Asian Antiques by Silk Road
All Items : Antiques : Regional Art : Asian : Chinese : Jewelry : Pre 1900 item #847943 (stock #54-34)
Silk Road Gallery
$275.00
Iridescent blue kingfisher bird feathers were used to create the five petals of this 19th century Chinese pin that was most likely used as a hair ornament. Feathers from the tiny kingfisher bird decorated items used by the ladies of Chinese imperial courts for many centuries. Jewelry and other articles covered with the feathers were found in Tang Dynasty tombs. In the 18th century, the fashion developed for very large, intricate feather headpieces, and these can be seen worn by empresses and the...
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1900 item #878968 (stock #60-11)
Silk Road Gallery
SOLD
This Taihu scholar's stone is classified as "linglong," one of the criteria used by connoisseurs to judge the rocks collected by Chinese literati. The term linglong may be translated as "shapely" or as "pierced with many holes." This stone also is in the category of "fantastic rock" (as opposed to "zoomorphic rocks" and "landscape rocks") for the obvious reason that one can see abstract, dream-like representations in its form. Shaped by the water of Tai Hu (Lake Tai) near Suzhou, its dark khaki...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #394992 (stock #55-14)
Silk Road Gallery
$695.00
The low, rich sound of this Burmese temple gong is pleasant and gentle, yet impossible to ignore. We found the hand hammered bronze gong while traveling in Burma many years ago. We later had the stand, constructed of aged, reclaimed elm wood, custom made in China using traditional joinery methods. Thick, heavy bronze, blackened in the Burmese style, is responsible for the haunting sound of the gong. The striker, also made in Burma, has a hand sewn fabric cover. Dimensions of gong only: diameter ...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #945150 (stock #40-09)
Silk Road Gallery
$160.00
This silver and clay pipe is from a Lawa tribal group living in northern Thailand. (For Lawa pipes similar to this one, see “Peoples of the Golden Triangle,” by Paul and Elaine Lewis, Thames and Hudson, 1998, p. 66.) The Lawa, also called Lua or Wa/Lawa, are a lowland people, one of the smaller tribal groups among the hill tribes of Thailand, Burma and Laos. The black clay bowl on this pipe is in pristine condition, suggesting it replaced earlier bowls that were affixed to the old curved sil...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #1233983 (stock #11-01)
Silk Road Gallery
SOLD
This serene early 20th century Burmese Buddha, cast in heavy black bronze, is in excellent condition and was most likely displayed on a home altar. The peaceful face has the broad brow, large downcast eyes and half-smile that first characterized Buddha images during Burma’s Ava Period (1364-1752) and has been adopted by many of the country’s artisans down through the centuries. Simple clean lines of the unadorned robe and the right hand resting lightly in earth touching mudra give the figure...
All Items : Antiques : Regional Art : Asian : Chinese : Pottery : Pre 1900 item #934316 (stock #32-73)
Silk Road Gallery
$395.00
A mid-19th century Chinese pottery utility jar gets its spontaneity and vitality from thick earthy glazes applied in random drips and dabs of green, cream and brown over a Shiwan clay body. The area around Shiwan in the southern province of Guangdong produced a tremendous range of ceramics over many hundreds of years, from folk figurines to roof tiles to fine works by master potters. Shiwan utility jars such as this one were molded into standard shapes and produced in quantity. The glaze is w...
All Items : Antiques : Regional Art : Asian : Central Asian : Textiles : Pre 1920 item #152889 (stock #14-79)
Silk Road Gallery
$395.00
The kilim bags of the Central Asian Turkmen nomads were woven of camel or goat hair, sometimes combined with wool, on transportable looms. This tightly woven camel hair bag perhaps was made while the weaver was traveling by camel to a new location. Called jaloors or juvals, these rectangular kilim sacks were used to transport and store household effects and goods for trade. This one has three wide bands with geometric designs on a rich red background. The back is natural camel color. It is bound...
All Items : Antiques : Regional Art : Asian : Japanese : Folk Art : Pre 1900 item #912459 (stock #07-53)
Silk Road Gallery
$390.00
Sake dispensed from this large ceramic cask served late 19th century patrons in Saga Prefecture on Japan’s south island of Kyushu. The turquoise logo of a path between two wooded hills shows the cask held Seiryu Sake. The other side of the cask proclaims the name of the sake shop, Murata Saketen, and its address. The Kanji, in vivid underglaze cobalt with the splash of turquoise, and the design, rice stalks in relief extending up two sides of the container, make this an unusual and especially...
All Items : Gifts & Home Decor : Decorative Accessories : Vases : Contemporary item #755287 (stock #40-26)
Silk Road Gallery
$395.00
Celadon ceramics, usually thought of as green, are produced in Thailand in this gorgeous shade of blue as well as in many shades of green. The term "celadon" refers to the fine crackles on the surface of ceramics rather than color, and for this vase Thai potters combined cobalt with traditional celadon firing techniques for a stunning result. A lotus leaf pattern encircles the shoulder, and a broad band of loosely sketched flowers decorates the mid-section. The base is signed by the potter. This...
