Asian Antiques by Silk Road
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #896352 (stock #63-23)
Silk Road Gallery
$695.00
An offering stand, or “kalat,” used by the Intha people who live in the villages around Inle Lake in one of the Shan states in northeastern Burma, is from the late 19th century. A similar though more recent piece in the British Museum is pictured in “Visions from the Golden Land: Burma and the Art of Lacquer,” by Isaacs and Blurton, British Museum Press, p. 163. Kalat stands such as this were used by families in much the same manner as the tall, spired hsun-ok to carry offerings of food ...
All Items : Vintage Arts : Regional Art : Asian : Chinese : Paintings : Pre 1980 item #999275 (stock #29-54)
Silk Road Gallery
SOLD
The orchid and bamboo, classic Chinese brush paintings, were prized by Chinese scholars who positioned the paintings prominently in their studios because, they said, the nature of the orchid and bamboo closely mimicked laudable human virtues. Orchids represented love, beauty and refinement, and bamboo stood for longevity and durability. They were among the four plants the literati identified as “Noble Paragons.” (Also included were the chrysanthemum and plum blossoms.) These two paintings ar...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1800 item #259829 (stock #08-12)
Silk Road Gallery
$750.00
The strong, primitive carving, broad face and very tall finial on this 18th century Buddha suggest that it was carved in a Mon village. The figure comes from Burma and dates to the Konbaung Period (1752-1885) when the Mon people, an ethnic minority, held some power briefly before they fled in large numbers to Thailand. This image owes its originality and charm to a village carver. Though it conforms to guidelines for representation of the Buddha, and reflects as well the popular style of the per...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #678034 (stock #63-44)
Silk Road Gallery
$595.00
Seated in lotus position, this early 20th century bronze Burmese Buddha has classic Ava features. The right hand is in bhumisparsa mudra (earth touching, centering), the robe is quite simple, the face triangular with small upturned mouth and the head is topped with an onion-shaped finial--all Ava attributes. Unlike the more ornate double lotus throne seen on many Ava figures, however, this Buddha of later vintage sits on a plain waisted throne. The relatively small size and simplicity of the thr...
All Items : Antiques : Regional Art : Asian : Japanese : Porcelain : Pre 1910 item #260501 (stock #09-19)
Silk Road Gallery
$390.00
The spirit of old Japan lives on in its wonderful antique utilitarian items such as this ceramic sake keg. From the late Meiji Period, it has an underglaze of vivid cobalt blue. The strong, stylized characters on the front give the trade name of the sake. This jug is identical to one pictured in "Japanese Antiques" by Patricia Salmon, Art International Publishers, Tokyo, page 51. As shown in that photograph, it originally had a wrapped bamboo handle that looped through the two lugs on the top. T...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #395925 (stock #60-66)
Silk Road Gallery
$600.00
Chinese opera scenes are painted on the sides and lid of this late 19th century Chinese trunk. The octagon shape of the container, traditional for Chinese shoe trunks, is echoed in the octagon-shaped borders on the paintings. Such trunks quite often had a background color of turquoise, the hue on this one, or of very dark green, although we have seen them in black and bright blue as well. The size of the trunk makes it suitable for use as an accent table. There is wear on the painted surface app...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1837 VR item #1250809 (stock #06-84)
Silk Road Gallery
$320.00
pair
These teak hangers are from Solo on the Indonesian island of Java and date to the early 19th century. Painted carvings of Hanuman, the heroic white monkey from the Southeast Asian epic, “The Ramayana,” sit atop long curved tails that form textile hangers. Fabrics can be draped so the Hanuman figures face front or to the sides. The hangers have holes at the top end so they can be either suspended or affixed directly to a wall. (See a similar set of hangers with different carved figures by ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #875686 (stock #63-20)
Silk Road Gallery
$620.00
This early 20th century lacquer betel nut container has intricate incised scenes that recreate the magical interior of the old Burmese court. Dancers, mythical animals, courtiers, and servants surround the king on this throne in vignettes that cover the deep lid and base. The inscriptions "good health" and "be rich" are etched along the top edge of the deep lid. All the scenes are surrounded by fine bands of color and foliage with a cross-hatched background. Two trays that slide inside the high...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #392459 (stock #55-22)
Silk Road Gallery
$495.00
While traveling in Burma (Myanmar) many years ago, we were enchanted by the particularly sonorous sounds of Burmese bronze gongs. Our resulting small shipment of various sizes of these gongs remained in storage until we had stands made for them in China. The stands are constructed with traditional Chinese tenon joinery of aged, reclaimed elm wood. The bright red fabric-covered striker, hand sewn in Burma, has the proper degree of softness to produce a full sound from this relatively small gong, ...
