Asian Antiques by Silk Road
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1900 item #878968 (stock #60-11)
Silk Road Gallery
SOLD
This Taihu scholar's stone is classified as "linglong," one of the criteria used by connoisseurs to judge the rocks collected by Chinese literati. The term linglong may be translated as "shapely" or as "pierced with many holes." This stone also is in the category of "fantastic rock" (as opposed to "zoomorphic rocks" and "landscape rocks") for the obvious reason that one can see abstract, dream-like representations in its form. Shaped by the water of Tai Hu (Lake Tai) near Suzhou, its dark khaki...
All Items : Antiques : Regional Art : Asian : Chinese : Pottery : Pre 1920 item #688172 (stock #60-39)
Silk Road Gallery
SOLD
Glazed a soft grey/green, this rustic pottery Chinese oil lamp has charm and appeal that outlive its humble origin. It provided a simple light source. We have not seen one of these in use and originally thought the oil and wick were put into the shallow bowl on top. A visitor to this web site tells us that was not the case. The oil and wick, he said, were put into a small saucer that was set on top of the shallow bowl. This piece makes no pretense beyond its original utilitarian intent--the po...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Paintings : Pre 1900 item #189896 (stock #57-04)
Silk Road Gallery
$250.00
The Buddha with two attending monks and a prince, all of them contemplating a small monkey, make up the tableau in this late 19th century Burmese temple painting. Done in tempura on cotton, the large painting has a signature in the lower left, although most Burmese artists of the period produced only Buddhist works destined for monasteries or temples and did not establish reputations or followings. The two monks may represent Sariputta and Mogallana, Buddha's two chief disciples. A number of sto...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #926234 (stock #33-92)
Silk Road Gallery
SOLD
This is a late 19th century Chinese altar table that has been altered for use as a table behind a low sofa. Altar tables typically have the shallow depth needed for a table placed behind a sofa but often are too high for that use. That is most likely why this one, somewhere along the way, had its legs shortened by a few inches. While its antique value was adversely affected by the alteration, its usability, at least from a Western point of view, may have been enhanced. The wood, elm in a rich m...
All Items : Antiques : Regional Art : Asian : Chinese : Sculpture : Pre 1837 VR item #1076254 (stock #12-49)
Silk Road Gallery
$1,500.00
This late 18th/early 19th century Chinese wood Buddha, nearly three feet tall, is carved in the Udayana image, an iconic pose used to portray the Shakyamuni Buddha. The figure, standing on a double lotus throne, gazes imperturbably out at the world with right hand extended in varada mudra, the Buddhist gesture of charity and blessings. Covering the entire wood surface are strong remains of original paint—russet , indigo and soft green define robes and throne; face, arms, hands and feet are ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #949034 (stock #57-73)
Silk Road Gallery
$850.00
This cast metal Buddha from Cambodia stands on a low pedestal with right hand raised in abhaya mudra, a gesture of blessing and protection. The facial features—full lips, short nose and heavy-lidded eyes, as well as the rounded head of tight curls with a wide usnisa (top knot) and no finial—are classic Khmer. Decorative detailing on the body-hugging robe is emphasized by the silver tone of the heavy metal alloy. This early 20th century Buddha is in good condition, with some surface pitting c...
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1837 VR item #902690 (stock #38-56)
Silk Road Gallery
$600.00
An early 18th century inkstone has a gourd-shaped ink pool cut into a deep black stone slab that, along with brushes, ink and paper, represented what was referred to in Chinese literature as “the four precious things of the library.” Among the four objects, inkstones were considered the most important, the soul of the scholar’s library, because they were said to represent “the infinite subtlety of nature.” Although they appear to be relatively humble objects, inkstones were praised, co...
All Items : Antiques : Regional Art : Ancient World : Near Eastern : Metalwork : Pre 1900 item #938160 (stock #27-98)
Silk Road Gallery
$395.00
A late 19th century hand hammered copper tray from the Caucasus region of Georgia has a thin coating of tin, similar to wine pitchers we have from the same country. (See our catalogue listings 27-85 and 28-01.) This large (26-inch diameter) tray most likely was used to hold such wine pitchers during the festive wine-infused dinners called supras that are traditional in the Georgian culture. The tray is in good condition; the top side shows evidence of long use, the bottom surface shows little we...
All Items : Antiques : Regional Art : Asian : Central Asian : Textiles : Pre 1920 item #1014401 (stock #14-83)
Silk Road Gallery
$430.00
Flatwoven Kilim bags such as this one were used centuries ago by the nomadic Turkic tribes of Central Asia. The bags were made in various shapes and sizes to hold everything from salt to liquids to household goods. Woven of a combination of camel hair and wool, this bag is from the Uzbek people. The weaving is spectacular—tight enough to hold water—with a clean, intricate pattern inside six horizontal bands. Called “ jabors” or ” juvals,” rectangular bags in this size were tied to ...
