Items : Antiques : Regional Art : Asian : Central Asian : Jewelry : Pre 1920 item #362722 (stock #61-15)
Silk Road Gallery
$295.00
The triangle, an ancient symbol of female fertility, is the shape frequently chosen for Turkomen (Turkmen) amulets. This one, made of silver, is inlaid with 19 turquoise stones and centered with another triangle of onyx. The blue of the turquoise was incorporated as protection against the evil eye, and the triangles as effective means of averting danger, thereby making this early 20th century pendant a powerful amulet. The condition of this piece of jewelry suggests that its protective propertie...
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1900 item #147960 (stock #53-44)
Silk Road Gallery
$800.00
Framed
Two scholars and a sleeping servant boy are painted on loose-weave silk in this mid 19th century Korean work. In strong light, the large unpainted silk area above the subjects takes on a rich gold sheen. A scholar's rock in an unusual shape rests on a container of pebbles in the foreground. The position of the scholars to one side contemplating objects not shown in the painting, plus the absence of an artist's seal suggests this was part of a larger piece, but the silk mat appears to be about th...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #834732 (stock #10-62)
Silk Road Gallery
$450.00
A fine, tight weave of thin reeds gives texture to the cinnabar and black lacquer finish of this mid-19th century Burmese bowl. The textural quality is heightened by the wearing of top layers of cinnabar lacquer revealing black lacquer underneath for a handsome negoro effect. Resting on four low feet, the bowl, or “kwet,” flares out to a wide point about three-quarters up its height, and then gently angles in toward its crisp upper edge. The inner surface is smoothed with many coats of la...