Asian Antiques by Silk Road
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All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1920 item #893819 (stock #17-53)
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Tropical scenes from a Javanese village are carved in teak wood in long, low formats making them suitable for hanging in shallow spaces above windows, doors or the like. One of the pair shows a festival, with a large gong and children playing. In the other carving, two horses are very reluctantly pulling a cart in a family going to market scene. These pieces are lighthearted and charming, with spirit, movement and rustic appeal. From the early 20th century, they are in excellent condition. Dimen...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #894706 (stock #63-51)
Silk Road Gallery
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These lacquered wood figures of Buddha and five monks are from Burma, where they are displayed to commemorate Dhama Sakya, or First Sermon Day, in honor of what is believed to have been the Buddha’s initial teaching following enlightenment. The important event is celebrated annually on the fourth day of the sixth month of the Buddhist calendar, which falls sometime in June or July. In the tableau, the Buddha, after just achieving enlightenment, meets five ascetics at the town of Saranath, nea...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1920 item #978464 (stock #31-03)
Silk Road Gallery
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This bronze leogryph figure with human face is from early 20th century Burma and is a variation of the Buddhist temple guardian called manok-thi-ha or manushi, names derived from the Sanskrit words for man (manu) and lion (simha). Burmese manok-thi-ha often have double rear quarters (two bums—see our catalog item 63-37). This one is single-bummed and outfitted with heavy necklace, chest ornament and lots of swirls. The fantastic manok-thi-ha, a creature from Buddhist mythology, is said to roam...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #880614 (stock #11-06)
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This large dramatic sculpture of a royal Buddha in classic Arakan style is two feet tall and crowned with curled open-work flanges flanking five intricately rendered leaf-covered spires. The practice of outfitting Buddha images in such regal style is said to have started in the Arakan Kingdom that flourished from 1287 to 1752 AD, when it became part of Burma. According to legend, an Arakan king named Jambupati (or Jambuphati) was causing suffering due to his excessive arrogance and pride. In ord...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #1233983 (stock #11-01)
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This serene early 20th century Burmese Buddha, cast in heavy black bronze, is in excellent condition and was most likely displayed on a home altar. The peaceful face has the broad brow, large downcast eyes and half-smile that first characterized Buddha images during Burma’s Ava Period (1364-1752) and has been adopted by many of the country’s artisans down through the centuries. Simple clean lines of the unadorned robe and the right hand resting lightly in earth touching mudra give the figure...
All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1910 item #1237426 (stock #11-19)
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Remarkable carving skill makes this late 19th/early 20th century container a handsome relic of the days when time and care were given to making utilitarian objects for Chinese households. The pleasingly clean form is created by the curved handle and spout, each carved seamlessly as part of staves that are integrated with 13 additional staves to form the container. A symbol carefully carved and gilded on the handle most likely had a significant meaning for the family. This piece, from Zheijian...
All Items : Antiques : Regional Art : Asian : Chinese : Porcelain : Pre 1900 item #853841 (stock #51-49)
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Dated 1870 on the base, this late Qing Dynasty ceramic figure is of General Guan Gong, a popular character in Chinese opera, who is cast as brave, swashbuckling and, above all, fiercely loyal to the emperor. The piece is quite detailed, with decorative elements of the butterscotch and white costume defined in relief as well as with intricate incising. Within the general’s wide, open-mouthed grin, his tongue and seven teeth are clearly visible. His face and hands are unglazed. His headpiece sho...
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1900 item #878968 (stock #60-11)
Silk Road Gallery
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This Taihu scholar's stone is classified as "linglong," one of the criteria used by connoisseurs to judge the rocks collected by Chinese literati. The term linglong may be translated as "shapely" or as "pierced with many holes." This stone also is in the category of "fantastic rock" (as opposed to "zoomorphic rocks" and "landscape rocks") for the obvious reason that one can see abstract, dream-like representations in its form. Shaped by the water of Tai Hu (Lake Tai) near Suzhou, its dark khaki...
All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #892964 (stock #54-71)
Silk Road Gallery
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Two rectangular wood panels from late 19th century China are hand carved with vases, flowers and graceful trailing foliage in deep relief, each carving set within a cartouche and showcased with gilding applied over dark pomegranate red. These panels once were part of an interior window or door or perhaps integrated into a large piece of furniture. Such panels are often referred to as “temple carvings” because some of them were part of Buddhist temple architecture, rescued as China’s old b...