All Items : Antiques : Regional Art : Asian : Japanese : Furniture : Pre 1910 item #168849 (stock #08-45)
Silk Road Gallery
$650.00
Sliding reed doors such as these late Meiji Period fusuma were used in Japan during the hot summer months to replace shoji screens and solid doors. The reeds allowed cooling breezes to circulate yet afforded privacy. On these doors, the reeds are carefully arranged so the darker areas form a wave pattern. They are held in place by horizontal strips of bamboo on one side and kiri wood on the other. The frame and top portion of the doors are made of light-weight kiri wood. Doors play an important ...
All Items : Antiques : Regional Art : Asian : Central Asian : Jewelry : Pre 1920 item #714228 (stock #61-16)
Silk Road Gallery
$295.00
Worn as a powerful amulet, this silver ornament was sewn to the clothing of a woman of the Teke Turkomen nomadic tribe of the Central Asian steppes. Such ornaments hung in profusion from both the front and back of clothes, and were attached to headpieces and hair of young women to ward off evil and attract good fortune. The central shape of this one, a triangle bordered in braided silver wire, is an ancient symbol of fertility. The upper termination may represent a stylized animal horn. The blue...
All Items : Antiques : Regional Art : Asian : Chinese : Textiles : Pre 1910 item #838315 (stock #41-63)
Silk Road Gallery
$425.00
A peacock embroidered in jewel tones stands on a low tree peony branch on this large red silk wall hanging from the late Qing period. During China’s Ming and Qing Dynasties, the peacock was used as a symbol of rank and also was presented as recognition for meritorious service. It symbolized beauty and dignity, and often was combined, as here, with the tree peony, emblem of Spring and good fortune. This peacock, its tail and wings spread wide against the red silk, is regal in shades of teal, p...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1970 item #802398 (stock #63-86)
Silk Road Gallery
$675.00
A sleek bronze figure, cast in Burma about 40 years ago, assumes an art deco form as he smilingly holds up a receptacle for lamp oil. The design is likely a remnant of Burma's earlier colonial period (1890-1941) when British administrators, with little appreciation for indigenous Burmese art, commissioned ornamental images made to their own specifications. Burmese metalsmiths, whose skill was evident in the Buddhist art they produced, adapted their artistry to turning out secular European desig...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #1244658 (stock #39-32)
Silk Road Gallery
$395.00
From late 19th century Burma, this parabaik, or book, is made of thick cardboard-like paper folded accordion-style with front and back covers of gilded relief lacquer. The paper was made from the inner bark of the mulberry tree that was boiled for a day until soft, then pounded and spread on fabric that was stretched across a frame. The frame was repeatedly dipped in water and drained, then dried in the sun, spread with glue and chalk powder, and finally, polished with seeds. The thick paper ...
All Items : Antiques : Regional Art : Asian : Chinese : Pottery : Pre 1900 item #900790 (stock #37-38)
Silk Road Gallery
$595.00
This large jar from China’s late Qing Dynasty has a heavy cream-colored glaze as background for a design of peonies outlined in chocolate brown. Peony petals are touched with subtle blue/brown shading. The jar, though it is in the style of Chizhou (Tz’u-chou) pottery of the much earlier Northern Song period (960-1127AD), was produced in the mid to late 19th century, reflecting the common practice of Chinese artisans to copy techniques and styles of ancient dynasties in honor and admiration o...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #395925 (stock #60-66)
Silk Road Gallery
$600.00
Chinese opera scenes are painted on the sides and lid of this late 19th century Chinese trunk. The octagon shape of the container, traditional for Chinese shoe trunks, is echoed in the octagon-shaped borders on the paintings. Such trunks quite often had a background color of turquoise, the hue on this one, or of very dark green, although we have seen them in black and bright blue as well. The size of the trunk makes it suitable for use as an accent table. There is wear on the painted surface app...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Paintings : Pre 1980 item #948408 (stock #41-27)
Silk Road Gallery
$295.00
The gentle face of a Buddhist monk from Burma is painted on a large leaf from a Bodhi tree. The Bodhi leaf, with its distinctive shape, is an important element of Buddhist iconography in Southeast Asia as Buddha is said to have attained enlightenment while meditating under a Bodhi (also called Bo) tree. In this painting, the monk’s expressive face appears to be looking through the leaf, adding an almost magical aura. The leaf rests on black cloth, and the work is unsigned. Painted in the late...
All Items : Antiques : Regional Art : Asian : Chinese : Pottery : Pre 1900 item #934316 (stock #32-73)
Silk Road Gallery
$395.00
A mid-19th century Chinese pottery utility jar gets its spontaneity and vitality from thick earthy glazes applied in random drips and dabs of green, cream and brown over a Shiwan clay body. The area around Shiwan in the southern province of Guangdong produced a tremendous range of ceramics over many hundreds of years, from folk figurines to roof tiles to fine works by master potters. Shiwan utility jars such as this one were molded into standard shapes and produced in quantity. The glaze is w...