Asian Antiques by Silk Road
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All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #259258 (stock #58-38)
Silk Road Gallery
$450.00
This 19th century Chinese carved wood architectural panel, once part of a large, richly decorated canopied marriage bed, has been fitted with a mirror. The gilded carvings of a bat and two fish on the lower part of the panel are examples of the use in China during the Qing Dynasty of symbols derived from homonyms to convey important wishes for the future. The similar sounds of the characters for "bat" and "happiness," both pronounced "fu," resulted in a fondness for bat carvings that were hoped ...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #167330 (stock #39-12)
Silk Road Gallery
$675.00
The contrast of the smooth, dark sheen of the face with the light, dusty grey of the hair is a compelling feature of this well cast bronze head. Cast in Thailand about 30 years ago, it is in a style that originated during the Ayutthaya Kingdom (1350-1757), characterized by the full serene face with delicate eyebrows, slightly flared nostrils and well defined lips with the hint of a smile. Tightly curled hair in small spirals covers the head and unisha. The removable filial is an unadorned lotus...
All Items : Vintage Arts : Regional Art : Pre 1960 item #1221946 (stock #13-08)
Silk Road Gallery
SOLD
An exceptionally beautiful face distinguishes this mid-20th century reclining Mandalay Buddha. Carved from one piece of dense Burmese teak, the sleek dark reddish brown figure depicts the Buddha passing into Nirvana. On the wrist is a bracelet with the magic wish-fulfilling jewel Cintamani(see photo enlargement #6). The neck is slender and carved with the three folds characteristic of most Burmese Buddha images. Intricate edging on the graceful draped robe is created of thayo, a lacquer thic...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1940 item #845521 (stock #12-46)
Silk Road Gallery
$690.00
A Burmese Buddha with elaborate thayo edging on the robe and throne sits in lotus position with right hand in earth touching mudra. Carved of teak, the figure is lightly gilded, allowing the dark wood grain to show through, particularly on the face, arms and feet. Generous edging on the robe and double lotus throne is made of thayo, a lacquer and bone ash mixture used by Burmese artisans for relief molding. The serene face and tightly curled hair with low rounded unisha are classic Mandalay styl...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #969594 (stock #10-78)
Silk Road Gallery
SOLD
This graceful Mandalay Buddha, nearly two feet in height, seems to float above its low double lotus throne. The floating effect is achieved with the robe, edged in a Burmese lacquer technique called thayo that ripples lightly across the wide pedestal and cascades in loose folds down the front and back of the slender figure’s left shoulder. The face is serene, with wide downcast eyes and finely executed nose and mouth. Carved of Burmese teak, the surface is a rich red/brown, sealed with a lig...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #980111 (stock #24-98)
Silk Road Gallery
$690.00
A 19th century Chinese red lacquered wood panel is carved with the gods of happiness, prosperity and longevity surrounded by lively attendants running to and fro in a garden scene. Gold leaf applied sparingly over the lacquer adds richness and depth to the carving. The panel is in two parts, with the gods and their retinue carved in relief on the upper section, and fine pierced carving on the bottom section, with beautifully executed symbolic icons: a peony representing honor and masculinity is...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1920 item #788418 (stock #64-03)
Silk Road Gallery
SOLD
An elephant with raised trunk, symbol of hospitality, forms the handle of this carved teakwood Burmese rice scoop. The dark red lacquer, applied over black lacquer in the traditional manner of Burmese artisans, is worn so the black undercoat shows through in areas, giving this early 20th century piece an inviting patina. The elephant trunk, which forms the scoop handle, is especially worn and shows evidence of many years of use. A simple decorative pattern is carved along the top of the scoop, a...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #834732 (stock #10-62)
Silk Road Gallery
SOLD
A fine, tight weave of thin reeds gives texture to the cinnabar and black lacquer finish of this mid-19th century Burmese bowl. The textural quality is heightened by the wearing of top layers of cinnabar lacquer revealing black lacquer underneath for a handsome negoro effect. Resting on four low feet, the bowl, or “kwet,” flares out to a wide point about three-quarters up its height, and then gently angles in toward its crisp upper edge. The inner surface is smoothed with many coats of la...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #1345209 (stock #64-46)
Silk Road Gallery
SOLD
Eight bronze weights, commonly known as opium weights, are cast in the image of a mythical wild goose. The bird, referred to as "hintha" in Burmese or as "hamsa" in Sanskrit, is regarded as a sacred icon and also is the symbol of Burma's Mon People. Weights in the forms of mythical birds and animals were used in Burma from the 18th century into the 20th century to weigh small household items purchased in the marketplaces. Over the years, they became known as "opium" weights, but according to S...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #998093 (stock #12-89)
Silk Road Gallery
SOLD
This medicine Buddha from early 20th century Burma holds the healing fruit of the myrobalan tree in the right hand with the palm extended upward over the right knee. The left hand rests in meditation, palm upward in the lap, without the begging bowl often included in medicine Buddha figures. Variations in medicine Buddha forms may be seen throughout Asia, particularly in Burma, where the elliptical myrobalan fruit sometimes is offered from the right hand of a standing rather than sitting Buddha....
