Asian Antiques by Silk Road
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All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #719473 (stock #10-08)
Silk Road Gallery
$350.00
A 19th century Chinese panel carved in deep relief is centered with an official riding a chilin, a mythical beast that was an ancient Chinese symbol of high rank. Part unicorn, part dragon, part lion, the chilin is artfully carved with regal head, a flowing three-pronged tail and scales. Attendants holding a fan and a tray of food stand by on either side of the rider. The scene is bordered with graceful carvings of auspicious flowers--lotus, emblem of fruitfulness, on one end; peonies, omen of g...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #844816 (stock #58-20)
Silk Road Gallery
$295.00
A late 19th century Chinese wood panel has excellent sinuous pierced carving on wide bands that stretch across the top and bottom and are set within a contrasting wood frame. The plain frame in a lighter reddish hue draws the eye to the quality of carving in the darker red/brown bands. The piece has been fitted with a new mirror, which for photography purposes, has been sprayed with a temporary non-reflective film. Originally part of a multi-panel screen, this Qing carving is in very good condit...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #898500 (stock #63-30)
Silk Road Gallery
SOLD
A late 19th century lacquer betel box from Burma is incised in an intricate pattern called “yok-thei,” with tiny dancers swirling through vegetal scrolling. The small design, primarily red and green, is punctuated with black and green circles that look like launching pads for the flying stylized dancers. (For a betel box with a similar yok-thei pattern, see color plate # 41 in “Burmese Crafts Past and Present,” by Sylvia Fraser-Lu, Oxford University Press, 1994.) This is one of the more...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1910 item #705829 (stock #54-66)
Silk Road Gallery
$295.00
A tall, thin scholar in a flowing robe centers this late 19th/early 20th century Chinese wood carving. He holds a fan and strikes a pose of the privileged as his little servant stands by on the left. The scholar presumably is on a stroll through his garden, a spot where the Chinese literati were said to spend a good deal of their time and where they often were shown in paintings and carvings. The deep relief carving is inside an octagon, which is contained within a rectangular cartouche. The pan...
All Items : Antiques : Regional Art : Pre 1837 VR item #839958 (stock #10-81)
Silk Road Gallery
SOLD
An unusually large early to mid-19th century Shan hsun-ok from Burma, this piece has a diameter of 19 inches and stands 32 inches high. Full size offering bowls with the distinctive hsun-ok silhouette generally are about 13 to 15 inches in diameter. This one is a masterpiece of balance with the ten identifying Shan raised rings around the lid echoed with 10 raised rings around base. The carvings on the spire, punctuated by a large ball, complement the substantial circumference of the piece. Its...
All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1910 item #884476 (stock #60-24)
Silk Road Gallery
$280.00
This late Qing wood pitcher from Shanghai is similar in form to provincial pitchers but is made of a harder wood, is more carefully constructed and has a sleeker look than its country cousins. The basic construction design is similar—shaped staves form the bowl and are held together with bands. The individual staves on this one are so tightly fitted that it looks as though it is carved from one piece of wood. The band around the bottom is metal but has been colored to match the wood; the uppe...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #312760 (stock #57-32)
Silk Road Gallery
$500.00
Variations in the shades of these green and white jade chess pieces give this set from Burma (Myanmar) extra appeal. Green knights are dark and opaque; other green pieces are translucent and various lighter shades. Many of the white pieces show a blush of pink. Burma is the source of much of the world's jade, which is found there in several colors. The board, set into the top of a carved teak wood storage/carrying case, also is made of green and white jade. Chess pieces are carved in the Western...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1900 item #850952 (stock #64-08)
Silk Road Gallery
$330.00
This late 19th century bronze bell is cast in same design as the huge bells that are prominent features outside Buddhist temples and monasteries throughout Burma. It hangs from a metal crossbar that also supports a U-shaped handle flanked with “to-naya” (snake-like dragons) that match those on the bell hanger. Unlike the huge bells that weigh a ton or more and are struck on the outside with a large wooden mallet, this bell has a clapper that, despite its smaller size, produces a rich and son...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1700 item #164750 (stock #40-84)
Silk Road Gallery
$950.00
Still bearing very slight traces of gold leaf, this small 15th century bronze head of Buddha is from Burma's Ava Period (1287-1752). It most likely was commissioned and donated by a family as an act of merit, and was buried under a stupa for centuries. The Burmese of the time were skilled metalworkers. When a bronze Buddha image was cast, even a small one such as this, astrologers were called in to name the most auspicious day and hour for the casting, and monks cleansed the site of evil spirits...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #147269 (stock #39-03)
Silk Road Gallery
$2,800.00
Made during Burma's Konbaung Period (1752-1885), this crowned Pagan (Bagan) Buddha stands nearly four feet tall. The hands are in the dharmacakra (teaching) mudra. The carved lacquered and gilded wooden image is in the style of the 11th century colossal standing Buddha statues from Ananda Temple in Pagan, with a long robe open to the ankles over body hugging clothing. Also typical for this type of figure are kneecaps that are visible through the clothing. The high crown of pointed leaves topped ...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1940 item #845521 (stock #12-46)
Silk Road Gallery
$690.00
A Burmese Buddha with elaborate thayo edging on the robe and throne sits in lotus position with right hand in earth touching mudra. Carved of teak, the figure is lightly gilded, allowing the dark wood grain to show through, particularly on the face, arms and feet. Generous edging on the robe and double lotus throne is made of thayo, a lacquer and bone ash mixture used by Burmese artisans for relief molding. The serene face and tightly curled hair with low rounded unisha are classic Mandalay styl...
