Asian Antiques by Silk Road
All Items : Antiques : Regional Art : Asian : Chinese : Porcelain : Pre 1900 item #853841 (stock #51-49)
Silk Road Gallery
SOLD
Dated 1870 on the base, this late Qing Dynasty ceramic figure is of General Guan Gong, a popular character in Chinese opera, who is cast as brave, swashbuckling and, above all, fiercely loyal to the emperor. The piece is quite detailed, with decorative elements of the butterscotch and white costume defined in relief as well as with intricate incising. Within the general’s wide, open-mouthed grin, his tongue and seven teeth are clearly visible. His face and hands are unglazed. His headpiece sho...
All Items : Antiques : Regional Art : Asian : Indian Subcontinent : India : Pre 1900 item #417570 (stock #61-30)
Silk Road Gallery
$980.00
A beautifully crafted piece of jewelry from Rajasthan in North India, this sterling silver necklace has finely embossed images of 44 peacocks and is itself shaped to resemble a fanned peacock tail. From the late 19th century, the necklace is made of 92.5 percent silver and weighs 240 grams. Judging by its weight, regal design and motif of the peacock, national bird of India, this was a ceremonial piece and most likely was worn by a man. Eight vertical plates with peacocks and flowers in graduat...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #847598 (stock #60-21)
Silk Road Gallery
$470.00
This Qing Dynasty scholar’s box has four rosewood doors hand painted with ivory-colored flowers and foliage, following the traditional practice of Chinese scholars to surround themselves in their studios with reminders of nature. Made to be displayed on a table or desk, the box was used to store carved signature seals, ink sticks and other small items. The rosewood door panels are set within hand carved elm beading and frames, and the front, sides and top of the piece are made of elm wood in a...
All Items : Fine Art : Paintings : Watercolor : Pre 2000 item #767133 (stock #30-11)
Silk Road Gallery
$600.00
Hanoi painter Pham Luc was born in Hue, Vietnam, in 1943 and graduated from the Hanoi College of Fine Arts in 1977. His work is exhibited throughout Europe and Asia. We included his oils, watercolors and sketches in an exhibition at our former Westport, CT, gallery in 1995, and he since has appeared in other shows in the U.S. Pham Luc is among the group of Hanoi painters who attracted the attention of collectors and galleries in Hong Kong and Singapore when foreigners began going back into Vietn...
All Items : Fine Art : Drawings : Pencil : Pre 2000 item #802021 (stock #27-20)
Silk Road Gallery
$270.00
An intimate study of the melancholy face of a tanner by Niko Tsetskhladze is framed and double matted. The artist works in Tbilisi, Republic of Georgia, where he was born in 1959. After graduating from the Tbilisi Academy of Fine Arts in 1986, he began exhibiting in cities throughout Europe. With such exhibit themes as Caravansarai, Pirosmani to Avant-Guarde, Silk Road, Cartesian Thinking and Icon and Perception, his shows in Cologne, Leipzig, Budapest, Barcelona, Bristol, Moscow, Leningrad and,...
All Items : Vintage Arts : Regional Art : Asian : Chinese : Furniture : Pre 1960 item #1102247 (stock #12-80)
Silk Road Gallery
$950.00
A large wood hexagon panel in the Chinese fretwork pattern known as “cracked ice” or “broken glass” has a light, airy look despite measuring nearly 32 inches (81 cm) in diameter. The piece is centered with a round carving of two birds in a flowering tree. Used as wall art, such fretwork brings texture and interest and makes a space appear larger. We have sold many versions of this fretwork pattern in round, hexagon, octagon, square and rectangle frames over the years, many of them anti...
All Items : Antiques : Regional Art : Asian : Chinese : Stoneware : Pre 1920 item #1090941 (stock #12-55)
Silk Road Gallery
SOLD
Two Chinese ovoid ceramic ginger jars convey a rich symbolic message with their “three friends” designs of bamboo, pine and plum branches. Venerated in China for centuries, the three trees have been grouped together in paintings and poems to represent the ideal of perseverance in overcoming adversity. They became known as “the three friends of winter” because they flourish in harsh environments—the bamboo and pine tree remaining green throughout the year, and the plum tree blooming i...
All Items : Vintage Arts : Regional Art : Asian : Indian Subcontinent : India : Pre 1940 item #704729 (stock #61-23)
Silk Road Gallery
$350.00
A bracelet of braided silver has three silver emblems that are an identifying symbol of Janism, an ancient belief system practiced primarily in India, where small but influential Jain communities are scattered throughout the country. The symbol on this bracelet often is seen outside Jain houses. The Jains, typically well educated and prosperous, are known for business acumen and for their prominence in India's jewelry trade. This bracelet is from Jaisalmer, a remote western Indian city on the ed...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #881670 (stock #62-46)
Silk Road Gallery
SOLD
A late 19th century provincial Chinese stool has nice lines and a shaped seat. The Chinese were especially inventive with stool designs, and there are hundreds of styles of antique Chinese stools, from simple to ornate. Their portability made them as useful for a street barber as they were for a scholar’s house. This one has a handsome elm slab seat that shows evidence of long use. A look at the bottom of the legs indicates that two of them most likely have been replaced, as is frequently the...