All Items : Antiques : Regional Art : Asian : Japanese : Stoneware : Pre 1910 item #946568 (stock #04-01)
Silk Road Gallery
SOLD
This Japanese ceramic hibachi from the late Meiji Period (1868-1912) has a country scene—a rustic dwelling snuggled amid old trees, hills and distant mountains. Ceramic hibachi were introduced in Meiji times as portable alternatives to the larger copper-lined wood hibachi and the heavier bronze receptacles. Whether ceramic or metal, hibachi held glowing charcoal embers used as a source of heat during cold Japanese winters. The ceramic ones generally were placed under low tables (kotatsu) that...
All Items : Antiques : Regional Art : Middle Eastern : Metalwork : Pre 1920 item #353729 (stock #28-15)
Silk Road Gallery
$130.00
From early 20th century Tbilisi, Georgia, this silver bracelet shows some similarity in design to jewelry that originated in the Caucasus Mountains regions to the north. Three beaded balls with flower petal markings are separated with fine silver wire wrapped around the heavier silver wire that forms the bracelet. The pliable bracelet wire, twisted on one side, smooth on the other, can be shaped to fit the wrist. As shown, the bracelet measures about 3" (7 cm) in diameter.
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #362142 (stock #60-67)
Silk Road Gallery
$600.00
Vignettes painted primarily in shades of green, tawny reds and ochre decorate two sides and the lid of this late 19th century Chinese trunk. Scenes depict an elegant gentleman offering a fan to a lady, a couple with their servant, and on the lid, two warriors in battle regalia. The ends of the trunk have metal handles inset over paintings of flowers. The background is a very dark, almost black, green and the octagonal shape is formed by wood pieces fitted together. Lidded boxes such as this, onc...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1900 item #882450 (stock #58-66)
Silk Road Gallery
$595.00
A late 19th century Chinese cypress wood well bucket from Shaanxi Province has great folk appeal, with its heavy iron fittings and interesting shape. This is a very sturdy piece made to carry large quantities of water from the village well. The bottom comes to a point and fits inside a simple wood stand, a clever design that holds the heavy bucket secure yet allows it to be tipped to pour water. The cypress staves are narrowed and shaped inward to form the bottom point, and the problem of making...
All Items : Antiques : Regional Art : Asian : Chinese : Pottery : Pre 1700 item #138626 (stock #38-53)
Silk Road Gallery
$950.00
This green-glazed ceramic guard once held a sword in his clenched right hand and was part of a pottery regiment standing watch over the tomb of a Chinese nobleman. Ceramic figures and animals were buried with the nobility to announce their high status to the spirits, and to provide them with the attendants, services and provisions they would require in the afterlife. This 16th century guard has a strong, alert face with staring eyes under heavy brows, a flowing mustache, pursed mouth and promine...
All Items : Vintage Arts : Regional Art : Pre 1960 item #1221946 (stock #13-08)
Silk Road Gallery
SOLD
An exceptionally beautiful face distinguishes this mid-20th century reclining Mandalay Buddha. Carved from one piece of dense Burmese teak, the sleek dark reddish brown figure depicts the Buddha passing into Nirvana. On the wrist is a bracelet with the magic wish-fulfilling jewel Cintamani(see photo enlargement #6). The neck is slender and carved with the three folds characteristic of most Burmese Buddha images. Intricate edging on the graceful draped robe is created of thayo, a lacquer thic...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #1345209 (stock #64-46)
Silk Road Gallery
SOLD
Eight bronze weights, commonly known as opium weights, are cast in the image of a mythical wild goose. The bird, referred to as "hintha" in Burmese or as "hamsa" in Sanskrit, is regarded as a sacred icon and also is the symbol of Burma's Mon People. Weights in the forms of mythical birds and animals were used in Burma from the 18th century into the 20th century to weigh small household items purchased in the marketplaces. Over the years, they became known as "opium" weights, but according to S...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #929783 (stock #63-14)
Silk Road Gallery
SOLD
An especially handsome lacquer bowl, called a “kwet,” is from the Shan people, a southeast Asian tribal group living primarily in northeast Burma. Similar Shan bowls, though not identical to this one, are pictured in a book from the British Museum Press entitled “Visions from the Golden Land: Burma and the Art of Lacquer” by Isaacs and Blurton, on pages 183 and 184, where they are labeled with the spelling “khwet.” This bowl has an inscription on the bottom that is difficult to deci...
All Items : Antiques : Regional Art : Asian : Chinese : Pottery : Pre 1900 item #900790 (stock #37-38)
Silk Road Gallery
$595.00
This large jar from China’s late Qing Dynasty has a heavy cream-colored glaze as background for a design of peonies outlined in chocolate brown. Peony petals are touched with subtle blue/brown shading. The jar, though it is in the style of Chizhou (Tz’u-chou) pottery of the much earlier Northern Song period (960-1127AD), was produced in the mid to late 19th century, reflecting the common practice of Chinese artisans to copy techniques and styles of ancient dynasties in honor and admiration o...