All Items : Popular Collectibles : Cultural : Thai : Pre 2000 item #832718 (stock #57-81)
Silk Road Gallery
$275.00
This soaring form, called a gaelae (galae), is seen in Northern Thailand on the peaked rooftops of houses and other structures built by the Thai Lanna people. On old buildings gaelae are extensions of the ends of roof beams crossed to form a V-shape. On newer houses they usually are separate carvings such as this one and are attached to the peaks of the steep roofs after the basic structure is completed. As to their original use, the most commonly heard explanation is that they were meant to di...
All Items : Popular Collectibles : Cultural : Japanese : Sculpture : Pre 2000 item #700671 (stock #18-59)
Silk Road Gallery
$300.00
set of 3
Three bamboo cages made by fishermen in Japan to harvest shrimp are wonderful examples of the Japanese aesthetic of wabi-sabi. Organic forms, simplicity and imperfections render these humble objects beautiful and timeless. (The Japanese cultural concept of wabi-sabi is nicely presented in the small book "Wabi-Sabi for Artists, Designers, Poets and Philosophers" by Leonard Koren, Stone Bridge Press, Berkeley, California, 1994.) These three bamboo forms together take on new life as an unusual piec...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #877672 (stock #63-04)
Silk Road Gallery
$800.00
This mid-19th century wood offering bowl is from Pagan, an area recognized for producing the finest lacquer items in Burma. Many layers of black lacquer cover the wood base and are topped with a lacquer mixed with cinnabar pigment. These outer red layers have worn away in many places, showing the black lacquer underneath and creating an attractive patina. (For a similar offering bowl see "Burmese Crafts Past and Present" by Sylvia Fraser-Lu, Oxford University Press, 1994, color plate 45.) The ta...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #392459 (stock #55-22)
Silk Road Gallery
$495.00
While traveling in Burma (Myanmar) many years ago, we were enchanted by the particularly sonorous sounds of Burmese bronze gongs. Our resulting small shipment of various sizes of these gongs remained in storage until we had stands made for them in China. The stands are constructed with traditional Chinese tenon joinery of aged, reclaimed elm wood. The bright red fabric-covered striker, hand sewn in Burma, has the proper degree of softness to produce a full sound from this relatively small gong, ...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #141341 (stock #40-05)
Silk Road Gallery
$550.00
Cast about 30 years ago, this replica bronze Buddha head is in the style of Thailand's Sukhothai Kingdom. The Sukhothai period, which lasted from the mid-13th century to the end of the 14th century, is often called "The Golden Age of Thai Civilization." Religious art and architecture from this period are regarded by many art historians as representing the most classic of Thai styles. The face of a Sukhothai Buddha is immediately recognizable for its regal, commanding look, with heavily lidded ey...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #1233983 (stock #11-01)
Silk Road Gallery
SOLD
This serene early 20th century Burmese Buddha, cast in heavy black bronze, is in excellent condition and was most likely displayed on a home altar. The peaceful face has the broad brow, large downcast eyes and half-smile that first characterized Buddha images during Burma’s Ava Period (1364-1752) and has been adopted by many of the country’s artisans down through the centuries. Simple clean lines of the unadorned robe and the right hand resting lightly in earth touching mudra give the figure...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1920 item #815705 (stock #12-44)
Silk Road Gallery
$250.00
A small lacquer box incised with the Burmese “yun” technique has an unusual lid design of a scarf encircled with foliage. Using the yun method, the pattern is accomplished by cutting through top layers of lacquer to reveal one or more differently colored lacquer layers underneath. In this case, just black and light red lacquers were used, producing a container with a simplicity that sets it apart from the multi-colored intricate yun work seen on the larger cylindrical betel boxes from Burma....