All Items : Antiques : Regional Art : Asian : Chinese : Textiles : Pre 1900 item #761334 (stock #45-20)
Silk Road Gallery
$900.00
Colorful embroidered silk shapes linked together with beads and loops create these long, mobile-like bedside hangings from late 19th century China. The auspicious shapes and symbols convey wishes for a long and successful life. These were made in Shaanxi Province, hung on either side of a bed, and originally, of course, were displayed without frames and glass as shown here. Each hanging is assembled from nine cutout shapes. The bottom black section is edged with a ruyi shape, emblem of long life...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1910 item #1245419 (stock #60-25)
Silk Road Gallery
$260.00
This late Qing Dynasty teacup box has a high handle carved with the figure of a deer, an auspicious Chinese symbol used to wish longevity. Foliage, flowers and scalloping also are carved on both sides of the handle as well as on the ear-like curved ends that hold the handle in place. The rich red lacquer on the wooden box contrasts nicely with touches of deep, dark green and faint gilding. The container is fitted with a removable half-lid that allowed stacks of traditional Chinese teacups witho...
All Items : Antiques : Regional Art : Pre 1837 VR item #839958 (stock #10-81)
Silk Road Gallery
SOLD
An unusually large early to mid-19th century Shan hsun-ok from Burma, this piece has a diameter of 19 inches and stands 32 inches high. Full size offering bowls with the distinctive hsun-ok silhouette generally are about 13 to 15 inches in diameter. This one is a masterpiece of balance with the ten identifying Shan raised rings around the lid echoed with 10 raised rings around base. The carvings on the spire, punctuated by a large ball, complement the substantial circumference of the piece. Its...
All Items : Antiques : Regional Art : Asian : Japanese : Stoneware : Pre 1910 item #919688 (stock #07-51)
Silk Road Gallery
$395.00
A Japanese tokkuri, or sake bottle, dating to the late Meiji Era (1868-1911) has underglaze cobalt blue Kanji script identifying the sake shop and its locale. The Kanji is free spirited and bold, appropriate for the use of the container, proclaiming “Miyaka Sake, 214 Genrou Cho.” This utilitarian piece is from Saga Prefecture on Japan’s south island of Kyushu, where early very simple blue and white Imari was produced solely for the Japanese market. (See similar underglaze blue and white ...
All Items : Vintage Arts : Regional Art : Asian : Chinese : Paintings : Pre 1970 item #815349 (stock #33-33)
Silk Road Gallery
$700.00
These striking Chinese calligraphy panels celebrate two of the most magnificent creatures in Buddhist and Taoist legends--the crane and the dragon. Portraits of cranes, a most admired bird in China, and dragons, chief among reptiles, have appeared for centuries in temples and houses as symbols of admirable traits and good fortune. The calligraphy on one panel reads, "The sea is the world of the dragon," and the companion panel says, "The sky is the homeland of the crane." The beneficent Chinese ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1800 item #291897 (stock #02-34)
Silk Road Gallery
$600.00
Inscriptions cover the left and back sides of the throne under this 18th century seated Burmese Shan Buddha. Made of lacquered wood coated with gilt, the figure is graceful and well proportioned, with a finely carved face. Long, tilted eyes under high eyebrows that sweep upward toward the hairline are the most arresting features of the peaceful face, which is smoothly capped in dark lacquer and topped with an exceptionally tall finial. Hands and robe details are simple and realistic; the feet, d...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #981876 (stock #10-47)
Silk Road Gallery
$890.00
A classic Burmese bronze Buddha from the late 19th/early 20th century, with the simple, unadorned lines of the Ava Period, is softened with roundness in the face and body. The stepped throne, rather than the traditional diamond shape, also is rounded, adding to the settled, secure look of the figure. Legacies of the traditional Ava style also are seen in the well defined brow over lowered eyes, the slight smile, and a band separating hair and forehead. It was a common practice during the 19th a...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1920 item #875350 (stock #62-53)
Silk Road Gallery
SOLD
An early 20th century Chinese offering basket is affixed to a bamboo pedestal encircled with ink sketches of flowers representing the four seasons. The inside bottom of the tray is centered with a sauvastika, a Buddhist icon resembling a swastika but with the crampons turned to the left. Though the ancient Sanskrit symbol may have come to China as an auspicious Buddhist sign, it since has become a largely ornamental symbol of good fortune and can be seen in carpets, embroidery and carvings. In T...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #792803 (stock #13-03)
Silk Road Gallery
$1,150.00
A crowned bronze Buddha in the Arakan style sits in meditation on a double lotus throne that rests atop a large figural pedestal. This early 20th century lost wax casting of a royal Buddha follows a form introduced in the 14th century Arakan Kingdom that was located in what is now Rakhine in Western Burma. The high opulent crown, side flanges, ear plugs and elaborate chest ornament are Arakan jambhupati features. Origin of the unusual pedestal is not so easily discerned. The central figure most ...