All Items : New Century : Sculpture : Contemporary item #1233871 (stock #11-34)
Silk Road Gallery
$395.00
This nicely contoured Buddha face, carved in three separate wood panels, is from North Thailand. We add this contemporary Buddha to our collection, which over several decades has included only antique and vintage Buddha images, because it is an interesting interpretation of an ancient form. While features of Buddha representations varied from period to period and region to region down through the centuries, this contemporary piece recasts the traditional into sleek and striking. It is purely ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #981876 (stock #10-47)
Silk Road Gallery
$890.00
A classic Burmese bronze Buddha from the late 19th/early 20th century, with the simple, unadorned lines of the Ava Period, is softened with roundness in the face and body. The stepped throne, rather than the traditional diamond shape, also is rounded, adding to the settled, secure look of the figure. Legacies of the traditional Ava style also are seen in the well defined brow over lowered eyes, the slight smile, and a band separating hair and forehead. It was a common practice during the 19th a...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1837 VR item #820399 (stock #06-81)
Silk Road Gallery
$320.00
Pair
Teak hangers for decorative textiles or drapes are carved with figures of Dewi Sri, Hindu goddess of agrarian fertility, a revered icon on the Indonesian island of Java. The painted faces are in the style of the old Majapahit Empire that flourished in East Java during the 13th to 15th centuries. These hangers are from the early 19th century. Throughout Java, Dewi Sri takes on a variety of appearances, sometimes dressed as royalty, sometimes in local costume, in wood, ceramic and bone figures, a...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1970 item #698608 (stock #30-99)
Silk Road Gallery
$395.00
This triptych tableau featuring the Buddhist earth goddess, Wathundaye, is carved of teak and fitted with wood hinges to form a folding altar. The mid-20th century piece is from the countryside in Burma, where Wathundaye is a revered Buddhist icon. She is shown in the act of wringing water from her long hair, depicting a Jataka story that credits her with using the water to drown the evil Mara and his armies who were attempting to disrupt Buddha's path to enlightenment as he meditated under the ...
All Items : Antiques : Regional Art : Asian : Indian Subcontinent : Sri Lanka : Pre 1837 VR item #795716 (stock #35-91)
Silk Road Gallery
$150.00
From the old capital of Kandy in the hill country of Ceylon, now Sri Lanka, this primitive bone carving represents a Singhalese king. Carving on the face and upper body of the figure is quite primitive and contrasts with finer detailing in the swirling patterns on the long skirt, which ends in carved, comb-like teeth. The surface of the large, heavy bone is darkened with age except for one area on the right near the hand, which is white and worn smooth. This suggests it was used as an implemen...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #799411 (stock #57-43)
Silk Road Gallery
$1,700.00
Traces of gold leaf remain on this Pagan dry lacquer Buddha head from the late 1700s. The head rests on a contemporary removable black metal stand. The dry lacquer technique, used by Burmese artisans from the mid-18th century until the beginning of the 20th century, produced finely modeled hollow images that were light in weight but very strong. The labor-intensive method involved a number of steps. First the image was shaped from clay, then wrapped in a lacquer-soaked cloth. A pliable mixture ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #147269 (stock #39-03)
Silk Road Gallery
$2,800.00
Made during Burma's Konbaung Period (1752-1885), this crowned Pagan (Bagan) Buddha stands nearly four feet tall. The hands are in the dharmacakra (teaching) mudra. The carved lacquered and gilded wooden image is in the style of the 11th century colossal standing Buddha statues from Ananda Temple in Pagan, with a long robe open to the ankles over body hugging clothing. Also typical for this type of figure are kneecaps that are visible through the clothing. The high crown of pointed leaves topped ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #898500 (stock #63-30)
Silk Road Gallery
SOLD
A late 19th century lacquer betel box from Burma is incised in an intricate pattern called “yok-thei,” with tiny dancers swirling through vegetal scrolling. The small design, primarily red and green, is punctuated with black and green circles that look like launching pads for the flying stylized dancers. (For a betel box with a similar yok-thei pattern, see color plate # 41 in “Burmese Crafts Past and Present,” by Sylvia Fraser-Lu, Oxford University Press, 1994.) This is one of the more...