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #806740 (stock #64-02)
Silk Road Gallery
$195.00
This most unusual rice ladle from the Shan minority people of Southeast Asia has carvings of a peacock, an elephant, a donkey, a fish and a mystery animal all lined up along its handle. Carving on the double handle, simulating rope, is skillfully done; carving on the animals is more primitive. The bowl is made from a sturdy gourd coated with lacquer. This ladle originated in one of the many small Shan villages concentrated in northeast Burma and was used to scoop rice into the alms bowls of monk...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1960 item #813834 (stock #12-83)
Silk Road Gallery
$495.00
A slender Buddha figure from mid-20th century Burma stands on a double lotus throne with right hand in varada mudra, gesture of charity and compassion. The tall crown, ornate side flanges, chest ornament and epaulets are in the style of the old Arakan Kingdom that became part of Burma in 1752 AD. This relatively small (14" tall) carved teak image was made by the Shan, a minority people residing primarily in Burma and Thailand. Shan communities have continued to produce crowned figures with Araka...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #929783 (stock #63-14)
Silk Road Gallery
SOLD
An especially handsome lacquer bowl, called a “kwet,” is from the Shan people, a southeast Asian tribal group living primarily in northeast Burma. Similar Shan bowls, though not identical to this one, are pictured in a book from the British Museum Press entitled “Visions from the Golden Land: Burma and the Art of Lacquer” by Isaacs and Blurton, on pages 183 and 184, where they are labeled with the spelling “khwet.” This bowl has an inscription on the bottom that is difficult to deci...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1920 item #893819 (stock #17-53)
Silk Road Gallery
SOLD
Tropical scenes from a Javanese village are carved in teak wood in long, low formats making them suitable for hanging in shallow spaces above windows, doors or the like. One of the pair shows a festival, with a large gong and children playing. In the other carving, two horses are very reluctantly pulling a cart in a family going to market scene. These pieces are lighthearted and charming, with spirit, movement and rustic appeal. From the early 20th century, they are in excellent condition. Dimen...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #142931 (stock #39-02)
Silk Road Gallery
$2,900.00
Nearly four feet in height, this 19th century Burmese Mandalay Buddha holds the right hand in the varada gesture to signify fulfillment of all wishes, boon granting and charity. A small fruit offering also is held in the right hand. This graceful classic figure is carved from dense Burmese teak and stands on a lotus throne. An undercoating of dark red lacquer that shows through worn areas in the gilding gives the piece an attractive patina. Large Buddha images such as this were placed above eye-...
All Items : Antiques : Regional Art : Asian : Chinese : Sculpture : Pre 1800 item #136361 (stock #35-59)
Silk Road Gallery
$790.00
This 18th century ceramic figure of the Chinese Buddhist bodhisattva of mercy is unusual in several respects. The form is uncharacteristically simple for the popular Chinese goddess who typically was shown with elaborate flowing robes. The pert face is particularly different with its full lips, upturned nose and wide eyes. Only one hand is visible and it rests on her right knee. The high beaded headpiece and heavy necklace identify the figure as Guanyin. The weighty ceramic figure is heavily gla...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1920 item #951381 (stock #30-94)
Silk Road Gallery
SOLD
A small bronze kyizi gong from a village in Burma is flanked by two coiled naga, sea dragons that are Buddhist icons of protection revered throughout Southeast Asia. Kyizi, (pronounced chi-z) are, as far as we know, unique to Burma, and cast in a variety of sizes, from smaller than this one to quite large, heavy pieces. Suspended on a rope, they are struck on the upturned ends so the gong swings in a circle and emits a vibrating tone, used to mark donations to the monastery or to alert local re...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #998093 (stock #12-89)
Silk Road Gallery
SOLD
This medicine Buddha from early 20th century Burma holds the healing fruit of the myrobalan tree in the right hand with the palm extended upward over the right knee. The left hand rests in meditation, palm upward in the lap, without the begging bowl often included in medicine Buddha figures. Variations in medicine Buddha forms may be seen throughout Asia, particularly in Burma, where the elliptical myrobalan fruit sometimes is offered from the right hand of a standing rather than sitting Buddha....