All Items : Antiques : Regional Art : Asian : Chinese : Pottery : Pre 1900 item #668805 (stock #60-31)
Silk Road Gallery
SOLD
A rustic jar with stylized designs on a rich blue/green glaze, this 19th century Chinese utility ware evokes a time when even the most humble items were hand made with artistry. Three freely brushed sketches of flowers and calligraphy decorate the sides of the vessel; the top has three abstract foliage designs. Uneven coverage of the turquoise glaze adds to the jar's earthy appeal. Brown glaze covering the interior indicates it was intended for use as a storage urn. Made of coarse, heavy clay, i...
All Items : Antiques : Regional Art : Asian : Chinese : Textiles : Pre 1910 item #838315 (stock #41-63)
Silk Road Gallery
$425.00
A peacock embroidered in jewel tones stands on a low tree peony branch on this large red silk wall hanging from the late Qing period. During China’s Ming and Qing Dynasties, the peacock was used as a symbol of rank and also was presented as recognition for meritorious service. It symbolized beauty and dignity, and often was combined, as here, with the tree peony, emblem of Spring and good fortune. This peacock, its tail and wings spread wide against the red silk, is regal in shades of teal, p...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #259258 (stock #58-38)
Silk Road Gallery
$450.00
This 19th century Chinese carved wood architectural panel, once part of a large, richly decorated canopied marriage bed, has been fitted with a mirror. The gilded carvings of a bat and two fish on the lower part of the panel are examples of the use in China during the Qing Dynasty of symbols derived from homonyms to convey important wishes for the future. The similar sounds of the characters for "bat" and "happiness," both pronounced "fu," resulted in a fondness for bat carvings that were hoped ...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1910 item #921672 (stock #58-63)
Silk Road Gallery
SOLD
A large basket from China’s late Qing Dynasty has a sturdy weave of reeds bordered by two wide bands of bent willow, originally painted with bright flowers that now are faded. An example of the provincial Chinese skill and artistry devoted to utilitarian objects, the basket is designed to form two serving bowls when fully opened. Dumplings were stored and served in this container, which is from the western region of Shaanxi, where excellent dumplings are a source of provincial pride. A metal r...
All Items : Antiques : Regional Art : Asian : Chinese : Sculpture : Pre 1900 item #136391 (stock #38-50)
Silk Road Gallery
$1,900.00
A finely done representation of Guanyin, Chinese goddess of mercy and compassion, this figure is carved of hwa yong, a slow-growing hardwood. The carving was coated first with red lacquer, which was then covered over in most areas with dark brown lacquer. The red color was retained to define the inner folds of the robe and to focus attention on the delicately carved hands and feet. Over time, the brown lacquer has worn thin in other areas allowing the red to show through and creating a pleasing ...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1950 item #909778 (stock #11-02)
Silk Road Gallery
$875.00
This crowned Shan Buddha sits in bhadrasana, or Western position, on a tall stepped throne of unusual design. The carved teak wood figure has the winged side flanges and spired crown centered with high finial that identify royal Buddha figures from Burma. Shan artisans often added Arakanese accoutrements such as long ear pieces and ornate epaulets and chest ornaments to jambhupati (crowned) Buddha but this one has none of those; instead, the artisan provided a striking throne that nicely balanc...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #882005 (stock #63-13)
Silk Road Gallery
SOLD
This very large lacquer tray from the Shan minority people in northeast Burma has four different patterns of basketry weaving showing through the rich persimmon-colored lacquer. Called byat, such handmade trays, used for serving food, were time-consuming to produce. Following the weaving process, each of the many successive applications of lacquer required several days of drying, then burnishing before the next coat of lacquer was applied. Tin trays were replacing these handmade ones a number o...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1700 item #191478 (stock #41-10)
Silk Road Gallery
SOLD
This is a museum-quality 16th century bronze Ava Buddha with a dedication inscription on the back of the high stepped throne. The bronze has aged to a wonderful black patina, and remaining gold leaf on the finely modeled figure and throne adds richness. The face has sweeping brows and well executed eyes. The high usnisha is topped with a narrow lotus bud finial. The Buddha sits in interlocking lotus position with the bottoms of both feet prominently displayed. Subtle, pleasing designs mark the e...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #985475 (stock #55-25)
Silk Road Gallery
SOLD
This hand hammered bronze gong from Burma emits a mid-range mellow tone when struck at the center of its starburst pattern with a padded mallet. Hanging circular gongs of this sort are used in a Burmese orchestra, where an ornate lacquered wood gong circle, called a “kyi waing” surrounds 20 or so gongs of graduated sizes and tones. Gongs of various sizes also are used for Buddhist rites in temples and monasteries throughout Burma. When created for use as musical instruments, these carefully ...