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #941725 (stock #35-92)
Silk Road Gallery
$250.00
Chinese opera characters are carved in relief on this late 19th century wood roundel. The central character strokes his beard and looks pleased; the figure on the right thrusts his drinking cup aloft. In the background, a barefoot servant runs off holding a small scroll. A bat, Chinese emblem of good fortune, is carved into the base of the piece. While the two main characters on the roundel are in excellent condition, the figure of the running servant is inexplicably worn on the face (see photo ...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #167330 (stock #39-12)
Silk Road Gallery
$675.00
The contrast of the smooth, dark sheen of the face with the light, dusty grey of the hair is a compelling feature of this well cast bronze head. Cast in Thailand about 30 years ago, it is in a style that originated during the Ayutthaya Kingdom (1350-1757), characterized by the full serene face with delicate eyebrows, slightly flared nostrils and well defined lips with the hint of a smile. Tightly curled hair in small spirals covers the head and unisha. The removable filial is an unadorned lotus...
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1910 item #1126165 (stock #12-57)
Silk Road Gallery
$290.00
This late Qing scholar’s box has a removable dark red and gold carved front panel that secures four drawers behind it. The intended interpretation of the gilded garden scene carving is a mystery: A man and woman appear to be observing or celebrating an object, possibly a manuscript, tied with a rope into a bundle that is suspended above them from an overhanging flowering branch. It is interesting to speculate that perhaps the scholar just completed some important writing and this is a celebrat...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1940 item #1128330 (stock #12-20)
Silk Road Gallery
$670.00
A gilded Mandalay Buddha standing two feet tall strikes a graceful pose, with right hand in the varada mudra of charity and the fulfillment of wishes. Carved of dense Burmese teak wood, this early to mid-20th century figure is coated with a dark red matte lacquer highlighted with a liberal application of gilding. This Buddha’s finely carved face is striking, with especially large elongated eyes and brows. Elaborate draping and folds on the robe are emphasized with gilded scrolling and beading...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1800 item #313771 (stock #24-86)
Silk Road Gallery
$595.00
Pierced carvings of foliage widely spaced around a framed rectangular relief carving give this 18th century Chinese elm wood panel a light and airy look. The central carving depicts a three-tiered village scene with a stylized mountain in the background. A horizontal pierced carving inset at the top of the panel represents foliage, and a relief carving inset at the panel's bottom depicts a bird and a flowering branch. All the elements are set within frames so the piece has a balanced, ordered fe...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1920 item #919136 (stock #63-64)
Silk Road Gallery
$595.00
Two kneeling nats, possibly representing the Taungbyon brothers, among the most revered deities in the Burmese spirit world of nats, are carved with identical positions and thrones but faces that are quite different from one another. Widespread belief among the Burmese of nats, the spirits of certain departed humans, and also of nat spirits of trees, rivers, rocks and more, predates the introduction of Buddhism in Burma. Thirty-seven nats, both protectors and rogues, each with its own complex s...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1492 item #718754 (stock #40-85)
Silk Road Gallery
$1,100.00
A 600-year-old bronze Buddha from the old Shan capital of Pinya in northern Burma sits in padmasana position with right hand in bhumisparsa, or earth touching, mudra. The Shan, who migrated down into north Burma from Yunnan, China, established their first capital at Pinya in 1298 during Burma's early Ava Period (1287-1752). In 1364, a Shan capital was established in Ava, where the Shan stayed until 1555. This small Pinya Buddha, most likely unearthed from a stupa, is a very early example of the ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1920 item #788418 (stock #64-03)
Silk Road Gallery
SOLD
An elephant with raised trunk, symbol of hospitality, forms the handle of this carved teakwood Burmese rice scoop. The dark red lacquer, applied over black lacquer in the traditional manner of Burmese artisans, is worn so the black undercoat shows through in areas, giving this early 20th century piece an inviting patina. The elephant trunk, which forms the scoop handle, is especially worn and shows evidence of many years of use. A simple decorative pattern is carved along the top of the scoop, a...
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1900 item #878968 (stock #60-11)
Silk Road Gallery
SOLD
This Taihu scholar's stone is classified as "linglong," one of the criteria used by connoisseurs to judge the rocks collected by Chinese literati. The term linglong may be translated as "shapely" or as "pierced with many holes." This stone also is in the category of "fantastic rock" (as opposed to "zoomorphic rocks" and "landscape rocks") for the obvious reason that one can see abstract, dream-like representations in its form. Shaped by the water of Tai Hu (Lake Tai) near Suzhou, its dark khaki...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1900 item #335268 (stock #57-18)
Silk Road Gallery
$395.00
The hin-tha, or sacred goose, an icon found in both the folk and Buddhist art of Southeast Asia, is the subject of this 19th century teak wood carving from Burma. The bird's head points skyward and it holds a small fish in its beak. A kneeling man rides in the curve of its long neck. Also called a hamsa, the hin-tha is among the many creatures that play roles in The Jataka, stories about the lives of The Buddha. It is found on sacred objects as well as everyday utilitarian items. This carving wa...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #167518 (stock #16-44)
Silk Road Gallery
$160.00
This primitive carved wood mask is from the Batak people who live around mystical Lake Toba in the northern reaches of the island of Sumatra. The small collection of Batak protector masks pictured in this catalogue (see them all under our category "Tribal") shows the fascinating range of facial expressions artisans were able to achieve in these relatively simply carved masks. This particular mask is unusual because the face appears to be smiling; its world class bloodshot eyes, however, are simi...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #265851 (stock #10-44)
Silk Road Gallery
$300.00
One of the most exotic sculptural forms in Southeast Asia, the naga, a sea dragon with a high curving spire, is seen at temple entrances an on roofs. This 19th century carved teak wood naga was once a finial on a temple roof in Thailand. The mythical serpent is said to have protected the Buddha from lightning as he sat meditating under a bodhi tree and so is used to guard against evil spirits, particularly natural disasters. When in use at temples, the sculptures generally are covered in colorfu...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #969594 (stock #10-78)
Silk Road Gallery
SOLD
This graceful Mandalay Buddha, nearly two feet in height, seems to float above its low double lotus throne. The floating effect is achieved with the robe, edged in a Burmese lacquer technique called thayo that ripples lightly across the wide pedestal and cascades in loose folds down the front and back of the slender figure’s left shoulder. The face is serene, with wide downcast eyes and finely executed nose and mouth. Carved of Burmese teak, the surface is a rich red/brown, sealed with a lig...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #268585 (stock #57-71)
Silk Road Gallery
$365.00
With its lovely chu-pan foliage design, this 19th century cosmetic (bi-it) box shows the Burmese skill at fine lacquer work. The maker's name is prominently displayed on the lid in a banner carried aloft by a lively nat (spirit). Called a bi-it, the container was used to hold sandalwood powder, which was mixed with water to form a paste applied by Burmese women to their face as a skin refiner and sunscreen. Made by layering many coats of lacquer over a base of thin wood and coiled bamboo strips,...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #882005 (stock #63-13)
Silk Road Gallery
SOLD
This very large lacquer tray from the Shan minority people in northeast Burma has four different patterns of basketry weaving showing through the rich persimmon-colored lacquer. Called byat, such handmade trays, used for serving food, were time-consuming to produce. Following the weaving process, each of the many successive applications of lacquer required several days of drying, then burnishing before the next coat of lacquer was applied. Tin trays were replacing these handmade ones a number o...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1700 item #699949 (stock #25-64)
Silk Road Gallery
$1,100.00
This Ava Period (1287-1752) limestone Buddha head was found in Burma in the mid-1990s. It obviously was cut from a stone backslab, indicating an early to mid Ava timeframe since the use of backslabs, prevalent during the earlier Pagan Period, declined during the late Ava years. The Buddha has a wide, squarish face, prominent eyebrows, well modeled lips and smooth cap, all Ava attributes. It is intriguing to speculate whether it was grouped with other figures and where it was displayed, as the ba...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #259258 (stock #58-38)
Silk Road Gallery
$450.00
This 19th century Chinese carved wood architectural panel, once part of a large, richly decorated canopied marriage bed, has been fitted with a mirror. The gilded carvings of a bat and two fish on the lower part of the panel are examples of the use in China during the Qing Dynasty of symbols derived from homonyms to convey important wishes for the future. The similar sounds of the characters for "bat" and "happiness," both pronounced "fu," resulted in a fondness for bat carvings that were hoped ...
All Items : Vintage Arts : Regional Art : Asian : Chinese : Sculpture : Pre 1940 item #1345065 (stock #10-50)
Silk Road Gallery
$675.00
Carved from stone, weighing 98 pounds and standing 32 inches tall, this Buddha is unique--both spare and complex. From the side the figure is simplified and angular; the front and back are rounded, and the face is detailed. The figure conveys both strength and warmth through facial expression and hand gestures. A touch of hauteur in the face is softened with hand gestures (mudra). The right hand is raised in abhaya mudra, which grants protection and reassurance; the left palm is turned outward i...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1940 item #1344377 (stock #11-14)
Silk Road Gallery
$600.00
A Burmese Buddha revered for healing the spirit as well as the body holds a pot containing the water of long life. Ornamentation is especially dramatic, with a high spired crown and the lavish use of a Burmese lacquer process called thayo on the robes to represent elaborate embroidery. The cape is flared at the sides giving the figure a striking silhouette. Small applications of gold leaf added by the devout when a Buddha is displayed add interest to the dark brown teakwood carving. This mid-19...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1910 item #786538 (stock #10-40)
Silk Road Gallery
$790.00
This bronze Buddha, with attributes true to Burma's late Ava period of the 1600s, was cast a few hundred years later in the late 19th/early 20th century. It was common practice for Burmese artisans of later periods to copy styles that originated much earlier, sometimes mixing attributes from several periods and regions. In this beautifully cast handsome Buddha, the form follows the Ava look in all respects. The wide forehead, lowered eyes, well-defined nose and small, slightly upturned lips comb...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #985475 (stock #55-25)
Silk Road Gallery
SOLD
This hand hammered bronze gong from Burma emits a mid-range mellow tone when struck at the center of its starburst pattern with a padded mallet. Hanging circular gongs of this sort are used in a Burmese orchestra, where an ornate lacquered wood gong circle, called a “kyi waing” surrounds 20 or so gongs of graduated sizes and tones. Gongs of various sizes also are used for Buddhist rites in temples and monasteries throughout Burma. When created for use as musical instruments, these carefully ...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #167531 (stock #16-39)
Silk Road Gallery
$160.00
This primitive carved wood mask is from the Batak people who live around mystical Lake Toba in the northern reaches of the island of Sumatra in Indonesia. The small collection of Batak protector masks pictured in this catalogue (see them all under our category "Tribal") shows the fascinating range of facial expressions artisans were able to achieve in these relatively simple carvings. This particular mask has a bird theme, with rather predatory owl-like eyes and a red and green bird head that ha...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #799411 (stock #57-43)
Silk Road Gallery
$1,700.00
Traces of gold leaf remain on this Pagan dry lacquer Buddha head from the late 1700s. The head rests on a contemporary removable black metal stand. The dry lacquer technique, used by Burmese artisans from the mid-18th century until the beginning of the 20th century, produced finely modeled hollow images that were light in weight but very strong. The labor-intensive method involved a number of steps. First the image was shaped from clay, then wrapped in a lacquer-soaked cloth. A pliable mixture ...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1910 item #1245419 (stock #60-25)
Silk Road Gallery
$260.00
This late Qing Dynasty teacup box has a high handle carved with the figure of a deer, an auspicious Chinese symbol used to wish longevity. Foliage, flowers and scalloping also are carved on both sides of the handle as well as on the ear-like curved ends that hold the handle in place. The rich red lacquer on the wooden box contrasts nicely with touches of deep, dark green and faint gilding. The container is fitted with a removable half-lid that allowed stacks of traditional Chinese teacups witho...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #1345209 (stock #64-46)
Silk Road Gallery
SOLD
Eight bronze weights, commonly known as opium weights, are cast in the image of a mythical wild goose. The bird, referred to as "hintha" in Burmese or as "hamsa" in Sanskrit, is regarded as a sacred icon and also is the symbol of Burma's Mon People. Weights in the forms of mythical birds and animals were used in Burma from the 18th century into the 20th century to weigh small household items purchased in the marketplaces. Over the years, they became known as "opium" weights, but according to S...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #1245861 (stock #57-74)
Silk Road Gallery
$500.00
A Khmer face with full lips, short nose and eyes that tilt upward at the outer corners identifies the Cambodian origin of this early 20th century cast metal standing Buddha. The gesture of blessing and protection, abhaya mudra, is conveyed with the right hand, and both palms are incised with the Buddhist wheel of law. A high lotus finial tops tight curls on the rounded head. The torso is bare to the waist where a body-hugging robe is defined with deep incising around the hips and on a panel ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #981876 (stock #10-47)
Silk Road Gallery
$890.00
A classic Burmese bronze Buddha from the late 19th/early 20th century, with the simple, unadorned lines of the Ava Period, is softened with roundness in the face and body. The stepped throne, rather than the traditional diamond shape, also is rounded, adding to the settled, secure look of the figure. Legacies of the traditional Ava style also are seen in the well defined brow over lowered eyes, the slight smile, and a band separating hair and forehead. It was a common practice during the 19th a...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1930 item #1276022 (stock #10-45)
Silk Road Gallery
$700.00
This well carved teak Burmese Buddha is peaceful and elegant. The finely modeled face and lavishly decorated robe are lightly touched with a subtle gold wash applied over a thin base of reddish lacquer, allowing the wood grain to show through. Edging on the robe and a body decoration that swirls across the right shoulder and down the arm are impressive examples of Burmese expertise with thayo, a mixture of lacquer and powdered bone or ash that dries to the hardness of wood. The figure sits in ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1700 item #694620 (stock #25-65)
Silk Road Gallery
$1,100.00
This limestone Buddha head has been in our collection since the mid-1990s when we purchased three of them, each with features distinctive from the others but all carved from the same stone and of Burma's Ava Period (1287-1752). The other two of the three appear to have been cut from a back slab; this one is almost fully in the round. All three heads have the Ava characteristics of prominent sweeping eyebrows over half-closed eyes, well modeled lips and a smooth cap over the hair but differences ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #277996 (stock #10-46)
Silk Road Gallery
$550.00
Pieces of the blue and gold tiles that once covered the scales of this 19th century naga, or water dragon, remain on the weathered surface, adding interesting glints of light to the exotic sculptural form. Traces of red can be seen on the beard, around the eye and between the scales. The naga curved gracefully toward the sky on the roof of a Buddhist temple. One of the most revered forms in Thailand, the naga is said to have protected the Buddha from lightning as he meditated under the bodhi tre...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #896352 (stock #63-23)
Silk Road Gallery
$695.00
An offering stand, or “kalat,” used by the Intha people who live in the villages around Inle Lake in one of the Shan states in northeastern Burma, is from the late 19th century. A similar though more recent piece in the British Museum is pictured in “Visions from the Golden Land: Burma and the Art of Lacquer,” by Isaacs and Blurton, British Museum Press, p. 163. Kalat stands such as this were used by families in much the same manner as the tall, spired hsun-ok to carry offerings of food ...
All Items : Antiques : Regional Art : Middle Eastern : Pre 1900 item #155372 (stock #27-74)
Silk Road Gallery
$275.00
From Tbilisi, Georgia, this 19th century wine decanter was turned, then hand carved with distinctively Georgian designs that reflect the country's geographic position between East and West. Wine making and wine drinking have been serious pursuits for many centuries in Georgia, so many of the country's old, collectible objects center around viniculture. This decanter is evocative of Georgia's ethnography, a melange of Asian, Middle Eastern and European that reflects its geographic role as an East...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1940 item #972160 (stock #63-88)
Silk Road Gallery
$675.00
A bronze oil lamp that dates to the latter years of Burma’s British colonial period (1890-1941) is built around the figure of a smiling Burman holding out a small oil receptacle. The piece, nearly two feet in height, has a decidedly art deco look, in spite of the figure’s native dress. According to Sylvia Fraser-Lu in her book, “Burmese Crafts Past and Present,” British colonial administrators had little appreciation for indigenous Burmese art but they acknowledged the superior metalwork...
All Items : Popular Collectibles : Cultural : Contemporary item #708063 (stock #24-04)
Silk Road Gallery
$120.00
An unusual handcarved vase of hardwood native to Uzbekistan shows the strong relationship in aesthetics between Middle Eastern Persian or Iranian design and designs used by the Uzbek people of Central Asia. This piece is the product of an Uzbek family woodcarving business run by the family matriarch, herself a second generation woodcarver. Although the business mainly produces large ornate furniture for the local market in Uzbekistan, family members take great delight in creating small, carefull...